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I chose to watch “Gran Torino”. The movie takes place in Detroit in the early 2000s. The main character is Walt Kowalski. Walt’s neighborhood is changing around him. The neighborhood used to a flourishing part of the city when the automobile industry was on the rise. When the companies moved out, many people left with them. The movie starts with Walt at his wife’s funeral. Walt is very prejudice in the way he views his grandchildren. His grandaughter walks in with a piercing, and he gives her a nasty look when she did nothing to him. The reception takes place at Walt’s home. During the reception, Walt gets a knock at his door. A young boy is there, Thao, and asks for jumper cables and is rejected by Walt. Thao is part of the Vang Lor family …show more content…
Another gang saves him, and he refuses to get in the car. Later that day, the gang approaches Thao and want him to be part of the gang. Part of his initiation is to steal Walt’s Gran Torino. Walt catches Thao trying to steal the Gran Torino. Walt shot his rifle when he slipped and Thao got away. This is a stereotype that immigrants always steal and try to get into gangs. There is also a bad stigma on gangs. The gang comes back the next day to punish Thao for his failure. The gang tries to drag him away, but Walt comes outside and points a gun at them. Walt makes racist references to the gang because he fought in the Korean War and talks about burning their bodies. The gang leaves Thao …show more content…
This is a culture aspect for the Hmong. Walt realizes that the neighborhood looks bad. This is when classism is displayed. Thao works for Walt to improve the class of the neighborhood. Thao starts to fix the gutters of the house across the street. He also paints the house and removes the dead bushes. He also tries to take out a dead tree. Thao has the honor to wash the Gran Torino. Thao works in the garden and responds with it being women's work which is an example of a sexism. Thao gets a job for a construction company and Walt buys his equipment. Thao gets mugged by the gang on his way home from work. Walt hears about this and beats up one of the gang members. The gang retaliates with a drive by on the Vang Lor family and raping Sue. This causes Thao to seek revenge with Walt. The priest knows Walt wants to retaliate with Thao but doesn’t want him to. Walt locks Thao in his basement to keep him from going with Walt to the gang’s house. Walt talks to the gang while the entire neighborhood watches. Walt pulls a cigarette and puts it in his mouth. The gang is jumpy and pull out guns. Walt then reaches for a lighter and is shot multiple times by the gang. The police arrest the gang members. Walt does this to protect the Vang Lor family for the future. In his will, he gives the Gran Torino to
The film starts with an uprising after a white storeowner kills a black teenager. This incident Highlights Prejudices. The teenager was labeled a thief because of the color of his skin and the unjustifiable murder causes racial tensions that exist as a result of the integration of the high schools.
Police brutality. Along with Mookie stands against police brutality Mookie also did the right thing because of Sal’s racism towards Mookie and his customers. Furthermore, Mookie did the right thing because Sal’s racism towards his customers. He is racist towards everyone except Jane, Mookie’s sister who Sal is interested in. The only reason why Sal is in the ghetto because he makes a lot of money in that area. Sal only tolerates his customers because he knows if he does something wrong, then he could lose all of his customers. One situation where Sal is racist towards his customer is when Buggin Out asks Sal why he doesn’t have any brothers on the wall, then Sal tells him if he wants brothers on the wall then he can get his own place.Buggin Out asks, “ Yo Mookie, why are there no brothers on the wall?” Mookie says, “I don’t know, ask Sal.” Then Sal says, “You want brothers on the wall get your own place. Do what you want to do...but this is my pizzeria. American Italians on my wall only.” Buggin Out retaliates and says, “Well you own this and rarely do I ever see American Italians eating in here. All I see is black folks, and since we spend much money here, I do have some say.” Sal has had it at this point and asks Buggin Out
... on, Walt learns about the Hmong culture, and eventually he establishes a grumpy fatherly connection with Thao. Walt develops a relationship with the Vang Lor family and stops the Hmong gang from raping Thao’s sister. Although, Walt is dying from lung cancer, the gang kills him. Walt leaves behind all his inheritance to the Vang Lor family, and most importantly, Thao inherited the prized 1972 Gran Torino.
When offered a bribe to not move his African American family into an all white neighborhood, Walter declines the money, proving his development of courage. As a limousine driver for wealthy, white businessmen, Walter is ashamed of his life and desires a change. In order to achieve the lifestyle he wants, Walter must develop the courage to pursue his dreams. Throughout the play, Walter Younger and his family begin to see a shift in opportunity and believe that they can build themselves a life to be proud of. Their newfound hope continues to grow until Walter loses the insurance money, diminishing all opportunities for a better life. At this moment in the play, Walter hits rock bottom and is prepared to accept the bribe from the white neighbors. If he takes this bribe, Walter is submitting himself to the white community and degrading his race, as a whole. Despite his desperation, Walter realizes that he must make an example to his son, Travis, and prove his courage. In order to do this, Walter declines the offer and defies segregation. By
In the movie “crash” people from different racial group crash in to each other and at least two of the characters come to recognize how their prejudice and stereotyping is based on their accidental encounter with members of other social groups.
