The Grand Inquisitor
The Grand Inquisitor reflects Fyodor Dostoevsky interest in religious and political issues. Dostoevsky uses the voices of his characters to express his views on the legitimacy of the Roman Catholic Church and role of religion in society. The story centers around the conflict between the Grand Inquisitor and Jesus. Jesus returns to Earth during the Spanish Inquisition, when in which Jews and Muslims were forced to convert to Christianity and were murdered if not devoted in their belief. The Grand Inquisitor examines the relationship between man and Christ through a unique narrative style that adds various depths of meaning to the story.
To begin with, the most striking feature of this work is that it is a story within a story. The Grand Inquisitor is part of the novel entitled The Brother’s Karamazov, in which Dostoevsky has already introduced the two brothers, Alyosha and Ivan. In The Grand Inquisitor, however, Ivan is the author of the legend of the Grand Inquisitor, a story poem that he is telling to Alyosha. Through this type of writing, Dostoevsky has created multiple levels of narration, which is truly remarkable. In the first few lines of the story, for example, we are uncertain as to who is the narrator, “God our Lord, reveal thyself to us’, for so many centuries they had calling out to him, that in his immeasurable compassion desired to descend to these who were pleading… he had descended even before then, he had visited some righteous men, ...
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
As Rodya analyzes Luzhin’s character, he realizes that intellect unrestrained by moral purpose is dangerous due to the fact that many shrewd people can look right through that false façade. Luzhin’s false façade of intellect does not fool Rodya or Razumikhin, and although they try to convince Dunya into not marrying Luzhin, she does not listen. Rodya believes that Luzhin’s “moral purpose” is to “marry an honest girl…who has experienced hardship” (36). The only way he is able to get Dunya to agree to marry him, is by acting as if he is a very intellectual person, who is actually not as educated as he says he is. This illustrates the fact that Rodya knows that it is really dangerous because he knows that people can ruin their lives by acting to be someone they are not. Rodya also knows that people will isolate themselves from others just so that no one will find out their true personality. This is illustrated in through the fact that Luzhin tries to avoid Dunya and her mother as much as possible. The way he writes his letter, exemplifies his isolation, for Luzhin does not know how to interact with society. He has no idea how to write letters to his fiancée and his future mother in law. This reflects on Rodya’s second dream because he is unable to get Dunya married off to a nice person. He feels isolated from everyone else because his intellect caused him to sense that Luzhin is not telling the truth about his personality. However, it was due to his lack of moral purpose that Rodya berates his sister’s fiancé. He is unable to control himself, and due to his immoral act of getting drunk, Rodya loses all judgment and therefore goes and belittles Luzhin. Although Rodya’s intellectual mind had taken over and showed him that Luzhin wa...
In the book “The Mad Among Us-A History of the Care of American’s Mentally Ill,” the author Gerald Grob, tells a very detailed accounting of how our mental health system in the United States has struggled to understand and treat the mentally ill population. It covers the many different approaches that leaders in the field of mental health at the time used but reading it was like trying to read a food label. It is regurgitated in a manner that while all of the facts are there, it lacks any sense humanity. While this may be more of a comment on the author or the style of the author, it also is telling of the method in which much of the policy and practice has come to be. It is hard to put together without some sense of a story to support the action.
"When a trout rising to a fly gets hooked on a line and finds himself unable to swim about freely, he begins with a fight which results in struggles and splashes and sometimes an escape. Often, of course, the situation is too tough for him."
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
Russian author Fyodor Dostoevsky was among those philosophical thinkers who grappled with the task of explaining why evil exists in a world created by a perfect god. Despite the powerful influence of Christianity in his early childhood and throughout his life, Dostoevsky encountered difficulties in answering this question, which he described, “Nature, the soul, God, love – all this is understood by the heart, not by the mind” (Gibson 1973, 9). Nevertheless, Dostoevsky not only felt obligated to discover a solution to the problem, but also “responsible to his fellow believers for its success or failure” (Gibson 1973, 169). This quest for a solution to the problem of theodicy ultimately led Dostoevsky to write The Brothers Karamazov, a novel that attempts to explain the need for evil in the world. In posing his solution to this problem, Dostoevsky explains the necessity of suffering for the realization of human redemption, as well as the role of Christ’s atoneme...
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
“Brave New World,” is a novel written by Aldous Huxley where he explains that everything is based on a futuristic science which he claimed sprang forth from him because of his experience as “an ordered universe in a world of plan less incoherence” (River 4 1974). People seem to care more about temporal things rather than emotions. Technology also seems to be the most important aspect and everyone is affected by it in one way or another, whether if it is negative or positive. This does not necessarily mean that everyone is fully happy with technology because in a way they are all slaves to it. Another thing discussed in the novel is the lack of freedom. Due to a lot of technological development there exists this division in between people even before their birth that their fate has already been decided where subsist these casts such as Alphas, Betas, Gammas, Deltas e.t.c. They are pushed away from freedom of choice and forced to live in a bubble of their own.
