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Sound in classic hollywood films academic essay
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The Jazz Singer, was directed by Alan Crosland and Gordon Hollingshead, The jazz singer was also the first film than has sound. It involved The first full-length synchronized sound and it release the new sound film and the decline of the silent film era. It was a major hit and was made with vitaphone, which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, it was a long process to film the movie and aline the sound perfectly with the movements of an object or person. The first known public exhibition of projected sound films took place in Paris,France in early 1900, but years passed before the sound motion pictures were made commercially practical. The idea of combining motion pictures with recorded
sound is nearly as old as the concept of cinema itself. On February 27, 1888, a the photographic pioneer Eadweard Muybridge gave a lecture not to far from the building which Thomas Edison stayed, the two inventors then privately met.
Impact of Music of the Harlem Renaissance Upon the Artists of Today. Musicians during the Harlem Renaissance created a style and movement that simply took Americans by storm. Musicians such as Duke Ellington and Louis Armstrong have inspired others all over the country. The Renaissance itself was not only an observation of life for African Americans, but it also showed Americans that they have a place in society.
The decade was largely dominated by silent films, but the creation of movies with sound followed afterwards. These innovations greatly improved the movies and made them more immersive and exciting for the viewer. Soon after the invention of sound in movies, the silent era movies...
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
Imagine you are walking the streets of New Orleans. You are standing right where jazz was established in the United States of America. Jazz wasn’t just about music, it also affected the culture involving social, economic, artistic and jazz leaders.
From the silent era, I chose the movie, The Great Train Robbery, which was directed by Edwin S. Porter. It is a great example of a film that introduced new camera techniques, composite editing, and on-location shooting. As for the sound era, the movie I chose is Á bout de soufflé, also titled Breathless, which was directed by Jean-Luc Godard and was known for its visual style using its jump cuts. It also was the earliest and most influential examples of French New Wave
Louis Armstrong, born August 4, 1901 in New Orleans, was a jazz musician with gifted performing skills ranging from playing the trumpet and composing music to singing and occasional acting. His career was most prominent from the 1920s through the 1960s playing songs such as “What a wonderful world” and “Hello, Dolly”. Armstrong had multiple nicknames such as Pops, Big Papa Dip, and Satchmo his extraordinary jazz performances not only influenced jazz but American culture and the world as a whole. His perfect pitch and rhythm spread throughout America like a freight train. His music supplied such revolutionary vocabulary it soon became commonplace, like forks and knives. Armstrong once said “If you have to ask what jazz is, you'll never know”.
On October 6, 1927, cinema was forever changed when Al Jolson’s voice pierced the audience attending New York’s Warner’s Theatre to view The Jazz Singer. “Wait a minute, wait a minute. You ain’t heard nothin’ yet” Jolson exclaimed to the audience, cementing the first synchronized vocal performance in the history of film; and there has never been another more fitting line of dialogue in any other film to this date.1 The impact of this film was so heavy; it received Academy Award nominations for best engineering effects and best-adapted screenplay in 1929 despite the film being a 1927 release 2. Although The Jazz Singer sits as a cinema legend, the history and legacy of the film is not exactly common knowledge, as it extends past the innovative
The Jazz Singer, released in 1927, is a black and white film that centers on a young man who wishes to conquer his dreams in becoming a professional jazz singer. This film, directed by Alan Crosland, demonstrates new developments from the decade of the 1920’s. During the decade, many new advances; such as the introduction of musicals and other technological advancements, were created. The Jazz Singer utilized these new advances of the decade and incorporated them into each scene. This is evident due to the elements of being the first talkie film, the introduction of the new musical genre and the introduction of the Hollywood stars system. By utilizing the new advances of the decade, Crosland’s film, changed the way cinema would be seen forever.
Silent animation films became increasingly popular throughout the 1910s as they were shown prior to live action films in theaters worldwide when, concurrently, enthusiasm towards cinema as a whole became a widespread phenomenon. During the ensuing decade, sound became a prevalent part of cinema when sound-on-film technology was first innovated, culminating in the famous release and subsequent popularity of The Jazz Singer in 1927. As expected, this technology was soon adapted to animation, most notably in Paul Terry's Dinner Time and Walt Disney's Steamboat Willie, both of which were released in 1928. These, and numerous other animated shorts that incorporated sound, were soon rendered as contemporary classics, but many still believed in and argued for the value and purity of silent animations, for they were often believed to exemplify the true essence of animation and imagination. Regardless, both silent and sound treatments of animated films show a great disparity in motion design and cinematography, aesthetic experience, and film structure and plot.
Film was not always as it is today due to the digital sounds and graphic picture enhancements of George Lucas's THX digital sound in the late 1970s to enhance the audience's perceptions. Sound was first discovered in 1928 and the first films before that were silent. There is a social need to heighten an audience's film going experience and it allows each person to color their own views of what they see and presents either directly or indirectly society's moral values.
With the discovery of techniques such as continuous editing, multiple camera angles, montage editing, and more, silent filmmaking developed from simple minute-long films to some of the most beautiful, awe-inspiring films that have ever been created—in only a few decades. In Visions of Light, someone alluded that if the invention of sound had come along a mere ten years later, visual storytelling would be years ahead of what it is today. This statement rings true. When looking at the immense amount of progress that was made during the silent era of films, one must consider where the art of film has been, where it is, and where it is
Through sound-on-film, the flicks fully had a reliable accent and inferior, assorted to the accepted ensemble. Sound-on-film normalized movies and on the freelance movies, the age of the studio and on the golden age of Hollywood cinema.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
... a major influence on the visual storytelling of film. From the days of the Lumière brothers where the art form was virtually nonexistent, film has come a long way. With various techniques with lighting and camera angles, the form is incredibly intricate. During the “golden age of film” movies and cinematography blossomed. This period saw experimentation and a growth in both audience size and appreciation. Finally, film and cinematography were able to evolve to what it is today. Newer, modern day techniques developed along with digital filming for an even wider array of options for effects that cinematography can apply to a movie. Although film did not begin as a platform to put out ideas and express emotional themes, with the help of cinematography, it has changed and evolved to a point where many consider it to be amongst the greatest of art forms seen today.
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.