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Trauma case study chapter 10
Trauma case study chapter 10
Trauma case study chapter 10
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What the hell?!
I screamed when the place shook with a ruckus. I had to duck and dodge things that were spiraling at me. The tiled pattern floor shook and cracked and the roof completely ripped out of the ceiling. Bringing to light a horrid world. A world that looked like Hell.
My eyes grew wide with horror.
The sky was completely covered by roiling black smoke, which was visibly spreading everywhere. There was a roaring, crackling sound, and I could see great flames leaping into the sky. The hot wind carried ash and cinders.
No. This can't be real! This can't be real! Grace this is all just a hallucination!
I was panicking now, my head spinning in every direction only to see the house breaking into pieces,things going into flames, or
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He went into a low crouch behind me, arms outstretched, his red eyes burning with hatred and rage.
Tears streaked my face and I made another run for it, desperate to stay alive. Fire reached the house. Fanned by strong winds, it had torn through more of the interior. There was nowhere to go.
My feet try to dodge the cracks and holes on what's left of the floor. I suddenly felt my foot get caught by something, sending my whole body straight down. I ignored the pain and look to see a firm hand gripping my ankle. It was the dad.
Pinkish looking saliva foamed between his rotten jagged teeth. The man looked horribly infected. I didn't understand how he could change like this, but the thought of it was horrifying.
"Grace." He hissed and I try to get my ankle free. My legs tried to fight him off but his disgusting body crawled on top of me.
I don't want to die! Not here, not like this!
I was screaming on the top of my lungs and thrashing my body from underneath him. The dads face inched closer, winding his jaw reveling sharp daggers of teeth. As he was going in to bite off my face, I turned away and
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My face was filled with heat and shock when I saw someone standing there with this big ass blade in hand. The guy definitely looked older, maybe like a year or two from me, he had short dirty blonde hair, but was long enough to give him that "bed-head look". The guy was tall, probably six foot from where I was standing, his face purely masculine with broad shoulders and a solid chest. He was wearing a long black coat with a red vest underneath this coat, a black muscle-shirt beneath, and a pair of dark blue
“’Fire! I see a fire! I see a fire!’ There was a moment of panic. Who had screamed? It was
When it comes to Southern Gothic literature, most authors that had written in this genres stories were younger such as twenty-one through twenty-four when the stories were created. Southern Gothic Literature has always been around and it will continue being around as long as it remains a popular genre. Now, what is Southern Gothic literature? It is a type of writing that was created in the south. The genre surrounds itself “on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters”. (What Is Southern Gothic Literature? 1). The whole point of Southern Gothic Literature was to
In today’s literature there are many types of genres that people find fascinating, all the way from fantasy to non-fiction. A very interesting genre is Gothic Fiction, where many elements are used to such as violence, ghosts, monsters and many other dark and mystical elements that make up Gothic Fiction. There are many great authors who are well known for their dark gothic style such as Edgar Poe, who has written the short story “Fall of the House of Usher” and the “Black Cat,” or Horacio Quiroga who has written “Feather Pillow” and a more recent author, Ransom Riggs who has written Miss Peregrines Home for Peculiar Children. These three author’s stories all have gothic elements, such as psychological issues, death and fear that parallel one other which shows a common trend between gothic literatures.
Elements of Southern Gothic Literature Literature comes in all types of styles and one type is Southern Gothic. But what makes a story develop into this type of Southern Gothic style? There are many characteristics that are apparent in literature, so what conditions are distinct that would give them the term Southern Gothic literature? What kind of elements do we call for when trying to find this type of literature? Southern Gothic is a literature that has a style all its own.
us shall you leave this earthly abode. Oh no, you will run by my side
The faded voices of choir singers are muffled by a roaring explosion. The sounds from the crumbling building spread down the block. Worn-down bricks, knocked out from underneath each another. Shards of colored glass, shot into the air. Chucks of wood and rubbish litter the sidewalk. Thick smoke and fearful screams saturate the air. A mother’s worse nightmare.
Southern Gothic Literature is a subgenre of Gothic fiction writing, which takes place in the American South. The Southern Gothic style is one of that employs the topics such as death, bizarre, violent, madness, and supernatural. These tools are used “to explore social issues and reveal the cultural character of the American South (Wikipedia).” The view of the South which is self-identified as the “national” or “American” view is basically a colonial Romance, with the rest of the nation identified with the forces of the light and the South with the forces of the darkness (Wacker 107).The authors of Southern Gothic typically use damaged characters to make their stories better, and to show deeper meanings of unpleasant Southern characteristics. These characters are diverse from society due to social, physical or mental disabilities. However, not all characteristics of the characters are bad; it is that a mixture of good and bad is found in most of the characters. Two authors who express the Southern Gothic writing style are William Faulkner, who wrote “A Rose for Emily,” and Flanner O Conner, the author of “Good Country People” and “A Good Man is Hard to Find.”
I peered around through the rain, desperately searching for some shelter, I was drowning out here. The trouble was, I wasn’t in the best part of town, and in fact it was more than a little dodgy. I know this is my home turf but even I had to be careful. At least I seemed to be the only one out here on such an awful night. The rain was so powerfully loud I couldn’t hear should anyone try and creep up on me. I also couldn’t see very far with the rain so heavy and of course there were no street lights, they’d been broken long ago. The one place I knew I could safely enter was the church, so I dashed.
Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone.
There is one known very influential writing style called Gothic Literature. It is not only considered to involve the horror or gothic element but is combined with romance, superstition, women in distress, omens, portents, vision and supernatural events to name a few (Beesly). The history and beginning of this era is not well known. From a few writers came this writing style that has impacted the world. A famous artists known for this type of writing is a man named Edgar Allan Poe. He wrote many short stories and poems that include horror, gothic, and romance just mentioned.
Science fiction and the Gothic share many similarities: a dark view of humanity, times of social and cultural upheaval, and conflicts between the old and the new, to name a few. But Gothic science fiction stories seem contained to Shelley-esque monsters and candle-lit laboratories, not in the pastel-toned and softly lit Spike Jonze movie Her. However, Jonze utilizes elements of the Gothic as described by Dr. Jerrold Hogle in his introductory essay “Introduction: modernity and the proliferation of the Gothic” to illustrate the ways in which technological advancements are slowly but surely driving us away from each other, painting innovation as a classic Gothic monster of our own making. Ultimately, Jonze argues that, while the unrelenting advance
As we walked through the woods on the dark cold night in October we notice screaming of what we had thought to be the neighbor girl. We creep closer to the large mansion and climb the gates to get in the massive front yard. As me and my friends Kevin, Douglas, and randy reach the front door, we slowly creep open the front door, we hear screams and yells and very quickly leave the situation. We head back to the house for the night and decide that we will make a plan and return to the mansion tomorrow.
The gentle barrage of acid rain on the flat rooftop wakes me late at night. A dim light shines through the spaces in the cheap blinds. The soothing sounds of the sleeping night caress my aching body: a distant mechanical hum; the moan of an infant; the quickening tempo of the rain on the roof. My back is stiff and itchy as it sticks loosely to the clammy sheet that separates me from the coarse concrete floor. The stifling night air is sweltering and saturated.
The buildings are burning, they are all burning. Things melt and
All at once, a blast reverberated off the walls, knocking debris from the ceiling. Screams were heard immediately after, fearing that would be the decisive one. The bomb that would bury us alive. The lights flickered once, twice, then darkness engulfed the population.