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In the book, Grendel, by John Gardner, the author describes Grendel as more human than a monster. For instance, Grendel claims that, “it is a matter of fact that I have never killed a deer in all my life, and never will” (Gardner 8). This shows that Grendel is a kind person who would never hunt animals. This also means that Grendel cares about the animals and he know that they are scared of him. He also goes on and explains that these animals don’t know what is going on around them and they are like an innocent people. Grendel also expressed his emotions throughout the story. For example, Grendel says “I looked at the foot in anger and disbelief” (Gardner 18). This clearly shows that Grendel has emotions and feelings in him. If Grendel was
more of a monster he would not care about anyone or anything. When a person is upset, happy, or mad they will show their feelings and express it to someone and for most, they will go into depression just like Grendel. Grendel is always upset because his mother never really speaks to him and always gives him the mean look. This is where Grendel feels really separate from his mother. Everyone is scared of Grendel and it is very hard for him to communicate with the humans, which really upset Grendel. Grendel is also always curious. He comes up with his own philosophies. Grendel foesa on a say “I understand that, finally and absolutely, I alone exist” (Gardner 22). This statements shows that Grendel thinks he is the only one on earth and no one is important and whatever happens, happens for a reason. A truly monster would not get involved with these kind of situations or get too curious about life. Grendel is more of a human than a monster.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
the men as the "beasts" and Grendel as the victim. & nbsp; Another aspect of the humans in the story that Grendel defines is their concept of a hero. Not only does he allow for heroes to exist he gives them their purpose in life. Grendel is the monster in the darkness. that every loyal thane would defend his king against. Without Grendel this unique situation would not exist. On the other hand, Grendel has the ability to humiliate and cause a man to be named a coward. He does. this to none other than Unferth. Unferth is treated like a hero because he would defeat the "monster" Grendel, or die trying. When Grendel does not. allow him to complete this task he is shamed by his fellow thanes. Grendel realizes that by killing the man he will be defining him as a hero in the eyes of the humans. Considering the way Grendel was treated by Unferth. and others like him, it becomes easy to sympathize with him extracting this.
Grendel’s last words were, “Poor Grendel’s had an accident...So may you all.” Grendel’s last thoughts were confusion, confusion whether it was joy what he felt, or if it was only terror what abounded in his heart. The animals gathered around him , and he said, “They watch on, evil, incredibly stupid, enjoying my destruction” (Gardner 174). Grendel noticed the animals’ reaction towards his suffer. Therefore, Grendel’s last words meant to affect the animals gathered around him mainly, because they were contemplating his death as an enjoyful success.
John Gardener’s Grendel is another version of the epic Beowulf, except in a differing perspective. This story is retold from the viewpoint of Grendel. Gardener wants us to empathize with Grendel through his own thoughts and emotions. The way one sees the monster in Beowulf is completely different than how one would think of him in Grendel. One is forced to view someone else’s opinion versus getting to form an opinion for oneself.
After taking a closer look, he can be considered an anti-hero because of his noble and also realistic traits. Grendel expresses some of his humanlike qualities when he says, “Why can’t I have anyone to talk to?” (Gardner, 53). Grendel is lonely because no one can understand him. His mother does not speak his language and although he understands English, the villagers do not know what he is saying. Additionally, Grendel is an outcast because of his appearance. “The doe in the clearing goes stiff at the sight of my horridness” (7). He is misunderstood because he is a beast. Grendel looks so terrifying that it is emotionally challenging for him to always have that awful first impression with others. Furthermore, when Grendel would hear the harper’s beautiful music he would often begin to daydream joyful thoughts. When his mind would wander, he would be quickly pulled back into darkness because evil was his reality (54). Grendel lives a difficult life because he is constantly reminded that his only choice is to live a life of evil. Because he has such relatable feelings of being lonely and an outcast, this causes the reader to consider his point of view as an
Grendel as a character is very intelligent, he is capable of rational thought at all times. Because of this, at sometimes during the story I would forget Grendel is a monster, the way he acts in his thoughts and actions I would mistake him for a human; at times I was even feeling bad for Grendel because he is a very lonely person who tries to understand all of the meaningless of the world around him. Grendel can never get to close to
"People say that what we're all seeking is a meaning for life. I don't think that's what we're really seeking. I think that what we're seeking is an experience of being alive...." Joseph Campbell made this comment on the search for meaning common to every man's life. His statement implies that what we seem bent on finding is that higher spark for which we would all be willing to live or die; we look for some key equation through which we might tie all of the experiences of our life and feel the satisfaction of action toward a goal, rather than the emptiness which sometimes consumes the activities of our existence. He states, however, that we will never find some great pure meaning behind everything, because there is none. What there is to be found, however, is the life itself. We seek to find meaning so that emptiness will not pervade our every thought, our every deed, with the coldness of reality as the unemotional eye chooses to see it. Without color, without joy, without future, reality untouched by hope is an icy thing to view; we have no desire to see it that way. We forget, however, that the higher meaning might be found in existence itself. The joy of life and the experience of living are what make up true meaning, as the swirl of atoms guided by chaotic chance in which we find our existence has no meaning outside itself.
In the story Beowulf by Seamus Heaney, Grendel is a slimy green swamp monster that has human emotions but is portrayed as a hideous beast and an outcast of the Anglo-Saxon society.
Innocence? In Grendel? Grendel is a monster, right? Wrong, in the eyes of John Gardner. Taking the role of the Shaper, Gardner makes us see Grendel as an ostracized person, one so lonely he "relishes the thought of acceptance," even though the idiocy of their society repulses him at times (Milosh 221). He is just a naïve teenager, searching for his role in life.
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
Despite her evil actions, it is evident that there is less malice in her than Grendel and she is less of a symbol of pure evil than he is. For example, her attack on Heorot is somewhat appropriate and could be considered honorable by the standards of warrior culture, as it marks an attempt to avenge one’s son’s death. In fact, the motive for her attack is similar to Beowulf’s motive for his attack on her: avenging the death of a loved one. One of the most interesting aspects of Grendel’s mother’s attachment to this vengeance-demanding code that the warriors follow is that she is depicted as not entirely alien or monstrous. Her behavior is not only comprehensible but also justified. In other ways, however, Grendel and his mother are indeed portrayed as creatures from another world. One aspect of their difference from the humans portrayed in the poem is that Grendel’s strong parental figure is his mother rather
Grendel is alone; he can not know God’s love and be comforted. He is an outcast, and the sins of his forefather have fallen upon him. Evil can not stand God being glorified just as the praising of God by the Danes angered Grendel.
Contrary to the epic poem, Grendel does not have this vicious and evil appearance; he simply resembles a large feral man, and unlike in the poem Grendel is not killing for his own recreation, he is killing to avenge his father. When a viewer of the film Beowulf and Grendel is introduced to Grendel they do not think of him as some evil monster that is a descendent of Cain, but rather a primitive man simply trying to avenge the death of his father. Hollywood decided not to make Grendel a senseless killing machine, but rather something more of a man seeking revenge for the murder of his
Grendel, the first monster encountered in Beowulf, is introduced as a creature who leaves terror and causes harm. However, he is not really described physically, meaning that his characteristics and appearances are of no importance in the poem rather it is his actions that are. It is learned that Grendel is