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The fall of the house of usher edgar allen poe
The fall of the house of usher edgar allen poe
Themes and literary devices in The Fall of the House of Usher
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One of the earliest gothic novels was Horace Walpole’s “The Castle of Otranto” from 1764. Since then the same elements used in that novel have been use to create gothic literature. In Professor Robert Harris’ article titled “Elements of the Gothic Novel” he describes ten elements that are present in one way or another in gothic literature. In the following paragraphs I will define these elements of gothic literature outlined by Professor Harris, and explain how Edgar Allan Poe used them in his short story “The Fall of the House of Usher” The setting of gothic literature, as described by Professor Harris, is a castle “sometimes seemingly abandoned, sometimes occupied. The castle often contains secret passages, trap doors, secret rooms, …show more content…
Professor Harris describes the prophecy as obscure, partial, or confusing. In “The Fall of the House of Usher” it comes in the form of the disease suffered by Roderick. Roderick mentioned that it was “a constitutional and family evil.” In my opinion this constitutes a prophecy that was never blatantly stated, in other words obscure. His family has always suffered from the same disease and he will someday also, is the implied prophecy. Him actually suffering from the disease is the prophecy actually coming …show more content…
He writes, “Dramatic, amazing events occur, such as ghosts or giants walking, or inanimate objects (such as a suit of armor or painting) coming to life.” The end of the story doubtingly ends with a dramatic and unexplained event. “There was a long tumultuous shouting sound like the voice of a thousand waters — and the deep and dank tarn at my feet closed sullenly and silently over the fragments of the “House of Usher.” The question with out a logical answer is, why did the house that aside from a small fissure seemed stable suddenly fall? But even more dramatic and supernatural were the event preceding it. This includes the hearing of sounds by the visitor that coincide with the reading of “Mad Trist”. At one point the visitor explains, “it appeared to me that, from some very remote portion of the mansion, there came, indistinctly, to my ears, what might have been, in its exact similarity of character, the echo (but a stifled and dull one certainly) of the very cracking and ripping sound which Sir Launcelot had so particularly described.” From this moment on these coincidences increase and culminate with a shield falling in the story being read by the visitor. At this point he says, “No sooner had these syllables passed my lips, than — as if a shield of brass had indeed, at the moment, fallen heavily upon a floor of silver — I became aware of a distinct,
The castles and mansions that provide the settings for traditional Gothic tales are full of grandeur, darkness, and decay. These settings are one of the most recognizable elements of traditional Gothic fiction. Setting is equally as important in modern Gothic literature as well. While the settings in the two stories, “Fall of the House of Usher” by Edgar Allan Poe and “Where Is Here?” by Joyce Carol Oates, are incredibly different, they are also very similar.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Gothic literature has greatly influenced today’s horror and suspense genres. Edgar Allan Poe wrote many short stories, most of which were filled with dark elements and a deep awareness for the capacity for evil. The Fall of the House of Usher is a key example of gothic literature through the use of grotesque characters, bizarre situations, and violent events. All of these elements come together and express dark impulses and emotion.
“The Fall of the House of Usher” by Edgar Allan Poe was published in 1839. In it, the short story’s narrator visits a childhood friend, Roderick Usher. The narrator travels to the Usher house, where the story takes place. As in other Poe stories, the settings reflect a character. Throughout the short story, there are many instances when the Usher house and Thought, the castle in Roderick’s poem, reflect Roderick Usher and his family. In “The Fall of the House of Usher,” the setting of the Usher house along with the setting in Roderick’s poem reflect Roderick Usher in appearances, relations with family, and physical existence.
In “ The Fall of the House of Usher” we first meet the narrator of the story who gives us a description of the area and background information. The narrator describes his arrival on that day as dull, dark, and soundless, this gives off an ominous feeling in the story. When he first sets his sights on Usher’s house he feels fearful of it. When the narrator arrives he is escorted through the manor to finally reunite with his friend Roderick Usher. The narrator then explains to us about how he received an eerie letter from Usher stating that he was being plagued by a “mental disorder.”
Harris, Robert. "Elements of the Gothic Novel." Elements of the Gothic Novel. N.p., 2013 Dec. 20. Web. 22 Mar. 2014. .
Throughout the years, Gothic literature has developed to be a mirror representation of what the beliefs and thoughts of the time were. The Gothic has a tendency to express beliefs towards the socioeconomic, political and religious situations and grievances of the time. Many texts express this, some including Edgar Allen Poe’s The House of Usher and Mary Shelley’s Frankenstein, to then allow for the general public – at least those who were literate – to, subconsciously, understand the environment around them without being too direct. This gave the writers of the time a new channel, through this ge...
One of the central themes underlying the short story, The Fall of the House of Usher, is that of the nature of the house. The way it is described and the way it is so mysterious. Another central theme about this story is the nature of the people that live in the house. They are portrayed very much in the same manner throughout the story. Thus, they have several similarities with each other. All of which are of a bad feeling, showing how bad things are for the people and the house. These similarities are very well laid out in the story and are, I believe, meant to be something to be considered when reading it.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
In Edgar Allan Poe’s short story, “The Fall of the House of Usher,” exhibits an accurate representation of the Gothic genre. Edgar Allan Poe’s work presents itself as mystifying because of the way he is able to confuse and muddy up the concepts to his readers. Poe incorporates the disappearance and reappearance action of the characters throughout the short story as well as an eerie feeling to represent the Gothic genre. Poe also uses the literary device, Gothic double. However, critics of Poe’s work have considered that some of his short stories are a parody of the Gothic genre. They are both equally represented throughout the short story. Furthermore, “The Fall of the House of Usher” is a the best of both worlds.
“Gothic Archives” engages some important bodies of critical writing which take as their subject the theoretical possibilities of the Gothic novel. It is indebted to Robert Miles’s work, which goes beyond simply enumerating Gothic conventions and instead formulates a theory of Gothic epistemology. It is also obliged to Eve Sedgwick’s work, which links Gothic epistemologies—what she calls paranoid reading positions—to the practice of literary criticism. “Gothic Archives” augments this work with a theory of the way that archives function in the Gothic novel, supplementing the above theories of Gothic epistemology with an account of the archive’s role in the Gothic as both a literal and a symbolic repository of cultural feelings and affects.