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Essays gothic art
Essays gothic art
Middle age gothic architecture
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The piece of work I have chosen is both a work of art and an architectural form. The movement is Gothic Medieval Art form created before 1477. The material used was silver, raised and cast. The particular censer is an incense burner that is octagonal in shape. The overall piece is 31 7/8 x 5 3/4 in. (81 x 14.6 cm) tall. It was designed in Basel, Switzerland. Era 1400-1600AD. Gift of J. Pierpont Morgan, 1917. Today this artwork can be found on display in Gallery 306 of the Metropolitan Museum of Art. This censer not only draws heavily on architectural vocabulary but it also includes many characteristics of Gothic architecture. The top section resembles a Gothic structure like an oratory or baptistery. The lowest of the three sections is made …show more content…
Many churches and cathedrals of Europe are in this Gothic movement. Gothic art has been coined the phrase as being heavy handed and highly stylized and having smooth corners and fine lines. It is known that Gothic art has a special place in medieval art as this style can be found not only in architecture, but also in painting, enameled metalwork, manuscript illumination, textiles and portable arts of the later medieval period, such as reliquaries, censers, shrines, etc. Moreover, as the Gothic period lasted more than 200 years and had many variations in style and different techniques, it is clear that decoration elements grew more elegant and intricate. The Gothic era is divided into three periods which have some differences in decoration elements and artistic techniques. Early Gothic (1150-1250), High Gothic (1250-1375) and Late Gothic (1375-1450). Gothic art is often connected with religious issues; many experts define Gothic art as a religious art that was used in churches and cathedrals throughout France, and the later Gothic style was spread throughout Europe. During the 14th and 15th centuries, Gothic art was mixed with Italian art which led to a “more secular style” – the so-called International Gothic which had enormous impact on the growing influence of the Church in Rome. As it is practically impossible to separate the development of Gothic sculpture from the rise of new elements in architecture, many forms of Gothic architecture can be found in different miniature portable works of art of that period and not just in the huge
The European middle ages lasted from the 5th century to the 15th century, which started the fall of the Western Roman Empire and moved to the Renaissance and the Age of Discovery. The classical antiquity, the medieval period, and the modern period were the divisions to the early, high, and late middle ages. The gothic awakening was in England during the 1750s, caused by the medieval forms. Medieval Europe was awakening from a feudal war and ignorance. The new way of learning was spread in the western society. In the gothic awakening age, towns and kingdoms flourished and built churches across Europe.
Another inspirational architect in this time was William Kent. His designs using ogee pointed arches with a classical cornice inspired Batty Langley to produce a study in which he analyzed Gothic in terms of classical orders. A comparison with true mediaeval and Gothic architecture at this time shows that at this time all Gothic architecture was a decorative style to be applied as ornament to regular structures and s...
This work is typical for this era because the architectural style Gothic is known for its height being tall and made from stone and tall flying buttress...
The European Gothic Architecture covers an extended period of time that begins in the 12th century up to the 16th century; this was the golden period for this style of Architecture. The term Gothic comes from the Goths or Gothic people, a group of East Germanic tribes, which were tribes of barbarians and vandals that sack Rome during the 5th century. This term was later applied ...
Rome and the Statue of Liberty in New York are all proof of the extraordinary celebrated artwork human kind has been able to do throughout several years. Now, I want to discuss another celebrated work of art that was quite popular in the medieval period, Gothic architecture. During the medieval period Gothic architecture was considered to be luxurious because of its exaggerated height given to buildings. Not only did it give height, it also had plenty of other characteristics like the pointed arch, the vaulted ceiling, and of course, plenty of windows where light could pass right through. For statesman historian, Abbot Suger, light was important. He believed light was a connection from heaven to Earth. The more light, the better. It was because of Abbot Suger that the admired Gothic style began along with more of his art program from about 1125-1144 (Inventing the Exegetical Stained-Glass Window: Suger, Hugh, and a New Elite Art, par 1). However, not everyone agreed with this extravagant style. When Gothic cathedrals began being built, French abbot, Bernard de Clairvaux made a judgment of his own. He explained that he did not see the need to be so extravagant when the money going to those glittering churches can go to a better use, the poor. I agree with Bernard; there is no need to be stylish when adorning cathedrals if there are better uses for that money.
