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Art in old greece summarize
Essays on greek architecture
Essays on greek architecture
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Essay #1
The Palace of Knossos, a Minoan mud brick and timber structure on a shallow stone foundation, featuring a central courtyard, was constructed on an acropolis. It was a place for rulers to reside, shrines for religious ceremonies to be worshipped, the industrial production of objects, and administrative duties. Ample hallways, stairways, chambers, and light wells supplemented the ambitiously built structure. There were plenty of columns to mark he four awe inspiring entrance passages.
Four wings, oriented in a north-south direction, surrounded the central courtyard. The east wing featured the residential spaces, a workshop, and a shrine, while the west wing was complete with more shrines, a throne room, storerooms, and a banquet hall. The north wing included a theater area. The south wing featured a separate paved courtyard west of the palace. Inside the Palace of Knossos, plastered walls were painted with color washes. The walls were also decorated with frescos, many of which depicted religious ceremonies.
The Minoans were a people who enjoyed life. Many wine jars were found and it can be noted that women commonly bore their breasts. Long hair and makeup were popular and many festivals and events were held at the 1400 room palace. Nothing was fortified. These people had a love of art, color, and leisure, as depicted in many of the frescos at Knossos.
Minoan art occasionally featured geometric and repetitive forms on walls, floors, and ceilings, but more common were figurative and landscape elements. Often seen were both local and foreign flowers and plants. It is important to mention that no narrative style has been noted and there are no hieroglyphics to decipher the images at Knossos.
An example of a Minoan fresco at Knossos is the Bull Jumping mural, about 24 1.2” in height. One person holds the horns of a bull while another jumps over the animal. This may have been a sporting event, as bulls were an important image, ad may have been sacrificed. Figures in these Minoan works are much more animated than typical Egyptian examples.
A face of a bull with guilded horns, about 12” tall, was found at Knossos. Created from steatite with shell, rock crystal, and red jasper, a wh...
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...igures stands in Athena’s outstretched hand. The shield rests at her side, a sign that war is over, but Athena is still prepared and protective of her city. Athena was the goddess of Athens, but it is still unsure which came first. This statue of the greatly revered Athena stood in her temple to be both revered and to protect her city and its people.
The shield that rests by Athena is highly decorated and given its immense size, the work that went into this project is unimaginable. The inside part shows the gods against the giants, depicted the giants storming Mount Olympus. The amazons are sculpted on the outside of the shield. Even Athena’s sandals have figurative sculpture, this time of Lapiths and Centaurs fighting. Along the base of the statue, golden images of Pandora and witnesses to her birth contrast strongly against a white background.
There is so much information available architecturally and symbolically on the Parthenon that it is hard to form a concise short description of important points, however, it is because of this knowledge, that scholars have been able to really understand Greek art and architecture.
The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek kouros figure, the pose of the figure is very frontal. The entire figure is relatively stiff with the exception of the left leg, which is in front of the body giving it the early contrapposto pose. Even though it does have a much more natural pose to it with the one leg out, the rest of the body is not in a pose as if the weight of the body was put into one leg. The head is stiff with the hair being geometric and with the hair falling back on the body. The physical stature of the body is moderately realistic. The muscles are not quite as well defined but they are still semi-realistic. They are portrayed as if they were tense. The arms are also at the side.
From the buried city at the Akrotiri excavation site, we gained so much information about life in the Bronze Age, especially about their society and trade. They were believed to be a monotheistic civilization who preformed animal, but not human sacrifices. Religion is clearly evident in the famed frescoes, and show Minoan culture and tradition through depictions of religious processions, goddesses, and sacred flowers like lilies or crocuses. Most frescoes portrayed religious events or figures, both directly and indirectly, rather than political figures like kings or queens.
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
Athena was the Greek Goddess of many ideas, but she was famous mostly for her superior wisdom, her cunning skills in times of war, and her implausible talent for household tasks, such as weaving and pottery. She was celebrated more than any other God in ancient mythology, was the supposed inventor of countless innovations, and her figure gave reason for Greek women to gain rights long before others of their time. The goddess of war, the guardian of Athens, and the defender of Heroes; Athena’s impact on the lives of Ancient Greeks is outstanding. As a resident on Mount Olympus, Athena rightfully represents both intelligence and strategy (Grant, Hazel 83). Symbols that identify with the goddess include the owl for wisdom and the olive branch for peace (Athena or Minerva. 1).
