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The features of Jane Eyre
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“In my recollection the spasm of agony which clutched my heart when Mrs. Reed spurned my wild supplication for pardon, and locked me a second time in the dark and haunted chamber.” (Bell). In the film Jane Eyre, Jane is portrayed as a very blunt and innocent girl who grows up to be a very honest governess at Thornfield Manor. Jane falls in love with her employer Mr. Rochester, master of Thornfield Manor. Jane’s tragic and unforgettable past as a kid to adulthood is expressed in the gothic romance film Jane Eyre, directed by Franco Zeffirelli. In the Gothic film Jane Eyre, Zeffirelli creates a dark mysterious gothic mood by revealing the darkness from Jane’s past as she is the protagonist as a victim and its effect on her adulthood by bringing out her solitary feelings, as well as placing emphasis on Mr. Rochester as the Byronic hero to reveal his flaws and the use of very ominous remote settings to describe the loneliness and isolation with detailed characteristics.
In the film, the viewer can see how the darkness in Jane’s past affects Jane’s future and how it creates a strong mystifying mood. Jane’s life was full of loneliness and solitude, after the death of her parents at an early age. In Jane’s childhood, she is left in the care of her cruel, aunt Mrs. Reed, who mistreated her. In her adulthood she is troubled by the Byronic Mr. Rochester. This can be seen when Jane is abused and put into “the blood red bed chamber” (Robinson). The purpose of putting Jane into the chamber is to torment her with the color of blood, and the presence of her dead uncle. The effect of the “Red Room” is to show little Jane’s breakdown as she experiences the dreadful misery and to increase the feeling of her being tortured which leads to a very ...
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Charlotte, Brontë. Jane Eyre. Columbus: Glencoe/McGraw-Hill, 2000. Print.
Gainsbourg, Charlotte, perf. Jane Eyre. By Charlotte Brontë. Dir.Franco Zeffirelli, 1996.
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Hurt, William, perf. Jane Eyre. By Charlotte Brontë. Dir.Franco Zeffirelli, 1996. Youtube. Web.
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Plowright, Joan, perf. Jane Eyre. By Charlotte Brontë. Dir.Franco Zeffirelli, 1996. Youtube.
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Robinson, Tasha. "Jane Eyre." AV Club Live. 10 Mar. 2011. A.V. Club. 06 Oct. 2013
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"'The marriage can not go on: I declare the existence of an impediment'" (306). Jane Eyre, by Charlotte Bronte, is the story of an orphaned girl who is sent to live at Gateshead Hall with Mrs. Reed and her three cousins, whom Jane doesn't get along with. At the age of ten, Mrs. Reed sends Jane away to Lowood Institution, an all girls' school, where she spends the next eight years of her life. At the age of eighteen, Jane leaves Lowood and accepts the position as governess at Thornfield Hall. Mr. Rochester, the owner of Thornfield Hall, and Jane fall madly in love and plan to get married, but little does Jane know, Mr. Rochester has a terrible secret that could ruin Jane's life. Throughout the novel, the theme of deceit and dishonesty results in unhappiness and suffering not only to those being lied to, but also to those people perpetuating the untruths.
Jane Eyre, written in 1847 by Charlotte Bronte, relates a tale of tragedy, mystery, and gothic romance. Covering the multiple issues of England in that time, Bronte writes of orphan treatment, social class, and Britain’s controversial law of prohibiting divorce in all circumstances. Orphaned at a young age and unwanted by her guardian Mrs. Reed, Jane searches for higher prospects in education at Lowood, eventually earning a position as a governess at Thornfield. Complications disrupt her life, when she becomes engaged to her employer, Mr. Rochester, and soon after discovers that he is already married to a lunatic. Leaving Thornfield, Jane finds a home with St. John and his two sisters. Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative.
The narrator finally achieves an authoritative position in her marriage, with John unconscious and her creative imagination finally free of all restraints. Her continual “creeping” over his prone body serves as a repeated emphasis of this liberation, almost as if the narrator chooses to climb over him to highlight his inferiority over and over again” (Harrison). John was a weak person, Jane suffered from a nervous disorder which was made way worse by the feelings of being trapped in a room. The setting of the nursery room with barred windows in a colonial mansion provides an image of the loneliness and seclusion she experienced. Periods of time can lead to insanity. Maybe her illness wasn’t that bad but he made it worse on her part because he was a sick husband. Some critics have argued “Is the narrator really liberated? We’re inclined towards saying “no”, given that she’s still creeping around the room and that her psyche is broken”
The situation when Jane in locked in the Red Room occurs because she has retaliated against John Reed hitting her and the fact that she is being punished for doing so. The mere fact that she is being locked in the Red Room can already accumulate sympathy within the reader because she is seemingly being very unfairly punished whereas her cousin John has attacked her already and managed to escape any punishment whatsoever. However in the events leading up to being locked in the room, the reader could not feel sympathy for Jane Eyre as she did in a way bring the punishment upon herself for attacking Mr. Reed in the first place. If she has not retaliated she would have not been locked in the room. Most readers however probably do feel sympathy for her as she was acting more in self-defence. She was also unfairly spoken too as they were dragging her to the room itself as they say things like she's like a mad cat' and do not seem to be letting her give an explanation at all for her actions, and only listening to what John had too say. They make sure that she knows her place by telling her that You are under obligation to Mrs. Reed' and that she is less than a servant'. These are not kind words and the reader will probably feel sympathetic as she is being treated as a worthless object. The room that she is sent too is a dark and unpleasant place with memories of the dead Mr. Reed. For a child of Jane's young age it would seemingly be very distressing for her, and with the added experience of her seemingly seeing a ghost' of some kind, it would be a terrible experience. Even if the reader has not felt sympathy for Jane before this incident they would surely feel so now, as she is in a distressing situation alone. When Jane first screams out for help from someone it does seem as though people are coming too help her as Bessie and Abbot come to open the door and ask her what is wrong and what has made her cry for help.
