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The influence of Greek mythology on western civilization
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Finnegans Wake exhumes mythologies and theologies of cultures encompassing the whole of human experience. Not the least researched are references and correspondences to classical mythology, but the family of gods in the Greek creation myth offers a unique parallel to Joyce's ever-expansive Wakean family. In doing so, I will use as a guide a scholar of both classical mythology and the institution of family, Giambattista Vico.
In the Greek creation myth (and also in Genesis), an unnammable god divided timeless and formless Chaos--"joepeter's gaseytotum" (FW, 426.21; 'Jupiter's gaseous universe,' L totum)-- into heaven and earth, the male Uranus and female Gaea. Uranus "the Rainmaker" (FW, 87.06) impregnates Gaea's clefts and rivervalleys with rainwater, spawning the powerful Titans, or the Giants, which are etymologically "sons of Earth." (NS, 13) Uranus's strongest son, Cronus (the Roman Saturn), murders his father and castrates him with an enormous sickle--"an exitous erseroyal Deo Jupto." (FW, 353.18; 'exit of the once royal god, Jove'). This occurs in the "golden age" of Greece, or the divine age in the Viconian cycle (NS, 69). Gold is also the color Clive Hart assigns to this age. (Structure and Motif, 19)
The Wakean family's genesis also begins with the usurpation of power by a stronger, younger heir. Tim Finnegan, the god-like giant is replaced by Humphrey Chimpden Earwicker, or HCE, representing all heroes and mock-heroes. The scope of HCE's character is so immense that it includes Tim Finnegan and all the manifestations of him that recirculate in the living world--"the father of fornicationists." (FW, 4.12) Similarily, in the male line of Greek gods, the heir must commit "regicide" (FW, 162.01) in order to make room...
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...amily cycle continues as the Viconian historical cycles turn, "Gyre O, gyre O, gyrotundo!" (FW, 295.23) Prometheus's son, Deucalion, and Epimetheus' daughter, Pyrrha, become the new Adam and Eve, HCE and ALP. In the new cycle, man is created again by the domesticism of marriage where, "in the names of Deucalion and Pyrrha," (179.09) stones (bestial man, Jute) are throne over their shoulders to become civilized men (Mutt). (NS, 79)
Works Cited.
FW Joyce, James. Finnegans Wake. Viking Press : New York, 1976.
AP Joyce, James. A Portrait of the Artist as a Young Man. Viking Press : New York, 1968.
NS Vico, Giambattista. The New Science of Giambattista Vico. 3rd ed. (1744). trans. by Bergin, T. G. and Fisch, M. H. Cornell University Press : London, 1991.
Hart, Clive. Structure and Motif in Finnegans Wake. Northwestern University Press, 1971.
The difference in the Salem Witch Trials is that the punishment was more sever, changing circumstances take place constantly, and based on grieve and vengeance. The Salem Witch Trials also happened in the past, coordinated, it was confined only to Salem, and it was based off of beliefs not events.
The crucible’s setting was in the year 1962, in the small Puritan society of Salem. One night some of the girls in the village were in the woods doing love potions when they were caught. The girls lied and said that witches made them do it. In an extremely religeous society the influence of witches was immensely frightening and as the thought to identify witches arose, so did mass hysteria of the...
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
The telescreens in 1984 served two purposes, surveillance and mind control. Unlike the televisions of our present day, the telescreens in 1984 also served as a device constantly monitoring the citizen’s actions by means of an integrated camera and microphone in addition to broadcasting continuous p...
...00s of years apart, and the Crucible wasn’t as harsh and bloody as the Holocaust. Both witch hunts killed off certain people that were discriminated against because of the word of one person. The modern day witch hunt, the Holocaust, was terrifying for the Jews, as well as other people, gypsies, homosexuals, and disabled people. The witch hunt back in the 1600s wasn’t as brutal against the people, and it was against whoever was convicted of being a witch, or committing a terrible crime. The groups of people that were harmed during these two witch hunts, lost everything, nothing in the world could relieve the pain they went through and suffered. The Jews lost 2/3 of their population in Europe, whereas the people in Salem lost their loved ones, and had to endure the torture of the court on their town, making them able to survive life after the witch trials were over
This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.
made to say anything and what he is made to say directly propagates the Party's
1 Joyce, James : The Dead , Norton Anthology of English Literature Vol.2, sixth edition
The Greeks believed that the earth was formed before any of the gods appeared. The gods, as the Greeks knew them, all originated with Father Heaven, and Mother Earth. Father Heaven was known as Uranus, and Mother Earth, as Gaea. Uranus and Gaea raised many children. Amoung them were the Cyclopes, the Titans, and the Hecatoncheires, or the
It’s the 1690’s in Salem Massachusetts and allegations are in the air; the town is tense and no one can be trusted. This is the setting of the play The Crucible which tells the story of the Salem witch trials. The play was written during the Red Scare, or the fear of communism, of the Cold War. This gave the play a double meaning. Instead of just being a historical play, to show how history always repeats itself. The Crucible, written in 1953 by Arthur Miller, reflects 20th century American plays and the time period by using the Salem witch trials to open the eyes of Americans to the Red Scare and McCarthyism.
Fairhall, James. James Joyce and the Question of History. Cambridge University Press. New York, New York: 1993.
At the heart of James Joyce’s A Portrait of the Artist as a Young Man lies Stephen Dedalus, a sensitive young man concerned with discovering his purpose in life. Convinced that his lack of kinship or community with others is a shortcoming that he must correct, Stephen, who is modeled after Joyce, endeavors to fully realize himself by attempting to create a forced kinship with others. He tries many methods in hopes of achieving this sense of belonging, including the visiting of prostitutes and nearly joining the clergy. However, it is not until Stephen realizes, as Joyce did, that his true calling is that of the artist that he becomes free of his unrelenting, self-imposed pressure to force connections with others and embraces the fact that he, as an artist, is fully realized only when he is alone.
Joyce, James. A Portriat of the Artist as a Young Man. New York: Penguin Books, 1976.
Joyce, James. A Portrait of the Artist as a Young Man. New York: Bantam Books, 1992.
Joyce, James. A Portrait of the Artist as a Young Man. New York: Penguin Group,