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Grendel analysis in beowulf
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In 1971 John Gardner wrote Grendel, a novel based on the Anglo-Saxon epic poem Beowulf. Instead of following the life of Beowulf, however, Gardner explores the mind and development of Grendel, the monster who Beowulf kills. Although Grendel is presented as a destructive monster in Beowulf, in Grendel he demonstrates some goodness and potential. Gardner makes the reader think twice when reading Grendel, especially if the reader has read Beowulf, because the reader expects that Grendel is evil. However, the reader will come to see that the humans are generally more evil than Grendel because their interruption in Grendel’s development caused Grendel to become monstrous. The clearest example of human interference in Grendel’s growth is the Shaper’s songs. The Shaper makes up history to please Hrothgar and the rest of the company in the mead hall. The eloquence of the Shaper’s stories causes Grendel to believe them, even though he knows they are not true. Grendel then becomes conflicted between the beauty of the Shaper’s words and the actual truth. Grendel’s …show more content…
struggle causes him to view the world, humans, and himself differently and eventually leads to his death. When Grendel first hears the Shaper’s song about Scyld Scefing, he believes the made-up history that the Shaper is creating.
The Shaper later “[tells] of an ancient feud between two brothers which split all the world between darkness and light” and makes Grendel “the dark side.” Grendel then goes into the hall and asks the men for friendship, but they attack him. This episode causes Grendel to question reality, but then he starts listing everything that he knows to be true. However, the beautiful poetry continues to confuse Grendel, and he cannot determine the truth. Although Grendel has mixed feelings, he keeps coming back to hear the Shaper’s songs. One day, Grendel hears a story about how he raided the mead hall, and he decides to become the monster that the Shaper makes him out to be since he knows the story is false. Grendel’s dilemma demonstrates the power of craft and art and the Shaper’s effect on
Grendel. After Grendel decides to seek revenge for the Shaper’s song, he comes upon a dragon. The dragon originally frightens Grendel, but after the dragon explains that the way Grendel sees him is the way humans see Grendel, he begins to become more comfortable. The dragon, however, encourages Grendel to continue scaring the people The dragon reveals that the Shaper is an “illusion” and that the dragon knows “the beginning, the present, the end.” The dragon later states that “all carnivorous cows eat meat” to further demonstrate how the Shaper is only providing an illusion. The final advice that the dragon gives Grendel is to “know thyself” and “to seek out gold and sit on it.” With this statement the dragon wants to instill a sense of pride in Grendel, which would allow him to become more comfortable being the bad guy. Although Grendel absorbs the information that the dragon gives him, he still ignores the information because he “has no intention of terrifying Hrothgar’s thanes for nothing.” Grendel goes back to the mead hall to hear more of the Shaper’s songs, but “all around their bubble of stupidity [he] could hear the brume of the dragon.”
The philosophies expressed in the Beowulf epic complement the exploration of existentialism throughout the modern work, Grendel, by John Gardner. Both works portray different perspectives of the same story, involving the same characters; Beowulf, the ancient Anglo-Saxon hero who destroys Grendel, and Grendel, the monster who terrorizes Hrothgar’s hall. Beowulf and Grendel act as archetypes that explore humanity’s perception of the world. In the Anglo-Saxon epic, Beowulf and his companions represent good, and the monsters, including Grendel, represent evil. When Beowulf kills Grendel, the world is less evil, but since Beowulf’s companions die in the struggle, the world is also less good. Ultimately, the two forces of good and evil will destroy each other, but the story maintains that God will interfere and save mankind from destruction. In Gardner’s story, the progression of society begins when mankind creates a monster and then creates a hero to fight the monster. Once the greater power of the hero had been established, once the conflict’s resolution strengthened society’s power, than a greater monster developed ...
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
Particularly in chapter 3, Grendel listens as a blind old man, the Shaper, tells the tale of Danish history to Hrothgar. Though what is told is largely fictitious, Grendel cannot help but to feel strangely moved by the brilliance of the Shaper’s story. “Thus I fled, ridiculous hairy creature torn apart by poetry—crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe—and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t.” (Grendel, John Gardner, pg.44) In this moment, Grendel’s mind is split between what he understands to be true and the truth that is desired. The world is callous and careless, blunt and belligerent; this he knows. However, with the artistic style and formation of the Shaper’s words, he is brought to tears and is captivated by his spiritual and emotional yearnings. Grendel is also overwhelmed with disgust and shame for himself and his vile
In John Gardner’s Grendel, the Shaper is an important contributing character that carries the plot in a historical sense. During the first encounter between the monster and the humans, Grendel hears of the stories and tales the Shaper is singing about in Hrothgar’s mead-hall. Throughout the story the Shaper tells about Danish history and the creation of man’s existence and Grendel is fascinated by this. After listening to the Shaper’s stories, Grendel starts to realize that what he is saying is not true, “I too crept away, my mind aswim in ringing phrases, magnificent, golden, and all of them, incredibly, lies,” and starts to question what is true and what is not (Gardner 43). The Shaper’s eloquent tales had a large effect on Grendel, “He told of an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was the dark side...I believed him! Such was the power of the Shaper's harp!” (Gardner 52). Gardner’s writing of Grendel sheds light on a whole new side of Grendel, as opposed to the monstrous being in Beowulf; so much so that we can see a divide in G...