After the death of Jane’s parents, her uncle Mr. Reed has taken her in with his family to a mansion called Gateshead Hall. Nine years after Jane uncle has past she has been trapped in Gateshead Hall while suffering the bitter treatment of her aunt Mrs. Reed. Mrs. Reed was resentful of her husband’s favoritism toward Jane and takes every opportunity to neglect and punish her. When Jane is punished by Mrs. Reed she would be sent to the red room by two of Mrs. Reed servants, Bessie and Miss Abbot. The red-room was “a spare chamber, it was one of the largest and stateliest chambers in the mansion” and in this every same chamber is where Jane uncle past (8). Not only did Mrs. Reed treat disrespectfully but her own son, Jane’s older cousin John Reed. John Reed would abuse and punish Jane several times a day, in the words of Jane; “every nerve I had feared him, and every morsel of flesh on my bones shranked when he came near”(4). Everyone would ignore Jane’s plea for help especially Mrs. Reed who would act be blind and deaf on the subject. No one except for Mr. Reed show any love and care for Jane during her childhood in Gateshead Hall. Jane said “I was a discord in Gateshead Hall; I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage” (10). Jane continued by saying that they did not love her not if as little she loved them. Although the family mistreats her, Jane still wished for the atte...
The novel Jane Eyre by Charlotte Brontë is an early 19th-century English literature; a literary work that is evocative and riveting. It depicts acts of betrayal between family members, loved ones and self-inflicted betrayal. The acts of betrayals are done by Mrs. Reed, Mr. Rochester and Jane Eyre herself.
Brennan, Zoe. "Reader's Guide: Bronte's Jane Eyre." Ebrary. Continuum International Publishing 2 2010. Print. April 28, 2014
The red room is the place that ignites Jane's passion. The red room is one of the novels great paradoxes as it parallels with ice in that it restricts Jane's freedom and imprisons her; yet the experience gives her the courage to stand up to her aunt. The fire that the red room ignites in Jane allows her to jump the 'containment lines'; to break the bonds of her Aunt that are restricting her, and achieve freedom. The red room becomes very symbolic of Jane's fight for freedom. Whenever she suffers from there on, Jane emotionally comes back to the red room, and adds new fuel to the fire, as she reminds herself why she wants to break free of oppression.
Jane Eyre is born into a world where she is left bereft of the love of parents, family, or friends, but instead surrounded by hateful relatives. She resolves to attend school to begin her quest for independence. This theme is seen through Jane’s behavior when she renounces her relation to her aunt Mrs. Reed, ignoring the nurse’s orders and leaving her room to see Helen again, and when she acquires the courage to speak her opinion to Mr. Rochester.
... the red room and likewise, saw a reflection of her in Mr. Rochester. In both traumatizing situations, Jane ironically experiences an outer body experience from within her body. In the red room she literally saw herself and fainted because of the sight of herself, but when conversing with Mr. Rochester she saw the hatred she had for Mrs. Reed in his hatred for Bertha. For example, "the paroxysms, when my wife is prompted by her familiar to burn people in their beds at night, to stab them, to bite their flesh from their bones," (306)
Jane Eyre’s continuous search for love, a sense of belonging, and family are all thoroughly displayed by Charlotte Brontë. Jane starts off as a despised orphan who is captivated by the thought of love, believing that it will help her achieve happiness. Throughout the novel, Jane attempts to find different substitutes to fill the void in her life.
Bronte, Charlotte. Jane Eyre. 3rd ed. New York: The Modern Library. Bronte, Charlotte. "
...there. Jane doesn’t like the red-room and when she gets into trouble on day Mrs. Reed says,” Take her away to the red-room, and lock her in there.”(6) Her aunts’ was supposed to take care of her and not treat her badly. Another disappointment for Jane was supposed to marry Mr. Rochester but he is married so that was not able to happen.
... the anger that she had expressed as a young girl, due to the fact that her society does not accept it. This anger that she once held inside is prevelant in Bertha's act. It is in the Red Room that Jane "became increasingly alive with bristling energy, feelings, and sensations, and with all sorts of terrifying amorphous matter and invisible phantoms" (Knapp 146). This igniting energy and flow of feelings, are very similar to those that Bertha realises at Thornfield.
In the novel Jane Eyre by Charlotte Brontё, Brontё traces the philosophy of Romanticism for Jane. Jane falls in love with a wealthy man named Mr. Edward Rochester, who owns and lives in Thornfield. However, she experiences many difficulties in Thornfield, and she decides to leave as she meets St. John, while trying to survive on her own. Then, St. John asks Jane to marry him, which brings many other difficulties to her. As Jane has trouble with Mr. Rochester and St. John, she directly issues with Romanticism and the elements: human passion, belief in supernatural, and individuality.