Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Importance of the globe theatre
100 word essay on the globe theatre
100 word essay on the globe theatre
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Importance of the globe theatre
Many people know about this theatre because of its association with William Shakespeare. It was built in London, England by a group of actors called the Lord Chamberlain’s Men. This theatre is known as the Globe Theatre. The theatre is widely known because of its superior design, the performances it held, and the reconstruction it underwent. To begin, the Globe Theatre was a major feature during the Elizabethan Era. It appeared in 1599 on the South Bank of the River Thames. Built for entertainment purposes, it allowed all people to observe and enjoy the art of acting. The Globe Theatre was built of timber and other materials which originally came from The Theatre. The Theatre was built in 1576 by James Burbage but torn down in 1598 after its lease expired. The new theatre was built bigger than the previous one and in a separate location. Actual dimensions of the building are unknown as no sources are available. Despite this, evidence from documents suggest it was an open-air theatre, …show more content…
Its first building only lasted 14 years. On June 29, 1613, the theatre burned down during a performance about King Henry VIII. Because technology was improving, new props appeared in plays. One of the props included a cannon. Although it had been successfully used for many years, the cannon proved to be an imminent danger. As there were no fire extinguishers or fire fighters, it would be hard to stop a fire from rapidly spreading. When the cannon let out some fire sparks during the play, they landed on the thatched roof above, and caught fire. The entire building burned down in less than two hours. The Globe Theatre was rebuilt the next year, in 1614. This was not the only time the Globe Theatre was destroyed though. In 1642, a new rule made by the Puritans called for all theatres to be destroyed. Shakespeare was not alive anymore, but his plays and performances lived on. (Last building…Sam
The Restoration in England was an era ripe for the development of new ideas in the arts. The return of the Stuart monarchy under Charles II marked the end of eighteen years of almost dictatorial control by Oliver Cromwell and his Puritan parliament. Cromwell had campaigned actively to halt all theatrical activity. In the end, however, his laws were actually responsible for helping move England forward in theatrical history. Actors, under Cromwell's laws, were to be apprehended a rogues if they were caught "in the act" so to speak of performing their trade. Some left their careers and sought employment elsewhere. Most, however, remained undaunted by parliament's threats. Productions continued quietly in tennis courts, inns and private houses. Officials were bribed to keep silent their knowledge of violations. The theater in England had moved indoors as it had already done in France and Italy. Although the reasons for the move were different, the end result was the same. Up until this time plays had always been performed outdoors in the early afternoon. Performances traditionally relied on sunlight, natural scenery, and minimal set pieces that could be easily transported from one location to another. Indoor productions required something much more elaborate. The preliminary concepts of scenic design and lighting design began to form in England in the late 1650's. During the Restoration, as controls were lifted, technical theater began to flourish. Many early examples of modern stage techniques were born between 1660 and 1800, making the Restoration a significant era in the history of scenic design and lighting for the theater. The art of scenic design did not begin in England. As early as 1570 the Italians were giving elaborate opera performances in the ducal courts using perspective scenes and various types of stage machinery. The French mimicked the design ideas of the Italian's and gave them a name, la scene a l'italienne. (Southern 221) Although Cromwell had banned public theater, opera was still considered a lawful art form. In England, just prior to the Restoration, John Webb designed the scenery for William D'avenant's 'opera' production of The Siege of Rhodes.
The theatre had three audience levels. The main floor (known as the "orchestra" or "parquet") was on the same level as the Foyer or Grand Stair Hall. The second level (the "dress circle") and the third level (the "gallery") were accessed through broad stairways that led off the foyer. The backstage areas were unusually large, with dressing rooms on five levels, an uncommonly large fly gallery (where scenery was hung), and even an elevator available to transport actors down to the stage level. The Iroquois was Chicago's newest and most polished theater, built by architect Benjamin Marshall, who had studied many fires over the years and had tried to make this particular building as safe as possible. The Iroquois was designed in the image of a famous Paris opera house, and the four-story structure contained elaborates stained glass windows and polished wood. The lobby of the Iroquois had a sixty-foot high ceiling and marble walls, and Marshall had put in as many as twenty-five exits that supposedly would allow a capacity crowd to escape any problems in less than five minutes. A curtain made of asbestos was supposed to be present, one that could be lowered from above the stage to protect the audience in case of a fire that started there.
Revenge is the opportunity to retaliate or gain satisfaction for a real or perceived slight ("revenge"). In “The Cask of Amontillado” by Edgar Allan Poe, Montresor, the narrator, is out for revenge. Montressor seeks revenge against Fortunato and thinks he has developed the perfect plan for “revenge with impunity” (Baym). Montresor never tells the reader why he feels Fortunato deserves punishment. He only says that Fortunato causes him “a thousand injuries”until “[venturing] upon insult” (Baym ?). As a result, Montresor plans to bury Fortunato alive.
