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In his essay Beowulf: The Monsters and the Critics, J. R. R. Tolkien argues that the dragon, and possibly all the monsters in Beowulf, is "a personification of malice, greed, destruction […] and of the undiscriminating cruelty of fortune that distinguishes not good and bad" (17). He also argues, however, that the dragon is not purely allegorical either. This essay will explore this argument on the example of Grendel's mother.
Nowhere in the poem is it explicitly stated that Grendel is physically a monster. The poem lacks a physical description of him, other than that he is tall. He is also a descendant of Cain (line 1266 – 1267), who was undeniably human, at least as far as his body is concerned. By extension, if Grendel is at least part human, Grendel's mother must also contain a large number of human traits,
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even though she is described as a "swamp-thing from hell" (line 1518), an "aglæc-wif" or monster-woman (line 1259), and she is said to have talons (line 1504). So, unlike her son, there is a physical characteristic of hers that would suggest she is physically a monster. The first monstrous quality of hers we learn about in the epic poem is her dwelling. She lives in a mere (line 1363) where the water burns at night (line 1366). She is not immortal, but, according to Heaney's translation, "had scavenged and gone her gluttonous rounds for a hundred seasons" (line 1498 – 1499). However, she is also described as "ides" (line 1259), or noble woman, lady, which seems to suggest she is simultaneously both monstrous and noble.
She is given many attributes and names usually associated with warriors. She has a very strong sense of wergild (man-payment) and avenges her son herself instead of sending a man to do the job for her. She is a unique female character in the poem because she does things women at the time were not supposed to do and that we are not used to witnessing in epic poems. Her cruelty and cunning is visible in her clever choice of man she killed in the mead hall – the only literary man among the thanes. However, the sense of wergild is present throughout the poem and does not make Grendel's mother any more cruel than any other character driven by it. We have no proof of her being evil. Her monstrosity is the only trait of her that could potentially be described as evil. Since wyrd, or fate, is on Beowulf's side when he fights her, one could argue that in this fight Beowulf is the personification of "the undiscriminating cruelty of fortune that distinguishes not good and bad" (Tolkien 17). Since Grendel's mother kills only because of wergild (or at least there is no proof that she does this out of any
other intentions), and wergild is one of the predominant rules of the world of Beowulf, followed by the good and the evil alike, there is no justifiable reason why Beowulf should triumph over Grendel's mother, other than that she is a monster and he is the protagonist. As for "malice, greed, destruction" (Tolkien 17), Grendel's mother does not really display any, at least not in the grand sense Tolkien attributes it to the dragon. So, while Grendel's mother is physically a monster, she does not have any characteristic or does anything that is inherently evil. While Tolkien's argument may work for the dragon, it does not work for Grendel's mother. Like the dragon, she is not purely allegorical, but there is also nothing in the poem to support the claim that she is a personification of evil. Since Grendel's mother follows the rules of the world in which the epic is set, there does not seem to be a purpose to her monstrosity, other than to give the reader a reason to choose Beowulf's side over hers.
as men. She has been sleeping down in her dark and dingy cave below the world
Groceske, Randy. A Classic Adventure: The Adventures of Beowulf. Online. Internet. October 15, 1998. Available HTTP: http://www.geocities.com/TheTropics/Cabana/2388/beowulf.html
The battle with Grendel’s mother differ from the battle with Grendel because when Beowulf fought with Grendel he used no weapon “my hands alone should fight for me” line 174. On the day of the battle, when Grendel saw Beowulf he was scared for the first time “ Grendel's one thought was to run from Beowulf, flee back to his marsh and hide there.” line 278 But when Beowulf fought with Grendel’s mother, at the beginning Beowulf was fighting for his live “ For the first time in years of being worn to war it would earn no glory” line 484 Beowulf was losing , she was to fast and “no sword could slice her evil skin.” He needed his weapons fight for him, and Grendel’s mother was not scared of his strength as Grendel
Grendel as a character is very intelligent, he is capable of rational thought at all times. Because of this, at sometimes during the story I would forget Grendel is a monster, the way he acts in his thoughts and actions I would mistake him for a human; at times I was even feeling bad for Grendel because he is a very lonely person who tries to understand all of the meaningless of the world around him. Grendel can never get to close to
When compared the Movie and the Epic have the same story arc (Beowulf and Grendel, Beowulf and Grendel’s Mother and Beowulf and the Dragon). Starting out similarly with Grendel's slaughter of the Danes through Beowulf’s defeat of Grendel. However, turning in the opposite direction when Grendel’s Mother is introduced. Thus interpreting and changing the finer details of said story.
