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Literary analysis essay
Two kinds of literary analysis questions
Two kinds of literary analysis questions
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As “Great Expectations”, by Charles Dickens, progresses the reader sees the growth of Pip, and his struggle to find his creator. For Pip being and or receiving a creator would be a guide for him as he navigates through his life events. When Victor Frankenstein, from Frankenstein says, “No father could claim the gratitude of his child so completely as I should deserve theirs” (Frankenstein, 32). What Victor is saying is that he deserves to be not only a creator to his creature, but to himself. This can relate to Pip, Because Pip’s parents are dead; he deserves to be his own creator. However, Pip intends on becoming a self-creation, in an attempt to fill the whole of the legacy that is missing in his life, for Pip must seek achievement through a creator-created relationship. In the beginning of Great …show more content…
Expectations, Pip starts by telling the reader “I called myself Pip, and came to be called Pip.”(Great Expectations, 3). Pip immediately starts Great Expectations by announcing that he is self-created. Although Pip’s reasoning for this isn’t solely for the great power that comes with being a creator, but to escape the debt that is received with being created. This can be shown in Paradise Lost when Satan is cast out of heaven and has to recreate himself “And understand not grateful mind by owing owes not, but still pays, at once indebted and discharged; what burden then.”(Paradise Lost, 4.55-57), It may seem that Satan is saying that debt is a part of being the created, however because Satan has his paid his debt to God with his life in heaven, Satan has no debt to repay, making him free and truly his own creator. This can be seen in Pip’s life, as his parents are dead, making Pip no longer in debt to them, verifying himself as a creator. Although Pip declares himself self-created, he at this moment in the novel is far too young to really be his own creator.
So, by Joe marrying Pip’s sister Joe proclaims himself as Pip’s creator, by asking his new wife if Pip can stay with them. “And bring the poor little child, God bless the poor little child,”(Great Expectations, 44) Because Joe is calling himself Pip’s new creator, he thereby gains the position that Pip;s parents were once in, making Pip in debt to Joe for saving his life. On the other hand Joe could be keeping Pip as a token of innocence, as Pip is still innocent, therefore Joe’s adoption of Pip gives Joe back innocence he had long ago. This can relate to the Gospel of Matthew, when Jesus says, “Verily I say unto you, except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven. Whosoever therefore shall humble himself as this little child, the same is greatest in the kingdom of heaven.”(Matthew, 18:3-4). Jesus is saying that if you yield, and protect an innocent child, like Pip, then there is great glory, and a place for you in heaven. Joe exemplifies this as he saves Pip, reserving glory for
himself. Though Joe is the proclaimed creator of Pip, when Joe says, “It ain’t that I am proud, but I want to be right, […] I’m wrong in these clothes. I’m wrong out of the forge,”(Great Expectations, 205) Joe is admitting to being on a lower class level than Pip and that he can’t keep up with him. Further more Joe admits his creation to be free and that Joe has raised his creation successfully. This concept can relate to when Karl Marx said, “The bourgeoisie has torn away from the family its sentimental veil, and has reduced the family relation into a mere money relation.”(Marx, 3) What Marx is saying is that because Pip is a bourgeoisie gentleman, it gives him the right to leave his family and strip them of their sentimental veil. However, it isn’t Pip that has done this, but Joe. In Joe’s attempt to look out for his creation, he has stripped himself of the sentimental veil with Pip for Pip in order to protect him from doing just that. Thereby Joe has sacrificed Pip’s sentimental value of Joe so Pip can become a more successful bourgeoisie gentleman. Pip grows up under Joe’s care much like a son grows up under the care of his father. However Joe and Pip are more that, and when Joe says in a letter to Pip, “Not wishful to intrude I have departed fur you are well again dear Pip and will do better without […] P.S. Ever the best of friends.” (Great Expectations, 431). Joe starts the letter by showing affection and caring for Pip and seems to show the father-son relationship, however he when he signs off, he lets Pip know that Pip is no longer a bourgeoisie gentleman, as Pip is better than that, and Joe has forgotten about class and is embracing the chance to get Pip back and become his equal. So, Pip mentally leaves behind his high class all to become an equal with Joe as both of them are creators of their new equal relationship.
