Part B
1. Gothic Literature
I n the beginning I was very skeptical about what gothic literature really meant. I was not sure what was about or did know so much related to the topic. The only concepts I knew about gothic was that it started during the eighteenth century and that was related to ghost, witches and vampires; although not the way I thought. When we started the class I imagined that we were going to read ghost stories and scary novels. Stories such Frankenstein, Dracula, or the invisible man. Although I know that in the course outline was said that those topics were not going be part of the course. But I my vagueness I thought that we were going to see something similar to those, but by my surprise it was not. When we read the first novel the Castle of Otranto my ideas and concepts of gothic literature changed
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What I thought was going to be spooky changed to something mysterious-that instead of fright myself it altered my emotions with suspense. I did not know that at first; here is when I learned that gothic literature was not intended to be scary or gloomy but it was in the other hand intended to be a new literal genre. Something revolutionary that could change the point of view and ideology of people from the eighteenth century. Then after the Italian and the monk I was able to understand the difference between terror and horror and how they were the bases for the creation of future works. Pieces like the Black Cat by Edgar Allan Poe or Dracula by Bram Stoker. In the same way I also see the evolution of gothic form Horace Walpole to what we now know as a ghost stories, horror novels, dark and gloomy poems or mystery stories. I t is so amazing how may genres can
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Gothic literature just continues to get better and better! Since the first gothic novel, The Castle of Otranto in 1764, gothic literature has persistently flourished and has been altered over time. The changes are prominent in the excerpts from Vathek, The Italian, Frankenstein, and Wuthering Heights. Over many years, the expansion of gothic literature has displayed an increase in the amount of modern vocabulary, the literature itself has become darker and more unnatural, and the literature has incorporated further character development. All of these factors have transformed gothic literature in a way that has both complimented The Castle of Otranto and progressed away from it as well.
When it comes to Southern Gothic literature, most authors that had written in this genres stories were younger such as twenty-one through twenty-four when the stories were created. Southern Gothic Literature has always been around and it will continue being around as long as it remains a popular genre. Now, what is Southern Gothic literature? It is a type of writing that was created in the south. The genre surrounds itself “on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters”. (What Is Southern Gothic Literature? 1). The whole point of Southern Gothic Literature was to
Gothic Literature is a literary style made popular during the end of the 18th century and the beginning of the 19th . This style usually portrayed fantastic tales dealing with horror, despair, the grotesque and other "dark" subjects. Gothic literature was named for the apparent influence of the dark gothic architecture of the period on the genre. Also, many of these Gothic tales took places in such "gothic" surroundings, sometimes a dark and stormy castle as shown in Mary Shelly's Frankenstein, or Bram Stoker's infamous Dracula. These stories were romances, due to their love of the imaginary over the logical. Gothic literature gave birth to many other forms, such as suspense, ghost stories, horror, mystery, and also detective stories. Gothic literature wasn't so different from other genres in form as it was in content and its focus on the "weird" aspects of life. This movement began to slowly open may people's eyes to the possible uses of the supernatural in literature.
In today’s literature there are many types of genres that people find fascinating, all the way from fantasy to non-fiction. A very interesting genre is Gothic Fiction, where many elements are used to such as violence, ghosts, monsters and many other dark and mystical elements that make up Gothic Fiction. There are many great authors who are well known for their dark gothic style such as Edgar Poe, who has written the short story “Fall of the House of Usher” and the “Black Cat,” or Horacio Quiroga who has written “Feather Pillow” and a more recent author, Ransom Riggs who has written Miss Peregrines Home for Peculiar Children. These three author’s stories all have gothic elements, such as psychological issues, death and fear that parallel one other which shows a common trend between gothic literatures.
Elements of Southern Gothic Literature Literature comes in all types of styles and one type is Southern Gothic. But what makes a story develop into this type of Southern Gothic style? There are many characteristics that are apparent in literature, so what conditions are distinct that would give them the term Southern Gothic literature? What kind of elements do we call for when trying to find this type of literature? Southern Gothic is a literature that has a style all its own.
The definition of the Horror genre differs completely to the Gothic genre. This idea of how the Gothic novel transformed from various architectures based around impending castles and morality tales, to the idea of monsters, fear, and repugnance. Therefore, it is interesting to notice the change from how the genre has developed from arguably the 17th century to the 20th century, where vampires, werewolf’s, and other monsters are very popular with teen audiences especially.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Southern Gothic Literature is a subgenre of Gothic fiction writing, which takes place in the American South. The Southern Gothic style is one of that employs the topics such as death, bizarre, violent, madness, and supernatural. These tools are used “to explore social issues and reveal the cultural character of the American South (Wikipedia).” The view of the South which is self-identified as the “national” or “American” view is basically a colonial Romance, with the rest of the nation identified with the forces of the light and the South with the forces of the darkness (Wacker 107).The authors of Southern Gothic typically use damaged characters to make their stories better, and to show deeper meanings of unpleasant Southern characteristics. These characters are diverse from society due to social, physical or mental disabilities. However, not all characteristics of the characters are bad; it is that a mixture of good and bad is found in most of the characters. Two authors who express the Southern Gothic writing style are William Faulkner, who wrote “A Rose for Emily,” and Flanner O Conner, the author of “Good Country People” and “A Good Man is Hard to Find.”
Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone.
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )
Presently many of us have learned that managers are primarily administrators who have learned to write business plans, utilize their resources and keep track of progress. We must learn that we are not limited by job title, and that means we can utilize our management skills in any position that we are in. We must also know that we can use our leadership skills in the same situations. On the other hand we have also learned that leaders are people who have an impact on those that surround them. The main difference that separates these two roles is that management is a function that must be utilized in any type of business, and leadership is the relationship that the leader has with his followers, which in turn can motivate and energize the organization.
There is one known very influential writing style called Gothic Literature. It is not only considered to involve the horror or gothic element but is combined with romance, superstition, women in distress, omens, portents, vision and supernatural events to name a few (Beesly). The history and beginning of this era is not well known. From a few writers came this writing style that has impacted the world. A famous artists known for this type of writing is a man named Edgar Allan Poe. He wrote many short stories and poems that include horror, gothic, and romance just mentioned.
In this period of time, an increasingly popular genre was gothic. A gothic novel contains mystery, doom, decay, old buildings, ghosts and madness but also subtler features such as courage, mysterious places. a sense of place, dreams and weather, but mainly abnormal events and... ... middle of paper ... ...