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The beginning of gothic art
Terror and horror as elements within gothic literature
Elements of gothic horror in literature
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Recommended: The beginning of gothic art
Gothic Horror in Susan Hill's The Woman in Black and H.G. Wells' The Red Room As with all things, the gothic horror genre of literature did not begin at one definable point, but evolved gradually. Gothic horror evolved out of gothic fiction (as opposed to classical fiction, for example the novels of Jane Austen), before establishing itself as a genre in its own right. However, many literary scholars and critics would point to "The Castle of Otranto", written by Horace Walpole and first published in 1764, as the first true gothic horror novel, containing as it does many of the clichs prevalent throughout the genre. Gothic horror novels are typified by their dark, lachrymose atmosphere of dread and fear. In fact, the key to gothic horror can be summed up in one word: tension. This is created by many devices, as well as having an evil force present working against the hero/heroine. The characters, locations and atmospheres created are designed to be threatening, even when nothing sinister is actually happening. Although the gothic horror genre didn't die out altogether, it certainly lost popularity. However, it has had a minor resurgence over the last decade. Susan Hill is one of the authors who has turned her hand to the gothic horror format, her short novel "The Woman In Black" being released in the late eighties. Susan Hill says she wrote The Woman In Black because she "had the urge to write a story in the old fashioned sense," perhaps because of a dissatisfaction with modern horror writing and its reliance upon gore and physical danger. HG Wells, although primarily a science-fiction author, also wrote a gothic horror story, "The Red Room". I will be comparing these two stories, to see how these ... ... middle of paper ... ...t be too lightly dismissed. These two stories are particularly interesting because they were both written by authors who aren't normally associated with the genre, so they have explored the clichés more than a seasoned horror writer might. But despite being so blatantly "influenced" by genre standards such as Henry James' The Turn Of The Screw and work of M.R. James, they remain gripping. This is because they appeal to our wish for escapism and a decent scare, a need that is pandered to by almost every work of fiction. This is the basis of horror writing - that the reader wants to be scared; if the reader approaches the story with the attitude of not wanting or expecting to be scared, he or she will not be affected by the story so much. However, gothic horror is still one of the most effective mediums for provoking fear, ensuring its enduring popularity.
In comparison The Red Room was written only thirty years later in 1894 by HG Wells although it feels more timeless. At that time technology had improved intensely, nevertheless Wells still imitated the old fashion gothic literature style writing, which is ironic, due to the time. Both stories have managed to engage its audience by creating suspense and tension. Besides that both stories have been written in first person, this in sequence makes it sinister, in a way because we get to know the narrator’s impressions and feelings. The authors of both stories have selected discomforting places in which to set their story, they are made more eerie because that in the 19th century time many people believed in ghosts and the supernatural.
How W.W. Jacobs, H.G. Wells and Charles Dickens Create Suspense in their Gothic Horror Stories
Key Elements of Gothic Literature Jasmine Giles People enjoy reading gothic literature due to its heart rate exciting nature. Without having to engage with any real danger, it is common for the reader to feel anxiety and impaitence when reading gothic fiction. In order for the reader to feel these emotions, the author uses certain elements, such as a gloomy setting and old-fashioned dialoge. In the stories “The Black Cat” and “The Tell Tale Heart”, by elgar allen poe, and “The Landlady”, by Roland Dahl, there are many similarites that remanticize the idea of horror and mystery. Some elements, however, bring out the disbolical horror of gothic literature: the setting, characterization, and the motif of suspense.
Gothic Elements are vital to the foundation and development of Gothic Literature. These element provide a sense of realness and depth to a story. These Elements include death, entrapment, and fascination with the past.
raw to and a yellow fog, a filthy fog, evil smelling fog, a fog that
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Gothic elements are used to show suspense, symbolism, and drama, while also setting dark and twisted tones about the story and its characters. In the passage "The Fall of the House of Usher" the author uses Gothic elements to entice the reader with details of ominous character persona and setting.
Tension in Mary Shelley's "Frankenstein" and Susan Hill's "The Woman in Black" Tension is created in both Mary Shelley's "Frankenstein" and Susan hills "the woman in black" but in a different way. In Mary Shelley's novel "Frankenstein" tension is created by the settings, most horror story's are. Both novels create tension in there settings by using the power of imagination and the unknown. Central to both the plots is the idea of dreams and nightmares. Both Frankenstein and the women in black were set at night and both in isolated areas.
The definition of the Horror genre differs completely to the Gothic genre. This idea of how the Gothic novel transformed from various architectures based around impending castles and morality tales, to the idea of monsters, fear, and repugnance. Therefore, it is interesting to notice the change from how the genre has developed from arguably the 17th century to the 20th century, where vampires, werewolf’s, and other monsters are very popular with teen audiences especially.
The Gothic Imagery in Red Room by Nicci French Gothic Imagery 1: The red-room is dark like blood. It emits strange noises and has a large mirror that distorts Jane's appearance. The late Mr. Reed died there, and Jane imagines his ghost now haunts the room, troubled by wrongdoing regarding his last wishes. Outside it is raining, the wind blows against the moors, faint voices are heard. All of these elements--a dark and foreboding room where a family member died, the color red, ghosts and phantoms, and the romantic gothic scene of rain on the moors--are Gothic and predict future Gothic locales and themes in the plot.
The blending of terror and romance in Gothic Literature was used in a unique combination to attract and entice the reader into the story. The terror in the literature helps the reader explore their imagination and form their own picture setting of what is happening. Using romance in the story also keeps the reader's attention because of the unknown and the curiosity of what happens next. The Gothic writing became popular after the Romantic period because readers were still a...
Tension and Suspense in The Red Room by H.G. Wells In H.G Wells’ The Red Room tension and suspense are created through the characters, the plot and the setting. The setting is typical of Gothic and Victorian ghost stories. In these times there was no electricity so use of candles for light created an eerie atmosphere. They had no modern technology like televisions for entertainment so they used books and story telling.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
In the examination of Northanger Abbey and Frankenstein one comes to very different conclusions as to why their authors used gothic elements. The two authors had very different purposes for their stories. Powerful emotions are often an element of gothic literature as it was a genre that took Romanticism to excessive extents. While Austen used this gothic element to satirize the gothic novel, Shelley used it to display a deeper point about the evils of ambition. Both authors exhibited characters severe emotions to show the importance of rationality instead of extremes, but ultimately had a different purpose in presenting this view.
Edgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism and the resulting encroachment of insanity. Gothic tales are dominated by fear and terror and explore the themes of death and decay. The Gothic crosses boundaries into the realm of the unknown, arousing extremes of emotion through the catalyst of disassociation and subversion of presence. Gothic literature utilises themes of the supernatural to create a brooding setting and an atmosphere of fear.