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Idea of good vs evil
The relationship between good and evil
Essays on the concept of good and evil
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The Road, a novel written by Cormac McCarthy has many recurring themes throughout the story, and McCarthy effectively develops all these themes through his writing. Of these themes are paternal love, death, and isolation. However, the main theme of this novel is the moral concept of good vs. evil.
The concept of good vs. evil is used in many different books, in The Road this theme is developed through foreshadowing, structure and perspective. The book focuses on the story of father and son traveling through the burnt roads of America, making necessary decisions to survive. In the very beginning of the novel, the young boy doesn’t understand the concept of good vs. evil due to him being born into a post-apocalyptic setting. When they are
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first chased by cannibalistic men, the boy asks his father if those were the “bad guys”. To reassure him, the father says the men were the bad guys and that they are the good guys. Throughout the novel the boy keeps asking the father if they themselves are the good guys or bad guys and the father always responds by saying they are the good guys. “He [The Boy] sat there cowled in the blanket. After a while he looked up. Are we still the good guys? he said. [The Man:] Yes. We're still the good guys. [The Boy:] And we always will be. [The Man:] Yes. We always will be.” (McCarthy p. 120) The child’s perception of good vs. evil is skewed both because he is so young, and because the post-apocalyptic world lacks morals overall. When cannibals and murderers are running around it is safe to say that there is a lack of moral value. “People sitting on the sidewalk in the dawn half immolate smoking in their clothes. Like failed sectarian suicides. Others would come to help them. Within a year there were fires on the ridges and deranged chanting. The screams of the murdered. By day the dead impaled on spikes along the road. What had they done? He thought that in the history of the world it might even be that there was more punishment than crime but he took small comfort from it.” (McCarthy p. 53) In this world, there is skewed amounts of moral good and evil, evil heavily outweighing the good, so when the boy first sees his father kill someone, he starts to believe that they are becoming the bad guys.
This event happens in the beginning of the book, a strange man grabs the young boy and threatens to kill him. This is the one time in the book that the father has to directly kill someone, he ends up having to shoot him. Another instance of this type of encounter is when a thief comes to steal everything they have, but they end up finding the thief and taking all their stuff back. This ultimately destines the thief to die. Throughout the story the father tries to influence the son to think of the world as black and white, a strong line drawn between good and evil. He also refers to everyone they meet on the road as “bad guys”. This reassures the boy at first, but then recoils when the boy first starts to believe he and his father are becoming evil. McCarthy develops this theme mainly through repetition, using the boy’s naive character to his advantage. The boy asks if they are “the bad guys or the good guys” various times in this novel. It constantly reminds the reader that there is a line drawn between good and evil, but the father and son have to make whatever decisions that are necessary in order to survive. Sometimes their decisions are morally right, and sometimes they are morally wrong. It all comes down to the fact that in a post apocalyptic setting, such as the one presented in the novel, there really is no good vs. evil. It is simply surviving versus not surviving. The boy slowly begins to believe this towards the end of the novel, that no matter their decisions everything would come to an end, and that they can only do what is necessary to survive, regardless of the moral
value. In conclusion, it is clear to see that good vs. evil is the central concept of The Road. The idea is developed through mainly perspective, but also through foreshadowing and setting. The Road by Cormac McCarthy is renowned as one of the most personal and most tragic stories in literature, inspiring many other series such as The Walking Dead and The Last of Us, both taking place in an apocalyptic setting. As you can see, this novel has many different themes, but the central theme is the moral effect of good vs. evil.
Under what circumstances would you go through to better and provide for your family? Would you embark on these six deadly sins above to just get a simple loaf of bread on the table? There is no solid blame or black and white definite answer throughout this novel, The Devil’s Highway. The author Luis Alberto Urrea takes his readers to different perspectives and offers different points of view whether you appear to be a walker, coyote, or the border control on the topic of illegal immigration. Being that Urrea puts the reader in each person shoe’s and truly sees what immense, harsh, conditions for example these immigrants had to go through. Again there is no solid blame or black and white answers, both sides are at fault and in need of a solution to the problem.
It’s the year 2028, and the world we used to know as bright and beautiful is no longer thriving with light. A disease similar to the plague broke out and caused great havoc. Although it may seem like forever ago, sickness spread only a few years ago. The Road by Cormac McCarthy is about a man and his son who fortunately survived this sickness; although they made it, the struggle to keep going is tough. Before most of the population became deceased, people went insane. They started to bomb houses, burn down businesses and towns, and destroy the environment. Anyone who had the disease was bad blood. Many saw it as the end of the world, which in many cases was true.