Unlike the former two “monsters” in Beowulf, the dragon is not characterized among cold, dark imagery. Rather, Beowulf (representing the “good”) must venture to the “flaming depths” to fight the dragon in its own territory (2549). Instead of a dark, wintry description, the dragon is surrounded by hot, light imagery in respect to the fire it breathes. Although this is the nature of the beast (literally), the Beowulf-poet’s choice of a dragon as the third monster is critical in making a statement about “good” in respect to “evil.” In a way, the speaker is bringing Beowulf and the dragon to an equal level; he even regards the two in battle as “each antagonist” rather than one protagonist and one antagonist (2565). In this manner, the line between “good” and “evil” is obscured even
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Since this is ancient times this is the time where women were not as equal with men as they are in the present. This is the reason why this chapter will be my favorite out of the whole poem. This is the chapter where Grendel's Mother shows how powerful we women are and she takes out Hrothgar’s best man. You can already see that they did not really appreciate women because they did not take the time to remember Grendel's mother’s name, and in the poem she is called Grendel's Mother.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
In contrast, Beowulf is seen as a hero, even when exemplifying the violent and dangerous qualities the dragon is feared for. Anglo-Saxon society prized loyalty, personal valor, and fame. In order to be a hero, one must recognize the need to act, and not shy away from it. The dragon, based on that definition, embodies the Anglo-Saxon idea of a hero: it is loyal to its cause, it is a good warrior, and it recognizes the need to act. It even has a sense of justice and a sense of wrong, shown by the way it reacted to the theft of the chalice. The dragon becomes vengeful and defensive, using cruelty as a means to correct the wrong. Described as “the guardian of the mound” (2302), the dragon’s intent is identical to Beowulf’s. Beowulf is seen as a hero not only because of his actions, but because he is human. The only thing that makes the dragon different is its inhuman qualities, and therefore it is a monster, a “ground-burner” (2713). Heroism in Anglo-Saxon society is a concept embodied by warriors and guardians, who would vie to be the most well-known. Heroism, to the Anglo-Saxons, is an excuse to use cruelty as a way to further one’s fame. It is a social crutch of sorts, leaned on for the vain chance to be immortal. When Beowulf agrees to fight the dragon, it is to have a heroic death, so he may be remembered. In the battle, just as with Grendel and Grendel’s mother,
Despite her evil actions, it is evident that there is less malice in her than Grendel and she is less of a symbol of pure evil than he is. For example, her attack on Heorot is somewhat appropriate and could be considered honorable by the standards of warrior culture, as it marks an attempt to avenge one’s son’s death. In fact, the motive for her attack is similar to Beowulf’s motive for his attack on her: avenging the death of a loved one. One of the most interesting aspects of Grendel’s mother’s attachment to this vengeance-demanding code that the warriors follow is that she is depicted as not entirely alien or monstrous. Her behavior is not only comprehensible but also justified. In other ways, however, Grendel and his mother are indeed portrayed as creatures from another world. One aspect of their difference from the humans portrayed in the poem is that Grendel’s strong parental figure is his mother rather
In the poem “Beowulf,” Grendel’s mother, a monstrous creature, is one of the three antagonists Beowulf, the main character, fights against. The battle against Grendel’s mother appears to be the strangest of the three battles. The main reason for its strangeness is that Grendel’s mother is the mother of the monster Grendel, who was killed by Beowulf in the first battle. Another reason for its strangeness is that Grendel’s mother is the only female-type creature. An alternative reason for this strangeness in the battle is due to the fact that Grendel’s mother is not a true monster, aside from her physical form. Through the explanation of kinship, the understanding of the missing words from the original text, and the comparison of Grendel’s mother to other mothers in the poem, specifically Welthow and Hildeburh, it can be established that the intentions of Grendel’s mother are not monstrous even though she has the appearance of a monster.
The author makes evident what the evil is in the poem Beowulf. The evil dragon’s in Beowulf would be Grendel, Grendel’s Mother, and the final dragon who took Beowulf’s life. The author introduces Grendel in the beginning of the Poem. Grendel is the mon...
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).