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What the forshawdowing of to build a fire by jack london
Jack london's use of "to build a fire
What the forshawdowing of to build a fire by jack london
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In Jack London’s To Build a Fire, it is evident that Greek Tragedy is a theme that can be seen throughout the short story. The theme of Greek Tragedy is evident in the short story through the elements of pity and fear, tragic error through hubris, the downfall of a protagonist due to tragic error, and the plot of the story (GVSU). The element of pity and fear in To Build a Fire is shown through the pity the reader may have when the man falls in the water and when the snow puts out the man’s fire, and through the fear the reader may have that this situation could happen to them (London). The element of tragic error through hubris is evident when the man doesn’t listen to the old man, keeps moving even though he realizes it’s colder than fifty …show more content…
degrees below, and when he believes he is stronger than nature and can brave the weather (London). The downfall of a protagonist due to tragic error is evident in the mans ignorance, when he ignores the old man, when he eventually ignores the thin ice and falls into water, and when he ignores the snow above the fire that will eventually put it out, showing that his ignorance and hubris leads to his freezing to death (London). The element of the plot also portrays a Greek Tragedy, through the pattern of reversal, recognition, and suffering, often seen in a complex plot of a Greek Tragedy (GVSU). In To Build a Fire, the element of pity and fear is shown through the pity the reader may have when the man falls in the water and when the snow puts out the mans fire, and through the fear the reader may have that this situation could happen to them (London). In To Build a Fire, the man forgets about the holes of water that he may fall into, and eventually after a while, he falls into one and freaks out (London). This sudden change in pace of the story and the pain and anxiety the man is feeling causes the reader to feel pity towards the man. Once the man steps into the water and gets his feet wet, he begins to not think clearly and builds a fire under a tree covered in snow so that he may dry himself, soon after he does this, the snow falls onto the fire putting it out, and causes the man realize the depth of the situation (London). After reading that the man’s fire is put out by the snow, the reader feels pity towards the man because they are aware of the danger the man is in if he does build a new fire and are made aware of the mans shocked reaction causing them to feel compassion towards the man’s suffering. Through the experiences of the man falling in the water, the snow falling on the mans fire and other traumatic experiences the man faces, the reader is filled with fear, believing that this situation is possible for anybody, including themselves. The use of the element of pity and fear make it evident that To Build a Fire can be considered a Greek Tragedy. In To Build a Fire, the element of tragic error through hubris is evident when the man doesn’t listen to the old man, keeps moving even though he realizes its colder than fifty degrees below, and when he believes he is stronger than nature and can brave the weather (London). According to Literary Devices, “Tragic flaw is a literary device that can be defined as a trait in a character leading to his downfall and the character is often the hero of the literary piece”. This shows that tragic flaw is what eventually leads to a characters down fall, and much like in the story of Oedipus Rex, the mans tragic flaw is his hubris and pride. It is first evident that the mans tragic flaw is his pride when he doesn’t listen to the old man in Sulphur Creek. London writes, “The old-timer had been very serious in laying down the law that no man must travel alone in the Klondike after fifty below”. Even though the old man said that it was unwise to travel alone in fifty degree weather, the man ignored him, believing that he could take the trip on his own, portraying his hubristic outlook. Another way that the man shows his tragic flaw is when he keeps moving even though he realizes that its colder than fifty degrees below. London writes, “He knew that at fifty below spittle crackled on the snow, but this spittle had crackled in the air. Undoubtedly it was colder than fifty below—how much colder he did not know. But the temperature did not matter”. This shows the mans hubristic attitude because even though he’s aware that it’s colder than fifty degrees below, he still believes he can handle it, even though he’s not used to such an experience. One more thing that shows the mans tragic flaw of hubris is the mans belief that he is stronger than nature. London writes, “Then he pulled on his mittens, settled the ear-flaps of his cap firmly about his ears, and took the creek trail up the left fork. The dog was disappointed and yearned back toward the fire”. This also shows the mans hubristic attitude, he ignores the dogs wanting to stay by the fire, even though the dog is in tune with nature, which shows that the man believes he is stronger than nature, and is strong enough to brave the cold weather. It is this tragic flaw that eventually leads to the mans downfall, and eventually his death. In To Build a Fire, the downfall of the man due to his tragic flaw is evident in the mans ignorance, when he ignores the old man, when he eventually ignores the thin ice and falls into water, and when he ignores the snow above the fire that will eventually put it out (London). According to DBU, “The tragic hero undergoes great pain and suffering because she or he makes a mistake in judgment or has a tragic flaw”. This shows that the protagonist of the story will undergo suffering due to their tragic flaw, and in the case of To Build a Fire, due to the mans hubristic outlook. One example of the mans hubris leading to his downfall is when he ignores the old man. London writes, “Perhaps the old-timer on Sulphur Creek was right. If he had only had a trail-mate he would have been in no danger now”. This shows that if the man was not overly prideful of his abilities, he would’ve found a trail-mate and might not be in any danger at the current time, and the man realizes it. The pride that the man has causes him to be ignorant of his surroundings, which then causes the man to eventually fall through ice into water. London writes, “At a place where there were no signs, where the soft, unbroken snow seemed to advertise solidity beneath, the man broke through. It was not deep. He wet himself halfway to the knees”. This makes it evident that because of the mans pride, he grew ignorant of his surroundings, causing him to eventually fall through the ice into water, which eventually leads to his death. Another way that the man is ignorant of his surroundings is when he builds a fire to dry his feet, and is unaware of the snow above him that will eventually put out the fire. London writes, “It grew like an avalanche, and it descended without warning upon the man and the fire, and the fire was blotted out! Where it had burned was a mantle of fresh and disordered snow”. This again shows that because of the mans hubris, he grew ignorant of his surroundings, and because of this, the snow put out the fire, taking away his ability to dry his feet, which eventually leads to his death. It is evident that the mans downfall is due to his tragic flaw, hubris, which shows how To Build a Fire can be viewed as a Greek Tragedy. One more element that shows that To Build a Fire can be viewed as a Greek Tragedy is the plot, which is done through the pattern of reversal, recognition, and suffering, also seen in the plot of a Greek Tragedy (GVSU).