Grendel had changed drastically from all the way from the start of the book all the way to the end of the book. Grendel began very immature almost child like from the beginning of the book. The way he talked and viewed all things such as plants and animals was very child like. The difference between him and a human would be his monstrous height and strength. Grendel’s first major change was when Grendel heard the words of the Shaper. Grendel would evaluate the Shaper as he would tell his stories in the mead hall, he would do so for many nights. Many times though Grendel would not agree with the stories the Shaper would say and tell to the others, sometimes he felt as if the Shaper was trying to manipulate the others around him. This would anger
Grendel, written by John Gardner, is a novel based off the early epic poem, Beowulf. Gardner tells the tale in the perspective of the monster, Grendel, who is struggling to understand the purpose of life and his place in the world. In Gardner’s novel, Grendel terrorizes the kingdom of Hrothgar for 12 years, killing men in the night relentlessly. With the descriptions of battles and heroic deeds, Gardener conveys to the reader, the ideals of Anglo-Saxon heroes as courageous, self-righteous, humble, and loyal beings that are humanly flawless. The book Grendel tears down all these fundamental ideologies of Anglo-Saxon heroism by giving Grendel the monster a nihilist perspective that makes heroism sound stupid and meaningless.
One night, as Grendel was sleeping soundly in his home in the swamplands, he was suddenly awakened by the sound of music. The music angered Grendel because he had been up late the night before entertaining his monster friends and was in need of his beauty rest. So he headed out the front door and headed to see what the commotion is all about.
John Gardener’s Grendel is another version of the epic Beowulf, except in a differing perspective. This story is retold from the viewpoint of Grendel. Gardener wants us to empathize with Grendel through his own thoughts and emotions. The way one sees the monster in Beowulf is completely different than how one would think of him in Grendel. One is forced to view someone else’s opinion versus getting to form an opinion for oneself.
No one knows who wrote Beowulf but we do know who wrote Grendel. John Gardner took the epic Beowulf and added more to the brilliant story. Grendel takes on the same story as Beowulf but from the perspective of Grendel, the beast in Beowulf. The story of Grendel is very interesting because from reading Beowulf it is completely uninspected. In Beowulf Grendel is said to be a disgusting monster that’s only job is to kill. In Grendel we really see him as very nice but turns to be evil because he is pushed into that direction.
He does not act like the blood hungry beast he is seen as in Beowulf. In
With the introduction of the Shaper, Grendel’s ideals are transformed by another’s words. The Shaper is able to show Grendel that he can have an identity and not just be a mere obstruction in the dark. The Shaper created his own theories and stories about life and fed them to the people in a way that enabled them to follow what he said as truth. The Shaper gave the Danes a purpose by telling them what great feats they had overcome and his words excited and encouraged the men to become even more magnificent. The more Grendel listens to the Shaper’s songs, the more apparent it is that Grendel is captivated by the Shaper’s perspective on life. The Shaper’s songs tore at Grendel because he wanted to believe in everything said, but felt ashamed to live his life believing in lies: “I listened, felt myself swept up. I knew very well that all he said was ridiculous, not light for their darkness but flattery, illusion, a vortex pulling them from sunlight to heat, a kind of midsummer burgeoning waltz to the sickle” (Gardner 47). Grendel wanted to believe in the Shaper and his theories but he knew that in the end they were all lies meant to deceive, to fool, and to ensnare the listener. It was the Shaper’s skill and imagination that stirred him, but as much as Grendel wanted to accept the Shaper’s tales, he knew they were not the truths he was looking
There are many characters that are involved in the novel, Grendel by John Gardner, which have meaning and we can identify ourselves with them. For example, Grendel is the main character. I will be writing about Grendel because I think he is the most important character of this novel. I like Grendel because he seems like if he was human but, is really an intelligent monster who eats people. What I dislike about Grendel is that he observes people. I don’t like the fact that Grendel basically spies humans. Since, the author identifies the three stages in his live being: childhood, adulthood, and his battle with Beowulf. Grendel is characterized as innocence but, in the other hand as a monster. Grendel was big in size, and had the strength of many. But he was not brave at all. He is described as a large figure with the strength to pick up the weight of a grown man and consume him whole. 1 But, Grendel is shown as somewhat of a
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
The author of Beowulf demonizes Grendel by depicting him as being purely a monster as compare to John Gardner who depicts Grendel not as a savage monster but as an intelligent being who has human like qualities and characteristics. In the traditional story Grendel is depicted as a blood-thirsty fiend driven by his greedy animal instincts. ...