The theatre can hold up to 1500 and more people, so each performance is in front of a huge audience. Many members of the audience can watch from the grounds directly in front of the stage. Up to 3000 people can stand there to be exact.
There was lack of professional bands of actors. Therefore those bands which found most success were patronized by the court. The Earls of Essex, Pembroke and others all had their own bands. Certain troops became so famous that people thronged to see them, therefore leading to the opening of theatres. The first playhouse "the theatre" opened in 1577 and the famous "the Globe" opened in 1599.
Before jumping to conclusions, it is perhaps better to give information about the incident. Timeline Day 1 On October 23, 2002 a group of armed men and women entered the theater building, while shouting out slogans and firing into the air. At first, spectators thought this was something that belonged to the musical. It did not take too long for them to realise what was going on.
first famous theater on record is none other than the Globe Theater. This wasn't your everyday
The production carried the central theme of even if there is an evil so blatantly there, people can choose to stay in denial. The set arrangement also was striking. I liked how the background of the set looked like a crowded version of London. This amplified how the reality of how harmful a fire set by the arsonist could be. The costumes were also nicely done because it embraced
There were even people who attempted (and failed) to set the theatre on fire. According to The New York Tribune “As one window after another cracked, the pieces of bricks and paving stones rattled on the terraces and lobbies. The confusion increased till the Opera House resembled a fortress besieged by an invading army rather than a place meant for the peaceful amusement of civilized community.” Even the 7th Regiment was met with stones and eventually was commanded to open fire onto the
The structure of The Globe Theater quite complicated. There isn’t an inside picture of the Old Globe Theater existence just a diary composed together with sketches of the interior layout. Pictures of other theaters such as The Swan and the Elizabethan theaters had similar design. Before entering the Globe Theater the audience paid a fee of one cent in the box to watch. The halfway task structures lead to yard where groundlings to watch the play. The Lord’s room rated the best seats in the house. The Lord’s room able to hear and listen to the actors clearly. The upper class paid five pennies and cushioned seats were supplied. The Heavens, ...
For the Elizabethan society, the theater represents a very powerful place. The theater was used as a tool for advertising and drawing the public attention to whatever is being performed. While we may consider Hamlets
The Globe Theater is widely known as the world’s greatest amphitheatre of its time, bringing in crowds of thousands of people. The Globe was also where most of the famous playwright, William Shakespeare, performed his plays. With its unique design, the audience was able to enjoy the plays. Inside of this round and globe-like structure, the people from all around the area packed into the seats to watch Shakespeare and his actors. Despite the Globe Theater’s success, the theater had gone through many shut downs and rebuilding projects. Finally, the Globe was demolished for the last time. It was not until years later that the theater was discovered. Now, people from around the world are learning about this amphitheater and its role in the Renaissance time period. The Globe Theater is known for its structure, audience and actors, and history.
The Globe Theatre was where Shakespeare had most of his plays performed. It had many decorations to make it look appealing and to try and to make it seem expensive and luxurious. The Globe Theatre was built in just 6 months between 1597 and 1598 just outside central London. The Thames River separated it from St Paul’s cathedral. The Globe was made in a round circular shape. This meant that at least one actor would have their back to the audience, however, this would not have mattered because the audience came mainly to hear the play – not to see it. When you were buying a seat for the theatre, the most expensive seats would not be the ones with the best view, they would be the closest ones in order to hear better. Also, these seats would be facing towards the audience, which means that everyone would see them, meaning fame. The Globe would usually be packed with decorations and ornaments. These would have nothing to do with the play, it was used to make the theatre look more attractive/expensive. Lots of people would come to see the plays. They would do this because Shakespeare’s plays were not published at that time so the public would want to see it...
During the puritanical rule in England, theatrical performances along with other forms of public entertainment were prohibited. It was after the restoration of King Charles II, that this moratorium was uplifted. During first two centuries of its inceptions, it remained the leading theatre of London which was granted monopoly license, with few other theatres, by Charles II to perform serious drama on the stage. On 7th May 2013, the theatre celebrated its 350th anniversary.
The name most associated with excellence in theatre is William Shakespeare. His plays, more than any other playwright, resonate through the ages. It may be safe to say that he has influenced more actors, directors, and playwrights than any thespian in the history of the stage. But what were his influences? During the Middle Ages theatre was dominated by morality, miracle, and mystery plays that were often staged by the church as a means to teach the illiterate masses about Christianity. It wasn’t until the early sixteenth century that Greek tragedy experienced a revival, in turn, inspiring a generation of renaissance playwrights.