Gothic literature was introduced by Horace Walpole in The castle of Otranto in 1764 but it was not until late 18th and early 19th century when it started to become popular and authors such as Edgar Allan Poe wrote many tales that were influenced by this way of writing. Within the story “The Pit and the Pendulum” Edgar Allan Poe blends traditional gothic elements. This tail contains many gothic aspects that it can be said that without them the story would not be gothic. Some of these aspects are the fact that in the story is happening during The Spanish Inquisition, the terror that the prisoner is living, his mental torment, the torture he is going through and being in a dark place such as a dungeon are all traditional gothic elements.
The Spanish Inquisition is one of these traditional gothic elements that are mentioned throughout this tale. Right from the beginning of the story Poe gives a hint of the setting by mentioning the inquisitional voices, but as the story continues he makes it clear that the story is taking place during the Spanish Inquisition such as when he writes “And the death just avoided was of that very character which I had regarded as fabulous and frivolous in the tales respecting the Inquisition”. By doing this Poe makes sure that the reader knows what is happening outside the dungeon and has also the purpose to contribute to the gothic mood of the tale. According to Mary Ellen Snodgrass the torture chambers of the Spanish Inquisition is a favorite gothic setting and not only Poe but other authors like Ann Radcliffe used this setting for her story ‘The Mysteries of Udolpho”.
Mental torment is another aspect of gothic literature that is used all over the story. This unnamed narrator is being mentally tormented ...
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...g, he is completely surrounded by darkness this due to the fact that he is in a dungeon. This atmosphere that the dungeon adds to the story contributes to the obscure setting which the story is suppose to have since is a gothic work.
Certainly trough “The Pit and the Pendulum” Edgar Allan Poe uses many traditional gothic elements. Those basic elements helped him to develop this gothic work as it is “The Pit and the Pendulum”.
Works Cited
Poe, Edgar Allan. “The Pit and the Pendulum.” 1843. Literature The Reader’s Choice. Ed. Jeffrey D. Wilhelm, Douglas Fisher, and Beverly Ann Chin. New York: Glencoe, 2007. 251-60. Print. American Literature.
Snodgrass, Mary Ellen. “Dungeons and Prisons in Gothic Literature.” Bloom’s Literature. Facts On File, Inc. Web. 17 Mar. 2014
Snodgrass, Mary Ellen. “Terror Fiction.” Bloom’s Literature. Facts On File, Inc. Web. 17 Mar. 2014
Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Reading Edgar Allen Poe’s works such as “The Cask of Amontillado” and “Tell-Tale Heart” are both written around 1840’s and written in the gothic style. Poe displays his horror short stories, in which the reader can differentiate his signature style. Although many of Poe’s significant works may have a similar theme, the reader can distinguish the themes through the characters in “The Cask of Amontillado” and “Tell-Tale Heart.”
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
This section shows how characters are emotionally isolated which is an element of gothic literature. Not only do the people around the protagonist choose to isolate themselves, but he partakes in it too, as he judges them for their own lack of social behavior. The fact that there is a great amount of opportunity to do so also reinforces how far they have brought their minds into seclusion.
" Bloom's Literature. Ed. Facts On File, Inc.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Poe’s themes in his poems and short stories reveal a Gothic look on the world that includes morbid imagery that some people would not be comfortable with reading. In The Pit and the Pendulum, the narrator has to make a drastic decision that not most would have to make: the choice of how to die. Although, the true horror of The Pit and the Pendulum is not just a matter of the choice of death, I believe it is also in the horror of no matter the result, he will die either way. Death in this situation is unavoidable and creates a strain in the human subconscious because of the natural human instinct to want to live. Burduck in his book Grim Phantasms: Fear in Poe’s Short Fiction writes that “of all the emotions by and affecting the mind, feat most intrigued Poe” (5). Poe’s use of fear is seen throughout many of his works and The Pit and the Pendulum is a prime example of this. The narrator in the story is put into an underground dungeon that he cannot get out of. The darkness encompassing him brings a “fearful idea” to his mind and in the dark waves his arms widely about in all dire...
Gothic literature is known for captivating readers by bringing to light the dark side of humanity. The Gothic possesses many key elements such as paranoia, anxiety, death, etc. It strikes fear and suspense in the reader not by creating fictional monsters, but showing the reader the types of monsters that lurk within human beings. In “the Cask of Amontillado” by Edgar Allan Poe, various themes of the Gothic are present throughout the short story such as gloom and doom, darkness, and madness. These elements are used to enhance the central theme of the piece: revenge. I will argue that Poe uses a number of the Gothic elements to craft an intense dark tale of revenge: an unreliable narrator, madness, darkness, a haunted setting, and evil/devil
What makes Poe 's story Gothic according to Nicole Smith is the killing of the old man and the way the narrator hides the body after murdering him. Even the way the narrator goes on to describe the eye as “pale blue that constantly follows him” is weird and unnatural. Edgar Allan Poe also briefly includes a scene of the supernatural. On the first page second paragraph of the novel the narrator talks of hearing voices before he goes to the old mans room “I heard all things in the heavens and in the earth. I heard many things in
Michael Gamer, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge, England: Cambridge University Press, 2000) 15, Questia, Web, 29 May 2010.