The movie Crash was directed by Paul Haggis is a powerful film that displays how race is still a sociological problem that affects one 's life. It also focuses on how we should not stereotype people based on their color because one may come out wrong in the end. Stereotyping is a major issue that is still happening in today 's society and seems to only be getting worse. This movie is a great way to see the daily life and struggle of other races and see how racism can happen to anyone, not just African Americans which seems to only be seen in the news and such.
In an interview with Keke, a member of the White-Fence gang he stated, “we don’t let nobody come in our neighborhood and be messing with the people’s cars and breaking in their houses, if we see somebody trying to do that, yeah were going to get them”, this statement shows how Keke justifies harming others in order to protect their neighborhood. Keke disguises his motives in a rational and logical manner to avoid the true explanation to his real intentions. These justifications are challenged by Hollenbeck police officers as they explained that the “ultimate sacrifice could be death or a beating, but ultimately death” in which the true meaning behind “were going to get them” usually involves gun violence. In other words, anyone outside their territory that comes to their neighborhood is risking their life and safety. Additional definitions of crime such as motive and drive is explained in the documentary when the narrator states, “for gang’s it’s all about territory claiming it, keeping it and taking more, for status and practical
As showed in the movie, the Hmong are so guarded of their community that they keep silent about anything that could disrupt it. According to Lee, “it was Japan’s attack on Pearl Harbor and America's entry into the Second World War that being the unraveling of the Yellow Peril myth” (Lee, 146). Yellow peril is the idea of peoples of East Asia are a danger to the Western World. We can see the representation of this through the Hmong gang. These stereotypes (silent and yellow peril) legitimize discrimination towards Asian Americans. By depicting the Hmong community only through these two stereotypical extremes, “Gran Torino” represents the Hmong as powerless, dependent, and in need of the patriarchal machismo of Kowalski to protect them from their criminal
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
This movie is filled with shocking details and scenes; it shows that each character, whom all are residents of L.A. is different, but shares the same assumptions, fears, and hopes. While watching the movie, I was feeling sorry for the couple who were car jacked, but then later saw how the lady assumed that the Hispanic man was a criminal. Peter is involved in carjacking a vehicle, but is later shot dead by Officer Hansen. Shaniqua was belittled and yelled at by Officer Ryan, but later shows her yelling and berating another driver involved in an accident, at the end of the movie. The two black males who feels mistreated and discriminated against in a restaurant and on the street are the same two who car
When we hear the words gangster or mobster, the first picture that comes to mind is bloodshed and violence. But Warshow shows us in his writings that this is not necessarily the case by giving us examples from the movie The Godfather of how the family is very similar to a normal everyday household yet very different at the same time. The family has this unique kind of courage that allows them to do what they want without having to care about what they can lawfully do. The family does not openly talk abou...
Gran Torino is a suspense film directed by Clint Eastwood, which portrays the relationship between a 78-year-old Koran war veteran and his neighbors who are from Laos. The main character, Walt is a racist who still has memories from the horrors of war and has a dislike for anyone, including his own family. After his young neighbor Thao is coerced by his cousin’s gang into stealing Walt’s prized Gran Torino, a unusual relationship forms between the pair. Walt starts to respect Thao and his culture while fulfilling a fatherly role that Thao is lacking. Eventually, Walt has to confront the gang knowing that the confrontation will end in his death. Apart from the stereotypical, get off my lawn quote, this film depicts the relationship of family concerning the care for older adults, the struggle with despair and meaning later in life, and the morality of a good death. This paper will address each of these themes.
Clint Eastwood’s film “Gran Torino” traces the end of the life of Walt Kowalski. He has recently gone through a lot – the death of his beloved wife, his distant relationship with his son, his emotional scars from the Korean War and his bad health. All these things stop him from living a proper life. He doesn’t care about himself much – he smokes even though he is sick, he doesn’t eat a lot, he refuses to confess even though that was his wife’s last wish. However, all this changes when he meets the Hmong Family that lives next door. At the beginning he detests them because of their similarity to the Koreans, but later, as he gets to know them, they become the family that he was never able to have. The story traces the psychological changes in Walt’s character due to his unusual bond with the Hmong family, which changes are one of the main strengths of the film.
(4) Conventional is easy. Whenever an idea is generally perceived by society as standard or traditional it becomes very easy to display to the public without the raise of an eyebrow. This is the basis on which stereotypes appear in films. You’d think in the 21st century where what once were radical notions like same sex marriage and recreational drug use are being legalized that something uncalled for like the constant portrayal of character stereotyping would come to an end. Alas, stereotypical characters continue to emerge in film and unfortunately have become a staple of Hollywood because they’re simple and straightforward, requiring little effort on the part of the writers or thinking from the audience.
After they meet Ma’s personality changes completely; she smokes cigarettes and walks through the forest. Ma’s parents soon disown her, and she has a baby with Ba. It is only when they move to America that Ma feels guilty about her past. She wishes to remember exclusively the happy times she shared with her family, when she was still the perfect daughter in her parent’s eyes. But with Ba around, she must face the reality of both past and present. In The Gangster We Are All Looking For, by lê thi diem thúy, Ba’s presence in Ma’s life as well as his role in her transformation as an immigrant hinder Ma’s determination to hold onto a false memory of Vietnam.