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Essay on gilgamesh's character
Analysis of the epic of Gilgamesh
Analysis of the epic of Gilgamesh
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In this day and age, heroes are defined as ordinary people who have special powers, which they use to save the lives of others. However, this has not always been the profile of heroes. Epics, which are as old as time, are tales of a hero’s journeys and achievements. An epic hero, who doesn’t necessarily have super powers, is usually very strong, wise, and has made many admirable accomplishments. An epic hero is perceived as courageous, honorable, and worthy of holding a high rank in hierarchy, such as king or god. In the story “Gilgamesh”, while the main character, Gilgamesh, has an incredible amount of strength and embarks on many dangerous journeys, he still can not be viewed as an epic hero. In the “ Epic of Gilgamesh”, Gilgamesh can not be categorised as an epic hero because, while he does achieve many accomplishments that involves going through dangerous journeys and facing menacing enemies, he does things that will benefit only him. Most of the decisions he makes are based on how it affects him, as oppose to how it affects others. One example is in Tablet 2, where he “proposes a great
Enkidu was created by Anu, the sky-god, to “serve as the subhuman rival to the superhuman Gilgamesh.” In tablet 2, when Enkidu is first introduced to the city of Uruk, he stands up to Gilgamesh for abusing his power to sleep with the wives’ of others. When Enkidu loses to Gilgamesh, accepts his dominance, and the two become friends. This shows Enkidu’s modest attitude, as opposed to Gilgamesh’s egotistical and arrogant attitude. Alos, when Gilgamesh proposes killing the demon, Humbaba, Enkidu accompanies his, despite being apprehensive and risking his life to make sure the king doesn’t die. In tablet 5, while facing Humbaba, Enkidu comforts and encourages Gilgamesh when he runs and hides, which shows how Enkidu thinks of Gilgamesh as a friend. These feelings, however, are not
Often, literature is based on several heroes and their adventures. Most especially, the epic stories symbolize different countries, nations, and cultures. The authors usually shape the characteristics of these stars and profile their unique techniques of writing as well as their imaginative power. Gilgamesh is one of the most known heroes, whose character was developed in the famous “Epic of Gilgamesh” as the strongest of men, a fair judge, a brave warrior, and an ambitious builder who built the magnificent walls of Uruk to protect its people. On the other hand, there are some undesirable characteristics that he possesses such as selfishness, and arrogance mostly brought about by the fact that he is part human and part god. He is characterized
Merriam- Webster online dictionary defines an epic hero as, “ A grand and noble character in an epic poem, admired for great achievements or effected by grand events.” The same dictionary also defines an epic poem as, “a story told about a hero or exciting events.” The Epic of Gilgamesh is often considered the oldest story on earth; which would make Gilgamesh, the story’s controversial main character, and the world’s oldest epic hero. This epic set a precedent for all epics to follow; it displayed most of the traits that society commonly perceives an epic hero and epic poem should have. The Epic of Gilgamesh exhibits tendencies of an epic poem through its inclusion of an epic hero, multiple gods and goddesses, and it’s vast array of settings across the world. Additionally, Gilgamesh presents attributes of an epic hero through his quest for immortality, his noble birth and his battles with superhuman foes.
In the case of Gilgamesh and Odysseus, in order to achieve the status of the ideal hero their respective stories define them as, they first had to be able to identify and atone for their own flaws. In this way, the ideal hero is not necessarily the individual that can move a mountain with his bare hands or outsmart a god. Rather, the ideal hero is an individual who has answered the call to adventure, struggled with themselves in the face of adversity, and emerged a more humble person. The ideal hero, according to The Epic of Gilgamesh and The Odyssey, can appreciate, rather than boast about, their
The Epic of Gilgamesh is an epic poem dating from the Third Dynasty of Ur. From the ancient Mesopotamia, the poem is set where modern day Iraq is today. Composed of five Sumerian poems about Bilgamesh, which is Sumerian for Gilgamesh, Gilgamesh is two parts God and one part Man who is a hero. Gilgamesh encounters many challenges and situations during The Epic of Gilgamesh that cause him to evolve into a better king. Consequential, Gilgamesh recommences his position in Urk and evolves as an improved king.
The main character in the book The Epic of Gilgamesh, is Gilgamesh himself. In the beginning of the book one realizes that Gilgamesh is an arrogant person. Gilgamesh is full of himself and abuses his rights as king. He has sexual intercourse with the virgins of his town and acts as though he is a god. Throughout the story, many things cause Gilgamesh to change. He gains a friend, he makes a name for himself by killing Humbaba, and he tries to become immortal because of the death of Enkidu. Through these main actions his personality changes and he becomes a better person.