The Ara Pacis (“Altar of Augustan Peace” in Latin) is one of the most representative works of Augustan art. The monument was dedicated on 4 July 13 B.C to honor the return of Augustus after three years in Spain and Gaul, which were his last military operations, and commemorate military victories. The altar was an impressive example of the culture of Rome in general and illustration of prosperous Rome. The monument is a visual medium to represent that peace is the result of military victories and his proconsular power on the land and sea. Karl Galinsky, a Professor of Classics at the University of Texas at Austin says that the Ara Pacis is linked with the concept that pace is the result of military victories. According to him, Augustus mentioned the importance of the Ara Pacis in Res Gestae by saying, “On my return from Spain and Gaul in the consulship of Tiberius Nero and Publius Quintilius, after I had successfully arranged affairs in those provinces, the senate decreed that an altar of the Augustan Peace should be consecrated next to the Campus Martius in honor of my return, and ordered that the magistrates and priests and the Vestal Virgins perform an annual sacrifice there” (Karl Galinsky, 1996). He avoided building an altar in the senate chamber to honor his return. Instead, he ordered to build an altar to Pax Agusta in which one mile away from the sacred boundary of the city. It means that the altar was meant not only to be a monument of military achievement, but also a vision of the Roman religion. This research aims on function, structure of the altar, and reliefs on each side of the precinct wall.
The Greeks believed the deities provided the city protection and allowed them to be successful in their endeavors while in time of war. Phidias, a master bronze worker, was commissioned to create the sculpture of Athena Parthenos, the goddess of wisdom to show tribute to the gods by creating a large scale sculpture in Acropolis. The Acropolis was the most important site in the city of Athens, and was well recognized as the hilltop of protection. It is also the most significant reference point of ancient Greek culture as well as the symbol of the city of Athens. Some of the greatest architectural masterpieces of the period were erected on its ground.
Possibly one of the greatest testaments to the Greeks passion for their gods is the Acropolis and Parthenon in Athens, Greece. “. . . temple after temple, each more gorgeous and more perfect than the one before, rose all over the Greek main land, to reach a final climax in the Athenian Parthenon . . .” (Hamlin 124). Here Hamlin explains the greatness of what was achieved in Athens at the Acropolis and how nothing beyond that point could compare.
The statue was made to honor the Greek’s king of gods, Zeus. Zeus was also known as the father of the Olympic games, which took place every four years to honor him. Copies of the statue were made, but none survived. Experts only have images on coins to see an idea of what the statue looked like.
The Shield of Achilles has many ideas behind it and plays a very important role in Homer's Iliad. The shield depicts many things on different areas of the shield. Hephaestus, the god of fire, is the one who created Achilles' shield. It is a wide ranging work of art from the heavens to the seas. It also depicts two cities where one is at peace and the other is at war.
The Statue of Hercules shows his dramatic movement and natural posture. The way he is leaning shows how confident and strong he is. His body language and
“The first advanced culture in Greece, and indeed in all of Europe, was created by a people referred to today as the Minoans. Their civilization flourished from about 2200 to 1450 B.C. on Crete, the large island located about one hundred miles southeast of the Gree...
Theses reliefs contained royal hunting and battle scenes, and special attention was paid in the animals forms,like horses and lions. Characteristics
In public meeting buildings, Hellenistic architects create a new look for buildings of great social importance: this is emphasized by the general monumental nature of architecture, the enlargement of the forms and scale of the building, the diversity and richness of facade and interior treatment. In a completely new way architects use a warrant in previously unknown combinations with a wall (half-columns, pilasters), expensive construction (masonry of stone squares) and finishing materials (marble), which were previously used primarily in temple architecture. Majesty and monumentality of forms these buildings were not inferior to temples. Public buildings and structures received special treatment and developed rapidly in the Hellenistic period.
It was made between 447 and 438 B.C. and its sculptural decoration was finished in 432 B.C. The Parthenon consists of metopes of quantity 92 which were carved in high relief with each was on an average of size 1200mm x 1250 mm square with relief of 250 mm with all four sides of the building with frieze running and all pediments covered with monumental sculpture.