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Essay about violence in films
Conflict between good and evil
Violence in movies
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The 1992 film Unforgiven, directed by and starring Clint Eastwood, has a central theme that is one of good versus evil in which good overcomes evil by bringing justice to those who are evil. Munny has changed from the vicious murderer he was in the past and now wishes to bring justice to evil men who harmed the innocent prostitute Delilah and his friend Ned. The film is not quite the traditional Western film by any means as Eastwood’s character Will Munny has not always been a moral man. Nevertheless, Will Munny through the use of violence sets out to balance out the battle of good and evil by seeing that evil men get what is coming to them, even though Munny is no saint himself.
Munny knows that death is what he deserves for all of the terrible things he has done in the past. Several times throughout the movie Munny’s violent past is brought up; including the fact that he killed, sometimes for no reason at all, innocent women and children. Munny does not glorify his past actions but he also does not deny the fact they happened. His character simply wishes to move on from them. He ...
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
Throughout the drama, The Crucible, the characters are faced with chilling choices as they maneuver through a world that has lost its moral compass. The crucibles, the serious tests, of their dearly held values put them in the position of having to figure out what is right and true in a world turned upside down. The value of truth is tested when lies are rewarded and truth brings suffering, shame and the scaffold of the gallows. The value of justice is challenged by a system that comes to be based on coerced confessions, unsubstantiated charges and self-serving political scheming. The value of love, be it of husband and wife or of friends and community, is put to the test where true love is exemplified by fatal choices.
Every film has elements of good and evil, two opposing forces with a decisive winner. Order and chaos works in a different manner; protagonist and antagonist can play the part of order and chaos while remaining either good or evil. However, it is not only the character that acts according to the principles of order and chaos, external elements such as history and social ideologies craft character perceptions of a disaster or paradigm shift. There are many examples of order and chaos being used to define what is "good" and other times defining what is "bad". Classic examples in Hollywood cinema of order and chaos in films are Bonnie and Clyde and Gun Crazy, where the protagonists play both sides of good and evil elements while staying true to the elements of order and chaos. The purpose of this essay is to explore elements of order and chaos in Bonnie and Clyde and Gun Crazy by analyzing: the lead couples and social-historical contexts.
"All conflict in literature is, in its simplest form, a struggle between good and evil." This means that all conflict in any work is basically just a fight between the forces of good and evil. The Crucible by Arthur Miller and The Scarlet Letter by Nathaniel Hawthorne show that this statement is true.
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
The enduring cultural expressions of the frontier were adapted into unique narrative traditions known as the “Western”. The Western genre portrays a story of conquest, competing visions of the land, and the quintessential American frontier hero who is usually a gunfighter or a cowboy. These Western archetypes can be observed in, The Outlaw Josey Wales, a film that employs revenge motifs that lead into and extended chase across the West and touches on the social and cultural issues of the American frontier.
In The Crucible, by Arthur Miller, justice and injustice is portrayed through the characters of John Proctor, Elizabeth Proctor and Abigail Williams. It is also shown through the minor characters of Mary Warren and Mercy Lewis, followers of Abigail Williams, and through Danforth and various townspeople.
Beauvoir says that everyone is free, but how one approaches their freedom is often irrational and/or paradoxical. Few men are ‘truly’ free and can firmly grasp reality, glorifying themselves as well as others. Beauvoir offers five types of men who are dishonest about their perception of their freedom. These men develop what Beauvoir calls bad faith. The sub-man, serious man, the nihilist, the adventurer, and the passionate man. These types of men are all around us and are often portrayed in movies. This analysis will evaluate the adventurer’s attitude. We shall see under what circumstances a young adventurer declares himself free and explore how he manages his new insight. While Beauvoir claims this man is close to morality, the adventurer is pretentious and ultimately turns into his tyrannical enemy.
Good vs. Evil in Macbeth The good characters in Macbeth are less interesting than the evil ones. Everybody has an evil seed planted in them. Only the really evil person acts on them and commits something morally wrong. Like a Macbeth. When Macbeth first received the prophecies, he actually considered them.
At first it is seen as a story about man and the evils he can do, yet
In Flannery O’Connor’s short story, A Good Man is Hard to Find, a family gets in a car accident on a deserted dirt road. Unluckily for them, they are found by a group of three escaped convicts, led by a man who calls himself The Misfit. These convicts systematically execute the family in twos as the Misfit talks with the grandmother. While the catalyst for this execution is the grandmother’s verbal recognition of The Misfit as an escaped criminal, it is clear that he commits his crimes for deeper reasons. The Misfit is angry on a fundamental level, and acting out on this anger is the closest he can come to feeling pleasure in this life.
Macbeth is a play, written by Shakespeare, about a soldier who is overtaken by ambition. The soldier, Macbeth, starts out as a loyal soldier who fights for Scotland. As the play progresses, Macbeth becomes more and more evil, killing whoever is a threat to him. Evil overtakes good for Macbeth.
him from a hero to the traitor he is at the end of the play. They