According to GVSU, “‘reversal’…: occurs when a situation seems to developing in one direction, then suddenly ‘reverses’ to another”. This reversal is evident when the man is making his way over patches of ice for a while, then all of a sudden transitions (reverses) when he falls through the ice and gets his feet wet (London). According to GVSU, “‘recognition’…: a change from ignorance to awareness of a bond of love or hate”. This recognition is evident when the man recognizes how fast his hands and feet are freezing in the cold, and when he realizes that he should have brought a trail-mate once the snow puts out the fire he made to dry his feet (London). According to GVSU, “‘suffering’…: Also translated as ‘a calamity,’ the third element of plot is ‘a destructive or painful act’”. This suffering is evident when the man begins to freeze to death, and eventually hallucinates that he sees himself with his friends, walking towards his dying body, and after this he slowly freezes to death (London). This shows that the plot of To Build a Fire is similar to that of a complex plot of a Greek Tragedy, which again shows that To Build a Fire can be seen as a Greek Tragedy.
It is evident that the given elements in To Build a Fire show that it can be seen as a Greek Tragedy. It is evident in the element of pity the readers feel towards the man and the fear that the readers have of the mans experience happening to them. It is evident through the tragic flaw that the man has in the story, his hubristic and prideful outlook, which in turn eventually leads to his downfall. Even through the story’s plot, with the pattern of reversal, recognition, and suffering, that it can be seen as a Greek
Tragedy.
They say to “always be prepared for unexpected situations,” this represents the man in the short story “To Build a Fire” by Jack London. The man is unprepared because he does not
In discussing fire imagery in the Aeneid I will attempt in the course of this paper to bring in an analytic device to aid in assembling the wide array of symbols into a more uniform set of meaning. Consistently throughout the Aeneid, fire serves to provoke the characters to action. Action which otherwise it is not clear they would enter upon. Fire clears the way for the juggernaut plot to advance. Juno, first of all, described as burning - pondering (with her hatred of the Dardans) goes to Aeolus with the idea of sending the winds to create an under-handed storm to destroy the Trojans, at the sight of their fleeing ships and successful escape from the Greeks (I.75)1. Fire from the Greeks burns down Troy. Forced by necessity to flee for their lives, Aeneas can gain his fathers acquiescence only with the portent of two flaming omens. Cupid in the form of Ascanius induces Dido with a fated love for Aeneas, consummated by their union in the cave. Jupiter with these words on his lips sends Mercury down to a lingering Aeneas at Carthage.
Jack London’s To Build a Fire follows an unnamed protagonist, who’s only referred to as “the man”, as he travels the Yukon Trail during a severe snow storm. Along with his husky wolf-dog, he determined to meet friends at an old junction by six o’clock. The man, who was warned not travel in the Klondike alone, presses forward through the terrain’s harsh weather. He later falls through the snow in what looked to be a secure spot. With his feet and fingers soaked, he starts a fire and begins drying himself. The man constructs the fire under a spruce tree in order to take its twigs and drop them directly onto the fire. Each time he pulled a twig a branch overturned its load of snow, eventually blotting out the fire. He grabs all his matches and lights them simultaneously to set fire to a piece of bark; it soon goes out. The man decides to kill the dog and use its warm body to restore his circulation, but is unable to kill the animal and lets the dog go. The man attempts to run from the thought of freezing to death but he quickly falls down. He decides he should meet death in a more dignified manner; the man falls off into a calm sleep.
