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Gender and roles of women in literature
Gender and roles of women in literature
Gender and roles of women in literature
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From Fox to Female
An Analysis of Male Behavior Towards the Women of T. Coraghessan Boyle’s “Greasy Lake”
Written as part of a short story collection, author T. Coraghessan Boyle’s “Greasy Lake” presents itself as a climactic account of one night in a less than savory young man’s life. Upon closer inspection “Greasy Lake” reveals a complex series of foreboding events that incorporate the innocence and ignorance males have when presented with different social scenarios and the female gender. Through his masterful use of the protagonists internal dialogue, Boyle’s artistry shows an evolving dynamic of indifference, aggression, and intimidation towards and by the women of “Greasy Lake”.
Boyle introduces females and their relative insignificance during the narrator’s exposition on what he, Jeff, and Digby are looking for when they travel to the lake. “We went up to the lake because everyone went there, because we wanted to snuff the rich scent of possibility on the breeze, watch a girl take off her clothes and plunge into the festering murk, drink beer, smoke pot, howl at the stars, savor the incongruous full-throated roar of rock and roll against the primeval susurrus of frogs and crickets” (Boyle 294). By grouping his objectification of females with other relatively mundane aspects of why the boys travel to the lake, Boyle makes the prospect of the female as irrelevant and routine as crickets chirping. Through the use of a recurring theme, another haphazard mention of females is made by the narrator when he explains they “debated going to a party of a girl Jeff’s sister knew” (Boyle 295). The young men opted to throw eggs at mailboxes and hitchhikers rather than meet up with the females, once again undermining the importance of ...
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...ure. The boys are essentially pinned the same way the young woman they intended to rape was, by little more than the outstretched hand of an older more authoritative female in the light of day.
The rising feminine tide in this masculine short story reveals Boyle’s ability to convey insignificance, mounting interest turned aggression, and the emergence of female power through his protagonist narrator. Unravelling the male teenage mind as it pertains to females may never be an easy task, but Boyle’s intricate placement of narrative dialogue, or the lack thereof, aids the reader in a better understanding of the role the unlucky women in “Greasy Lake” play.
Works Cited
Boyle, T. Coraghessan. "Greasy Lake." X. J. Kennedy, Dana Gioia. Backpack Literature An Introduction to Fiction, Poetry, Drama, and Writing. Ed. Joe Terry. Pearson, 2012. Text. 28 January 2014.
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In his essay, “Come Back to the Raft Ag’in, Ed Gentry,” Betina Entzminger argues that at the heart of James Dickey’s Deliverance lies the search for a lost masculinity in today’s world, told through the lens of the protagonist’s canoe trip. He asserts that Ed understands the societal pressures upon each gender, forces that compel us towards the stereotypes that pervade our culture. Further, Entzminger believes, “Despite the fact that Ed sees these constructions as constructions, he is unable to rise above them” (Entzminger). Ultimately, Entzminger posits, “Ed dutifully destroys that which challenges his own and his community’s conceptions of gender and sexuality, and he finds comfort in his return to his community at the novel’s close” (Entzminger). However, though Entzminger is correct that Ed never does ascend beyond society’s gender constructions, his error is in his assumption that Ed ever wanted to, or that he even should have.
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Evelyn Cunningham once said, “Women are the only oppressed group in our society that lives in intimate association with their oppressors.” For thousands of years women have been oppressed, not in the bondage of slavery but in the bondage that comes from a lack of education and a dependence on men for their livelihood. Women have been subjected to scrutiny and ostracization, belittling and disparaging comments, and even at times they have been feared by men. Women themselves have even taken on the beliefs that they require a man in their life to be taken care of and have a satisfying life although some women and even some men have seen that the differences between the sexes is purely physical. This oppression, as well as the enlightenment of some, is well noted in many literary works. Literature has often been an arena for the examination of the “woman question,” as it was termed in the Victorian age. Four works that examine the role or view of women in society are John Stuart Mill’s The Subjection of Women, T.S. Eliot’s “Love Song of J. Alfred Prufrock,” Virginia Woolf’s A Room of One’s Own, and Carol Ann Duffy’s “Medusa.” Although each work examines a side of the woman question in its own way with a variety of views on the question, all of the works examine the fear that women incite in men, the idea that women are dependent on men, and the idea that women are separate from men in some way and each piece works to show that there is actually an interdependence between men and women that is often not expressed.
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