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Recommended: Gender in literature
Glorification of Masculinity in The Lost World
The male ego and the fulfillment of a man's own image of himself can be strong motivating forces behind his actions and behaviors. Society has created parameters used to define a "real" man; failing to live up to these specifications threatens one's masculinity and standing amongst one's peers. These expectations and requirements for manhood are constantly reinforced by society. The prevailing stereotype of the classic "Marlboro Man" along with movie heroes such as James Bond, Indiana Jones, and John Wayne give the impression of the adventurous ladies' man who laughs in the face of danger and can do no wrong. Arthur Conan Doyle's tale of adventure, The Lost World, is an excellent example of the search for manhood and glorification of masculinity. What begins as a scientific expedition turns into a journey to satisfy the suppressed male instincts and desires for conquest. With the search for knowledge as an appropriate excuse, the explorers of Maple-White land are free to indulge in the arts of "real" men and live up to their idealized conceptions of their own greatness.
From the very beginning of The Lost World, it is easy to see where the storyline is heading. Edward Malone is preparing to propose to his precious Gladys but is abruptly denied and told he is not quite man enough at this time to meet the ideals of his idolized beauty. Gladys explains that she wants a man of action, a man who "makes his own chances" (4). The whole reason for Malone's participation in the activities to come is to prove himself to Gladys through a sort of courtly love process to win her approval and hand in marriage.
To prove himself, Malone aids the famed Lord John Roxton...
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... a method of escape, but instead chose to explore and exploit the reaches of the jungle abyss. They came away with fame and recognition, even wealth--everything they were after and more. The whole purpose of the expedition was for Professor Challenger to save face and prove his story to be true; the three others were along for the ride but were soon caught up in the action as well. Science took the back seat to Lord Roxton and his adventurous spirit. With courage and bravery the men proved themselves to each other and experienced true "male bonding" in its purest form. They brought back evidence of this zoological and scientific breakthrough, but more importantly, it seems, they bolstered their egos and self-assurances of their own worth and capability.
Work Cited
Doyle, Arthur Conan. The Lost World. 1912. Chicago: Academy Chicago Publishers, 1990.
From the beginning, Robert Cohn’s name defines himself-he is essentially a conehead in a society where concealing insecurities and projecting masculinity is paramount. Although he tries in vain to act stereotypically male, Cohn’s submissive attitude and romantic beliefs ultimately do little to cover up the pitiful truth; he is nothing more than a degenerate shadow of masculinity, doomed for isolation by society. In the incriminating eyes of people around him, Cohn is a picture-perfect representation of a failure as a man. Through Cohn, Hemingway delineates not only the complications of attaining virility, but also the reveal of another “lost” generation within the Lost Generation: those living without masculinity and the consequences they thus face.
Gender Criticism and The Turn of the Screw The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being said, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable, considerably supported by textual evidence from the novel.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
In his essay, “Come Back to the Raft Ag’in, Ed Gentry,” Betina Entzminger argues that at the heart of James Dickey’s Deliverance lies the search for a lost masculinity in today’s world, told through the lens of the protagonist’s canoe trip. He asserts that Ed understands the societal pressures upon each gender, forces that compel us towards the stereotypes that pervade our culture. Further, Entzminger believes, “Despite the fact that Ed sees these constructions as constructions, he is unable to rise above them” (Entzminger). Ultimately, Entzminger posits, “Ed dutifully destroys that which challenges his own and his community’s conceptions of gender and sexuality, and he finds comfort in his return to his community at the novel’s close” (Entzminger). However, though Entzminger is correct that Ed never does ascend beyond society’s gender constructions, his error is in his assumption that Ed ever wanted to, or that he even should have.
great powers. It led to either a rise or decline in power in each of
All women should hold rights equal to men because a society governed by men and women as a unit would promote stability and peace. In “The Destructive Male” written by Elizabeth Cady Stanton, Stanton argues through diction and the employment of ethos, pathos, and logos that giving rights to women, and allowing women to hold positions in politics and government, would be beneficial to the whole of society.
Britain's Reasons For Going to War in 1939 In 1939, Britain declared war on Nazi Germany. There were of course many different reasons for this, both in the long term and in the short term. In the long term, The Treaty of Versailles, signed at the end of World War One had succeeded only in angering Germany, as it made her feel weak and powerless, in addition to economically ruining her with the expense of rearmament. This allowed the rise of Hitler and therefore Nazism in Germany as a solution to the problems, without which the Second World War would almost certainly have been avoided.
The Virtue of Men and Women in The Canterbury Tales People never change. In every town you will always be able to find the "rich guy," the "smart guy," the "thief," and the "chief." It has been that way since the first man was swindled out of his lunch. Throughout his life, Geoffrey Chaucer encountered every kind of person and brought them to life for us in "The Canterbury Tales," a collection of short stories written in the 1300's. There are tales of saints, tales of promiscuity, tales of fraud, and tales of love.
Hemingway's characters in the story represent the stereotypical male and female in the real world, to some extent. The American is the typical masculine, testosterone-crazed male who just ...
Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s use of flagrant masculinity serves as a vehicle in which femininity is brought on board The Pequod; femininity is inseparable from masculinity in Melville’s works, as staunchly masculine as they seem superficially.
Hemingway uses Brett’s character in order to redefine the already existing gender roles for men
In The Maltese Falcon, men are generally depicted as strong and highly skilled. The book is centered on a male character who earns his position as a hero by his fighting...
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
Bruce Lee once said, “Mistakes are always forgivable, if one has the courage to admit them” (“Bruce Lee”). During World War I, the mistake of Serbia killing the archduke was neither admitted nor forgiven. A series of events brought together the European continent into a bloody and unprecedented war. WWI depicts that a small error or miscommunication leads to a bigger issue and suffering of people as portrayed through the aftereffects of the death of Archduke Franz Ferdinand.
Masculinity and femininity are important topics of today; however, they were also important topics in the 20th century as well. Authors such as James Joyce who wrote The Dead were battling this forefront topic in 1914. Masculinity is the characterization of male qualities that are associated with men, such as aggressiveness and emotion-less attributes (Farlex). Femininity is described as the characterization of female qualities associated with females, it is essentially the nature of the female sex (Merriam-Webster). Joyce wrote in favor of masculinity that is to say at least in The Dead he did. In The Dead, Joyce provides perfect examples of this battle between masculinity and femininity—and the lack thereof of the latter.