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
The church in the Middle Ages was a place that all people, regardless of class, could belong to. As a source of unity, its influence on art and architecture was great during this time. As society drew away from the feudal system of the Romanesque period, a new spirit of human individualism began to take hold; alas, the birth of Gothic. Here, the Church became a place where humanity became more acceptable, alas becoming the ideal place to visual such new ideals. The beauty and elegance of Gothic architecture is depicted most in the great cathedrals of the 12th, 13th and 14th centuries—St. Denis, Notre Dame, Chartres, Salisbury, Durham, Amiens, and more. The experience of looking at one of the great gothic cathedrals is to look up towards God. Indeed, most Gothic structures emphasize the vertical, drawing one’s eyes upwards toward the heavens with the awesomeness of God. These cathedrals were built with towering spires, pointed arches and flying buttresses giving impressions of harmony and luminosity. One of the major accomplishments of the 12th and 13th centuries was to develop the engineering mastery of the ribbed vault, pointed arch and flying buttress to create a great cathedral that is at once taller, lighter, wider, and more elegant than the ones before. Even though the pointed arch could support more weight than its predecessors, there was still the problem of finding a way to support the heavy masonry ceiling vaults over wide spans. In order to support the outward thrust of barrel vaults, vertical support walls have to be very thick and heavy. What makes possible the extensive use of ribbed vaulting and pointed arches to “open” and “lighten” the walls and space of the cathedral is the flying buttress—“an arched bridge above the aisle roof that extends from the upper nave wall, where the lateral thrust of the main vault is greatest, down to a solid pier.”
In the sixteenth century, Gothic Architecture began to decline but, with the increased interest in Middle Age church architecture in the eighteenth century, Gothic Revival Architecture was created. Gothic Revival Architecture is made up of many Gothic elements. Gothic elements are seen art pieces and literature, but are mostly seen in architecture. Gothic revival architecture was actually created due to people wanting to revive old gothic elements from the twelfth century. These elements can be seen through stained glass windows, arched roofs, buttresses, and high columns. FINISH CONCLUSION PARAGRAPH
The Gothic style evolved from that of Romanesque, building on concepts and ideas that led to the creation of larger and grander structures. Today, mankind looks in awe at the structures that were built hundreds of years ago without the assistance of modern technology and equipment. These architectural styles are indisputably different, but equally profound. They made use of differing techniques to become tangible structures that can still be seen
Print. The. Mike. The Evolution of Gothic Architecture. Aquinas Multimedia.
The 11th to 15th centuries saw a great surge of the Christian Church within Europe which was emphasized by the persuasiveness of the Crusades. The growing population of the Church increased the demand for the increased presence in architectural monuments and during the Romanesque and Gothic periods, a great cathedral construction boom occurred across Europe. The Romanesque and Gothic architectural styles were distinctive in not only the massiveness of the Romanesque monuments and the introduction of the cruciform plan but also for the introduction of the Gothic era art within the Cathedrals which included the inclusion of art the radiating Rose Window, column figures and the gargoyle among many others.
Gothic external features: Lofty masonry rib vaults, pointed arches, flying buttresses. The height of the structures increased. The Gothic rib vaults distinguishing feature is the crossed arch under its groins. Rose windows flourished during this period. The figure 13-8, Laon Cathedral, includes the typical gothic features of the rose window, deep porches in front of doorways, and the open structure of the towers.
The influence of Romanesque architecture towards Gothic is very prevalent when studying the two side-by-side. For example,
There were two main types of architecture during the middle ages, the Romanesque style and the Gothic style. The Romanesque period took place approximately between 1096 and 1270 (the eleventh and twelfth centuries) and the Gothic period took place approximately between 1150 and 1450 (the thirteenth through the fifteenth centuries) (Bersson 383). Evidence of both styles of architecture emerged throughout Europe. The political landscape had changed and the Christian church provided a measure of unity throughout the centuries of this medieval era (Stalley 13).
In the art world, the medieval periods were traditionally though to be the unproductive phase of Europe between the decline of Rome and the Renaissance. Our modern feelings toward medieval art are far more appreciative. The main intent of Medieval art was to express Christianity which was also a common bond between a wide spread and diverse Europe. For this reason most of the art found from medieval times originated in monasteries and churches. European art during the Middle Ages can be divided into four periods. These four periods include Celto-Germanic art which ranged from 400 to 800 A.D. and was important in metal work. Carolingian art ranged from 750 to 987 A.D. overlapping 50 years of the Celto-Germanic period. The period of Romanesque art spanned mainly the eleventh and twelfth centuries, and was an important period for medieval architecture. Gothic art, the final period of the Middle Age art began in the Romanesque period around the twelfth century and went on until the sixteenth century. Artwork form these four periods all consist of distinct styles setting them apart from one another.