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Monsters in literature essay
Monsters in modern culture
Grendel character analysis
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A monster is a creature that deviates from normal or acceptable behavior; a threatening fore; something of unnatural deformity, malevolence, and cruelty. A hero, on the other hand, is one idealized for courage, bravery, and strength. While fusing the evermore different qualities of both would seem impossible, John Gardner’s Grendel does just that. Gardner creates an ambiguous character that possess aspects of both a monster and a hero – it is a force of evil, yet admired; it causes pain yet urges sympathy; and it is of irregular ugliness yet beloved. Its name is Grendel. Grendel is an illustration of a “shadow stalker” who becomes submissive to its own misunderstanding and isolation, hungering for discovery, and claiming some rightful place in an ambiguous world.
Grendel’s search for self-discovery is explored through his acceptance of insanity found within, while at the same his dismissal of insanity found in others. Grendel’s dismissal of such misunderstanding found in other characters allows him to discover his own insanity in a world he considers absurd. Through discovering his own insanity, Grendel begins to believe that the absurdity of the world is rooted in his own creation. “I understood that the world was nothing: a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears. I understood that, finally and absolutely, I alone exist. All the rest, I saw, is merely what pushes me, or what I push against, blindly – as blindly as all that is not myself pushes back. I create the whole universe, blink by blink” (Gardner 21-22). While Grendel believes that he created the world and all forces revolve around him, he recognizes that he defines himself through his conflict with humans, even in the mi...
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...n and misunderstanding, drawing parallels and undermining one’s hunger for the littlest bit of truth in a world swallowed by absurdity. Grendel is an illustration of a monster whose self-inflicted pain and alienation causes him to lose himself in mystery, and thus prevents him from seeing any truth.
Works Cited
Fajardo-Acosta, Fidel. "Intemperance, Fratricide, And The Elusiveness Of Grendel." English
Studies 73.3 (1992): 205. Literary Reference Center. Web. 12 Feb. 2014.
Gardner, John. Grendel. New York: Knopf, 1971. Print.
Murr, Judy Smith. "John Gardner's Order And Disorder: Grendel And The Sunlight Dialogues."
Critique 18.2 (1976): 97. Literary Reference Center. Web. 24 Feb. 2014
Sanchez, Reuben. “‘You Improve Them, My Boy!’: Insanity and Self-Discovery in Gardner’s
Grendel.” Explicator 66.1 (2007): 47-50. Literary Reference Center. Web. 12 Feb. 2014
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
John Gardner's revolutionary style is not encompassed by a single genre; instead, he mixes first-person narrative and several different literary styles to give the "Ruiner of Meadhalls" a unique voice. The use of first-person narrative is essential to convey Grendel's spiritual growth. Were it not for Grendel's often self-deprecatory tone, which varies from mocking - "big shaggy monster intense and earnest, bent like a priest at his prayers" (72) - to bitter and cynical - "I, Grendel, was the dark side. The terrible race that God cursed" (51) - Grendel would be impossible to relate to. Even Grendel's bouts of insanity - (whispering, whispering. Grendel has it occurred to you my dear that you are crazy?)" are easily understood.
"'Pointless accident,' not pattern, governs the world, says Grendel, who, as a consequence, adopts an existentialistic stance," explains Frank Magill in Critical Review of Short Fiction. This point has been expressed in numerous critical papers by various essayists. One may wonder, however, whether this is the only way to interpret an incredibly ambiguous story in which no question is ever clearly answered nor clearly formulated. One may wonder, actually, whether the author meant for his work to be analyzed in this way at all. The author, John Gardner, spins a tale of a monster held viscously to his destiny of an unnatural death. No matter what Grendel does, his death is predetermined. Though he tries to disprove fate to himself by believing in existentialism, the belief that actions create the future, he never validates that point of view. John Gardner's purpose in writing Grendel was to express that the future is completely unavoidable.
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Grendel’s point of view as a narrator adds an added sense of violence to the scene, which suggests that absurdism is useless, as absurdism ultimately decay into nihilism due to the chaotic nature of life.
Grendel as a character is very intelligent, he is capable of rational thought at all times. Because of this, at sometimes during the story I would forget Grendel is a monster, the way he acts in his thoughts and actions I would mistake him for a human; at times I was even feeling bad for Grendel because he is a very lonely person who tries to understand all of the meaningless of the world around him. Grendel can never get to close to
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
Evil. It’s a concept that has baffled philosophers, religious figures, and the common man alike for thousands of years. In this millennium, people may exemplify evil as terrorism, genocide, or, perhaps, placing an empty milk carton back in the refrigerator. However, many remain conflicted about the exact definition of evil, as the dispute over the character Grendel, from the John Gardner novel, makes evident. To conclude that Grendel is not evil, readers must first operate under the assumption that the beast is unequivocally and thoroughly evil. Having done so, readers will notice the fallacies within this thought process. By asserting that Grendel is evil, readers blatantly disregard the ambiguity with which humanity defines its actions, as
The monster Grendel is the ironic eye through which the action is viewed and from this perspective he provides the reader with never-ending examples of buffoonery and self-parody. Often his claims reveal the Sartrean component in his makeup: "I create the whole universe, blink by blink"(Gardner 22). Gardner,of course,wants to make a point here about solipsism. There is more to the objective world than Grendel's ego. Naturally the universe still exists when Grendel closes his eyes. Likewise, when Grendel says "I observe myself observing what I observe", (Gardner 29) ,he reminds us of Sartre's view of the self-reflective nature of consciousness. As he said in his interview, Gardner planned to parody Sartre's ideas in Being and Nothingess in these sections of the novel.
Grendel feels like an outcast in the society he lives in causing him to have a hard time finding himself in the chaotic world. He struggles because the lack of communication between he and his mother. The lack of communication puts Grendel in a state of depression. However, Grendel comes in contact with several characters with different philosophical beliefs, which allows his to see his significance in life. Their views on life influence Grendel to see the world in a meaningful way.
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
...zes humanity in this scene by portraying them as the evil beings instead of Grendel who is the helpless victim of their savage assault. The men attack Grendel solely because they could not understand him and because of his appearance. Grendel makes no attempt to harm the men but to communicate with them while they are the ones that savagely tried to kill him. John Gardner portrays the men as the real monsters who mercilessly tried to kill Grendel while he was defenseless. Grendel has another revelation due to this attack in where he states. “The world resists me and I resist the world… “That’s all there is.”(Gardner, 28) Grendel makes this assertion as a means to organized the ways he perceives the world. While he once saw the world as a confusing array of frightening images, now he can separate the world into categories: those who do not resemble him and himself.