In Frankenstein, by Mary Shelley, cruelty is a frequent theme and different acts of cruelty are committed almost every chapter. Victor Frankenstein abandoned his creation because of its grotesque face and destroyed any chance if the monster getting a mate, and the monster kills everyone Frankenstein loves out of spite. In Frankenstein, the different acts of cruelty that are imposed onto Frankenstein and his creation help reveal their true character
Mary Shelley’s idea of friendship is very important throughout the novel because it is the goal of Walton throughout the beginning, as well as the monster Frankenstein created throughout his narration period. In chapters fourteen through sixteen the creature learns that he is the only man of his kind, the only monster created on this Earth and he himself is much like Satan and Adam. He stumbled across three novels in which he reads and interprets differently. Paradise Lost having the most impact on the creature made him realize that he is utterly alone, and wretched. Adam was created from God, and was protected, whereas the creature who was created by Victor, was the complete opposite. He was dragged into this earth. The creature states, “But
“What is the point of being alive if you don’t at least try to do something remarkable?”-John Green, an American author of young adult fiction, such as The Fault in Our Stars, and the YouTube blogger of crash course history. The mythological character Prometheus and Victor from Frankenstein by Mary Shelley, try to influence mankind in a positive way, but instead the result is detrimental to society. Victor and Prometheus both want to help mankind, regardless, both overstep their bounds, and are severely punished. Although their true characters are revealed through how they handle their suffering.
I can't believe that Victor Frankenstein is dead. In Gris Grimly's Fankenstein, Victor dies of grief and stress because of the creature he birthed in his laboratory. The creature went on to do some good and some bad. Nevertheless, I believe that Victor Frankenstein's creature can be considered human. Victor Frankenstein's creature thinks, acts, like a human would and he also has emotions that are the same as a human.
Taking responsibility is “the state or fact of being responsible, answerable, or accountable for something within one's power, control, or management” (dictionary.com). When you decide to take the responsibility of something or someone then do it to your greatest ability and do not leave any stones unturned. In the novel Frankenstein, Mary Shelley determines the role of responsibility for the welfare, acts, the deaths and the lives of others. Taking responsibility means being accountable for your actions, accepting the mistakes and taking the ownership of the mistakes that come along with one’s actions. Taking responsibility does not mean that all the actions will go as planned but accepting the consequences even if they do not go
In 1818, Mary Shelley’s Frankenstein was anonymously published. In the story, the title character brings to life a monstrous creature that reflects his own feelings of worthlessness and destruction. In Frankenstein, Victor Frankenstein compares himself to a blasted tree when he says, ‘But I am a blasted tree’ (Shelley 114-115). Ironically, this quote relates more to the life of the creature than Victor Frankenstein’s life. Mary Shelley uses the metaphor of a blasted tree to emphasize the destruction of not just Victor Frankenstein’s but also the creature’s ties to humanity, his self-worth, and his failure.
“Before you embark on a journey of revenge, dig two graves” is a quote from Chinese philosopher, Confucius, that immaculately describes the knowledge the characters in the story of Frankenstein lacked. In the novel Frankenstein, by Mary Shelley, the main character, Victor Frankenstein, creates a creature whom he abandons soon after. After the abandonment the creature gets treated horribly by other humans, feeling alone in a world where there was no other like him. This causes the creature to feel hate towards his creator, whom he continuously tries to seek revenge from. The desire for revenge transforms the creature into a true monster that has no feelings or aspirations beyond destroying Victor, leading to his miserable death.
Throughout Frankenstein, nature is considered to be a healing remedy in the process of Victor Frankenstein’s recovery.
The wise Uncle Ben once told Peter Parker, “remember, with great power. Comes great responsibility.” There is no greater power than that acquired by the infamous Victor Frankenstein in Mary Shelley’s Frankenstein when he discovers the secret to creating life. Shelley’s Frankenstein is a tale of creation that depicts acts of human conception and discovery. The Oxford English Dictionary defines creation as “the action or process of bringing something into existence from nothing by divine or natural agency; the fact of being so created.” It defies the natural order of things and creates a world of its own. The multiple acts of creation and discovery bring upon a certain set of responsibilities and implications as depicted by David Collings who analyzes the responsibilities that come as a result of these acts in his essay “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”. The main act of creation is evident through Victor Frankenstein’s creation of the Being which is depicted most prominently in the novel. However, there are multiple other acts of creation and discovery that may not be apparent at first sight. One of the most important being, Victor’s discovery of the knowledge required to create life. Apart from initially creating the Being, Victor also plays a critical role in the Being’s evolution into a raging and vengeful creature. Perhaps above all other acts of creation and discovery is Victor’s personal creation of himself into a monster. As stated by Collings most of these acts of creation on Victor’s part are subconsciously brought upon because of their lack of a maternal figure but also in part because of his desire for fame and glory. However, he is blinded by his motives and forgets that with his...