The battle of good versus evil is present in all aspects of life. Actions taken by people can determine how others view them. Some choose to do what is right and good, while others choose what is wrong and evil. Many characters are forced to choose between the two, and some do not foresee the consequences of their actions. In the book Peace Like a River by Leif Enger, actions committed by the Davy, Jeremiah, and Jeremiah’s friends, both good and evil, always have consequences.
When the man and boy meet people on the road, the boy has sympathy for them, but his father is more concerned with keeping them both alive. The boy is able to get his father to show kindness to the strangers (McCarthy), however reluctantly the kindness is given. The boy’s main concern is to be a good guy. Being the good guy is one of the major reasons the boy has for continuing down the road with his father. He does not see there is much of a point to life if he is not helping other people. The boy wants to be sure he and his father help people and continue to carry the fire. The boy is the man’s strength and therefore courage, but the man does not know how the boy worries about him how the boy’s will to live depends so much on his
The article "The Frivolity of Evil" by Theodore Dalrymple analyzes the causes of human misery. His work as a psychiatrist in Great Britains slums afforded him a great vantage point to analyze this topic "nearer to the fundamental of human existence." He concluded that the citizens of Great Britian willingly participated in precipitating their own misery. Their are three recurring theme in his article the lack of moral responsibility, extreme individualism and lack of cultural expectations. Dalrymple begins his article by showing the mind frame of a prisoner released from prison, who had the idea that he had paid his debt to society. In order to get his point across Dalrymple compares the prisoners situation to his very own, the 14 years he spent as a psychiatrist in the slums of Great Britain. He had a choice to choose a different neighborhood just like the prisoner had a choice not to commit the crime. His argument in this article is that our misery stems from the choices we make about how we choose to live our lives. He was also able to cement his arguments by comparing and contrasting the political and social differences between Great Britain and those of Liberia, North Korea and Central America. Dalrymple observed that the people in other countries had their choices taken way from them the crimes and brutality committed in these countries where not their own making. However, in Great Britain the life of violence and poverty was "unforced and spontaneous." Dalrymple argues that the evils in his country are a product of a society that promotes individualism and accepts the right of its citizens to pursue pleasures for their own self interest.
The Road by Cormac McCarthy is about a father and son who are surrounded by an apocalyptic world where they are trying to survive. Many of McCarthy’s books are about negative or violent times like Blood Meridian and All The Pretty Horses. McCarthy enjoys writing about the terror in the real world. When writing literature, he avoids using commas and quotation marks.. Many works of literature have a plethora of themes throughout them, in The Road, the theme that sticks out the most is paternal love. The boy is the only thing that stands between the man and death. Aside from that, the father doesn’t kill anyone for food, he only takes the life of people who threaten the boy. Lastly, the man allows the boy have the last of their supplies, food,
McCarthy is trying to show that during desperate times there is a sudden loss in humanity due to the uneasiness and the drastic measures one will take in order to survive. A person will do anything it takes to survive in desperate and desolate worlds. McCarthy is proving this with his diction and choice of imagery. A man and a boy set out to survive in a tragic and dangerous world, where the main food source is depleting and all resources are deteriorating. A novel about what is left of a man’s family and how they struggle to survive. Humanity is tested and shows just how extreme ones actions can be. The want for life is tested, one could question whether or not survival will be possible for the man and the
It is often said that a dog is a man’s best friend. In Cormac McCarthy’s novel, The Crossing, a deep affection and fondness are established between man and animal. In a particular excerpt from the novel, Cormac illustrates the protagonist’s sorrow that was prompted from the wolf’s tragic death. As blood stiffens his trousers, the main character seeks to overcome the cold weather and fatigue with hopes of finding the perfect burial site for the wolf. McCarthy uses detailed descriptions and terminology in his novel, The Crossing, to convey the impact of the wolf’s death on the protagonist, a sad experience incorporated with religious allusions and made unique by the main character’s point of view.
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
In McCarthy’s novel The Road, one of the main issues deals with cannibalism and the moral/ethic issues of survival. Though McCarthy depicts cannibalism negatively in this post-apocalyptic world, it is apparent that cannibalism is necessary for humans to survive when there is no real food to eat. Whether they know what’s actually good vs what is actually bad, they still have a reason to try and stay alive even though things are absolutely terrible around them. Staying alive, to carry the fire for the good of humanity. In a world where everything is just coming to an end, people resort to eating each other in order to stay alive. Where there are bad and good people, but what does it actually mean to be bad? Eating human beings or not helping those people in need of help?
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...
After he studied the first road cautiously, he examined the second one. At first he is more attracted to the second road because “it was grassy and wanted wear” which meant that it was less traveled by (Frost,HO). To say that the path “wanted wear” is a personification (Frost,HO). It gives the road the human characteristic of wanting. After evaluating both roads, he decides that they are equal. He then states that they are really worn about the same. This gives the reader something to think about. If the two roads were utter...