The imagery of fire continues in the story; the building of their fires, how the man molds the fires, and how they stoke the fire. When the boy gets sick the father is referred to many times of how he builds and rekindles the fire. This actual fire is a symbol for the fire that the man and the boy discuss carrying within in them. The man fights to save his son and the fire within the boy
In “To Build A Fire”, the main conflict throughout is man versus nature although it would be inaccurate to say that nature goes out of its way to assault the man. The fact of the matter is, nature would be just as cold without the man's presence regardless of him being there .The environment as a whole is completely indifferent to the man, as it frequently is in naturalist literature. The bitter environment does not aid him in any way, and it will not notice if he perishes. In the same way, the dog does not care about the man, only about itself. Ironically enough though, as the man was dying he was getting upset toward the dog because of its natural warmth, the instincts that it had, and its survival skills and those were the elements that the man lacked for survival. It is ironic that the man had to die in order to find out that man's fragile body cannot survive in nature's harsh elements, regardless of a human’s natural over-confidence and psychological strength.
A Greek drama is a series of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under the theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. The grand debate over which character can hold the title of the tragic hero has been discussed in the literary world for ages.
Firstly, the motif of fire is portrayed during times of trauma due to the fact that in the beginning of the story, it starts with a baby name Effia being “born of the fire” (ebook 2). Effia’s mother Maame sets a fire that
Providing the separation between survival and death. setting was the most important factor in "Building a Fire" by Jack London. Works Cited and Consulted Hendricks, King. Jack London: Master Craftsman of the Short Story. Logan: Utah State U P. 1966.
Literature focuses on many aspects to form a coherent and captivating story, mainly those aspects retaining to characters and conflict. Within any story, a conflict arises for a character to overcome which drives the whole story. Conflict, the struggle against many forces of multiple varieties, creates the obstacle or issue a character must face to advance past the problem. In "To Build a Fire" by Jack London, conflict plays a major role in the story. The conflicts of man fighting against nature and man against himself present the struggles the unidentified man from "To Build a Fire" faces and attempts to overcome. These conflicts of man and nature influence the whole story and the fate of the character.
When Jack London wrote "To Build a Fire" he embraced the idea of naturalism because it mirrored the events of daily life. Naturalism showed how humans had to be wary at every corner because at anytime death could be there, waiting for them to make a mistake and forfeit their lives. He used naturalism, the most realistic literary movement, to show how violent and uncaring nature really is and how no matter what you do nature will always be there. London also presented the basic idea of Darwinism and the survival of the fittest, basically if you are dumb you will die. Collectively, London used naturalism to show how in life, humans can depend on nothing but themselves to survive. "To Build a Fire" is a short story that embodies the idea of naturalism and how, if one is not careful, nature will gain the upper hand and they will perish.
In “To Build a Fire” by Jack London, the setting plays a significant role throughout the entire story. The chosen setting by London creates a specific and idealistic mood for his depressing story. It forces, as well as prepares, it’s audience to what the story holds. The amount of constant detail the story holds allows the reader to anticipate the ending that is inevitable to happen.
The tragedy was a large part of people's lives in ancient Greece. Tragedies became prominent long before Christ was born. A tragedy, or goat-song, usually were seen during festivals in ancient Greek times. Tragedies gradually increased in seriousness until they were given utmost importance. Greek tragedies began at a festival in honor of a god, there were three great tragic authors, and all tragedies include a tragic situation.
Tragic events can happen as a result of accidents, misunderstandings, or specific situations, hence, they relate little to others. However, tragedy is rooted in the order of our universe because it reveals hypothetical situations that can occur at any time or place. This feeling of uncertainty arouses feelings of pity and fear because we can imagine ourselves having to face tragedy. In Aristotle's Poetics, Aristotle defines tragedy as, “a representation of an action of serious stature and complete, having magnitude, in language made pleasing in distinct forms in its separate parts, imitating people acting and not using narration, accomplishing by means of pity and fear the cleansing of these states of feeling” (Aristotle, 26). A dramatic composition that captures the true essence of suffering and awakens our senses is one that Aristotle would call a tragedy worthy of our praise. He notes, “It is clear first that decent men ought not to be shown changing from good to bad fortune (since this is neither frightening nor pitiable but repellent) and people of bad character ought not to be shown changing from bad to good fortune (since this is the most untragic thing of all, for it has none of the things a tragedy needs, since it neither arouses love for humanity nor is it pitiable or frightening)” (Aristotle, 36).
I agree with Karen Rhodes observation that to build afirecan be interpreted as the story of a man in the journey of human existence. However, I think her view of to build a fire as an American experience comes from the fact that she is an American. I agree with her theory that the Man's death in the end was due to the nature of the man and his environment. The protagonist in to build a fire did nor have any grasp of the danger he was in. he tried to reason himself through it all. He thought, " Maybe, if he ran on, his feet will thaw out; and anyway if he ran far enough, he would reach camp and the boys. (Jack London, 157).
“A tragedy is the imitation of an action that is serious, and also as having magnitude, complete in itself in language with pleasurable accessories, each kind brought in separately in the parts of the work; in a dramatic, not in a narrative form: with incidents arousing pity and fear; wherewith to accomplish its catharsis of such emotions.”