There are many factors that contribute to what a person’s life is like, and will end up like. Of those many factors, the influence of others, especially between a father and son, is particularly impactful. In the book Great Expectations; Pip had no father but had many fatherly supporters. Some of his most important influences were: Joe Gargery, Abel Magwitch, Mr. Jaggers, and Matthew Pocket. All four of these father figures had a hand in the shaping of Pip’s personality and destiny. They made Pip the kind, bold, educated, and beloved gentleman he turned out to be in the end. Without these characters, Pip’s story would be unrecognizably different. In Charles Dickens’s novel, Great Expectations; Joe, Jaggers, Matthew, and Magwitch played important parts that contributed to Pip’s personal development and life story.
Firstly, the title of Charles Dickens’ work, Great Expectations, directly suggests the idea of a process of anticipation, maturation, and self-discovery through experience as Pip moves from childhood to adulthood. Charles Dickens begins the development of his character Pip as an innocent, unsophisticated orphan boy. Looking at his parent’s tombstone, Pip draws the conclusion: “the shape of the letters on my father’s gave me an odd idea that he was a square, stout, dark man, with curly black hair” (1). Here, Pip is in a sense self-taught. He does not have much communication with his sister Mrs. Joe Gargery (who adopted him) about the background and history of his parents; in fact, they do not talk much at all about any...
Great Expectations by Charles Dickens is a coming-of-age story written from December 1860 to 1861. Great Expectations follows the life of Phillip Pirrip, self-named Pip; as his “infant tongue could make of both name nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.” (I, Page 3) The story begins with Pip as a young child, destined to be the apprentice of his blacksmith brother-in-law, Joe Gargery. After spending time with an upper-class elderly woman, Miss Havesham and her adopted daughter, Estella, Estella, with whom he has fallen in love, he realizes that she could never love a person as common as himself, and his view on the social classes change. Pip’s view of society grows and changes with him, from anticipating the apprenticeship of Joe, to the idealization of the gentle class, and eventually turning to the disrespect of the lower class of which he once belonged. Although Pip may grow and physically mature, he did not necessarily grow to be a better person. He loses his childhood innocence and compassion, in exchange for the ways of the gentlemen.
Great Expectations, by Charles Dickens is a fascinating tale of love and fortune. The main character, Pip, is a dynamic character who undergoes many changes through the course of the book. Throughout this analysis the character, Pip will be identified and his gradual change through the story will be surveyed.
In the novel, “Great Expectations” by Charles Dickens, the main character Philip Pirrip, who is known as “Pip” throughout the novel, has a series of great expectations that he goes through. The title of the novel, as many other great book titles, comes with various meanings that are present in the story. In the literal sense Pip’s “great expectations” refer to the 19th century meaning, which involve receiving a large inheritance. Meanwhile, on a deeper level Pip sets goals that he hopes to accomplish in the future which could also be referred to as his “great expectations”. The title, with these multiple meanings that are attached to it, ends up being ironic after all is said and done at the end of the novel.
Pip encounters all of the influential people in his life during his childhood. The first and most obvious are his family. Mrs. Joe and Joe Gargery, Pip’s sister and brother-in-law, are the only family that Pip has ever known. Mrs. Joe Gargery is Joe’s wife and Pip’s only living relative. She is a very domineering woman who is always punishing Pip for something. Joe is like a father to Pip, who goes to Joe with all of his problems and worries. They are always truthful with each other and protect each other from Mrs. Joe when she is on the rampage. Despite the fact that Joe is an adult, he is also Pip’s only real friend during his childhood. Joe is the most loyal person in Pip’s life.