Brave New World, a novel by Aldous Huxley was written at a tine in history when war had ravaged much of the nation, Depression was blanketing society, and people’s wills were being put to the test. Science had become an overwhelming force for better or for worse. People had witnessed science saving and preventing millions of lives with vaccinations and such, but on the contrary, had also witnessed it kill with horrifying “factory-like” efficiency in WW I (the age of machine guns and chemical warfare). Brave New World is not intended to be a happy book, it is more Huxley’s way of describing what he believes is coming to us. He is basically saying, “This is our future”. Huxley’s writings are known for dealing with conflicts between the interest of the individual and the interests of society. Brave New World addresses this conflict in a fictional future (approximately 500 years into the future) in which free will and individuality have been sacrificed to achieve complete social stability.
The book, Brave New World written by Aldous Huxley, is a radical story that is interpreted as a potential caution to us, society, if we keep making poor life choices. In the novel, Huxley depicts a culture where people are programmed to live forever and forced to think that sex and drugs are. For them, the idea of having a family with a mother and a father is absolutely repulsive to think about. Even though some of Huxley’s thoughts are unrealistic, the meaning behind them can be seen today. Nowadays, the three ideas that are bringing us closer to the Brave New World true are the advancements in technology, an obsession to remain young, and the increasing rate of drug use.
First, Holmes is the first scientific detective. Second, all of his cases ended up solved so therefore there are no flaws in his method. Well after researching in and out of books and web sites, I finally found the "true" way Holmes solved crimes. The site I found such spectacular information is Sherlockian.Net. This sight was helpful and it made me understand most of the stories by Conan Doyle.
Because he has no respect for himself, he can have no respect for others, either.
Arthur Ashe once said, “From what we get, we can make a living; what we give, however makes a life.” Such is the case in Nikolai Gogol’s short story The Overcoat. Gogol takes a man without a friend in the world and gives him a new overcoat. The new overcoat represents a new life and a new identity for the man and instantaneously he is much happier. The man, Akaky Akakievich, basis his “new life” upon the love that he gives to his overcoat, and what he feels it gives him in return. Before long, Akaky begins to care more about his beautiful coat and less about the people around him. Thus is the theme of the story. Often material things are more important in our lives than people, resulting in the emptiness of one’s heart and soul. One cannot be truly happy with his possessions alone. He needs more than that. He needs people his life, whom he can call friends.
Standing in a grand cosmic opposition to one another, the concept of good and evil has been intimately linked by many theists with divine scripture; the ideas of virtue and sin. The quotation by Fyodor Dostoyevsky, from the book The Brothers Karamazov, condenses the claim of theological naturalists that our perception of good and evil is essentially derived from the revelations of a supernatural lawgiver. Morality, according to the Cambridge dictionary of Philosophy, is defined as the differentiation of intentions, decisions, and actions between those that are good and those that are evil. Conducive to the claim of theological naturalists is the belief that divine commandments withhold humanity from plunging into lawlessness and anarchy, a state in which individual self-interest is the sole determinant of right and wrong. However, this dogmatic view proves insufficient when the false cause fallacy of assuming that godlessness necessarily leads to a moral vacuum is further
1) One of the biggest conflicts witnessed so far in the first 90 pages of Brave New World by Aldous Huxley is the internal one within the main protagonist, Bernard Marx. Throughout the book, Bernard encounters a violent conflict within himself. He was born different from everyone else, and he finds himself many times questioning the system, he feels that there is much more to be/accomplish in life than just having sex and playing ‘obstacle golf’. Bernard is conflicted if he should share how he feels with the rest of the world and reveal his thoughts, or if he should just keep his mouth shut because all he really wants is to fit in. He just wants to be accepted among his caste members as an equal, even though he is not on the same par as them physically. Should he follow what he believes is right, or what everyone else believes is and what he has been conditioned to believe is right. Another conflict we see in the book is when Lenina is conflicted whether she should stay with Henry, a man she has been seeing for four months, or see other men for a change. To us, this seems strange, as when you find someone you like, you generally stay with him or her, but in the World State being with someone for too long is frowned upon, after all, “everyone belongs to everyone”, the hypnopaedic phrase drilled into people’s heads at an early age. She doesn’t know it, but maybe deep down she may have some feelings for Henry but doesn’t know how to act on them as feelings of love and attachment to one person is something unheard of. Should she follow her heart, or follow the norm of society.