After reading The Epic of Gilgamesh, I have come to realize that Gilgamesh is not a hero, but a failure. His journey does not follow the traditional circular hero’s journey and he does not posses the traits that an admirable hero should have.
Gilgamesh ignored many of these kingly duties and was eager to become heroic and godly. "The young men of Uruk he harries without warrant, Gilgamesh lets no son go free to his father. By day and by night his tyranny grows harsher" (George, Tablet I 67-69). The beginning of the epic depicts his kingship as tyrannical and immoral, which could go without question or complaint unless the gods will it. Although considered great for his many feats such as his great walls and military expeditions, his faults could not be questioned by the commoners, which show a flaw in Mesopotamian kingship. Therefore, the gods ask Anu to create a counterpart to Gilgamesh to balance his oppressive reign. "Let him be a match for the storm of his heart, let them vie with each other, so Uruk may be rested!" (Tablet I 97-98). Enkidu, Gilgamesh 's counterpart, was initially created as a wild, uncivilized man rather than a demigod king. His position was to serve as a person that would try to prevent Gilgamesh from becoming so lofty and boastful and to make him become mature and make rational decisions. This becomes evident in Enkidu 's first encounter with Gilgamesh at the wedding: "For the goddess of weddings the bed was laid out, Gilgamesh met with the maiden by night. Forward
The epic begins with the men of Uruk describing Gilgamesh as an overly aggressive ruler. "'Gilgamesh leaves no son to his father; day and night his outrageousness continues unrestrained; And he is the shepherd of Uruk, the enclosure; He is their shepherd, and yet he oppresses them. Strong, handsome, and wise. . . Gilgamesh leaves no virgin to her lover.'"(p.18, Line 23-27) The citizens respect him, but they resent his sexual and physical aggression, so they plead to the gods to alleviate some of their burden. The gods resolve to create an equal for Gilgamesh to tame him and keep him in line. This equal, Enkidu, has an immediate impact on Gilgamesh. When they first meet, both having never before met a man equal in stature, they brawl. "They grappled with each other, Snorting like bulls; They shattered the doorpost, that the wall shook."(p.32, lines 15-18) In giving Gilgamesh a real battle, Enkidu instantly changes him; having this equal gives Gilgamesh a sense of respect for another man. These two men fighting each other creates a serious mess, but they both end up without animosity toward the other.
In Gilgamesh, he fights Humbaba with Enkidu, his best friend. Humbaba is the guardian of the Cedar Forest who was assigned by the god Enlil. Gilgamesh doesn't fight for the world, but he has his own reasons. In the text, it states, “Even if I fail I will have made a lasting name for myself’’ (181). In other words, Gilgamesh's motivation to slaughter Humbaba is not just to get rid of evil but to let his people remember him. Gilgamesh is being selfish because if he's dead, Uruk won't have a ruler, which means Uruk will be out of control. The choice Gilgamesh makes causes him not to care about Uruk but only himself. However, the encounter of Enkidu's death has turned Gilgamesh into another person. He couldn't confront the truth that Enkidu has died. Enkidu was more than a best friend to him, he was a brother whom he loved. Because of his love for Enkidu, Gilgamesh builds a statue so everyone in Uruk will remember him. This demonstrates Gilgamesh changing from selfish to selfless. This change is part of Gilgamesh's transformations towards becoming a hero. Gilgamesh changes as a result of Enkidu's death. According to the text, it states, “Gilgamesh interferes in the lives of his subjects beyond his right as king”(175). This proves that Gilgamesh was bothering and annoying the people of Uruk. Gilgamesh is going to become king soon and he shouldn’t disregard or interfere with his subject’s private life.
Although Gilgamesh starts out cruel he develops into a very kindhearted man. He is extremely supportive of Enkidu and encourages him in various situations. When the men are fighting Humbaba Gilgamesh says, ã[you] will surpass all of them... a fri...
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
Enkidu was created to be Gilgamesh’s equal and his soul mate. ‘“You made him… now create his equal; let it be as like him as his own reflection, his second self, stormy heart for stormy heart’” (14). So the goddess of creation, Aruru “dipped her hands in water and pinched off clay, she let it fall in the wilderness” and created Enkidu (14). Before Gilgamesh had met Enkidu he loved him; ‘“… I bent down, deeply drawn towards… [Enkidu]… I loved it like a woman and wore it at my side”’ (16). Enkidu had “virtue in him” (14). He was also “innocent of mankind” (14). After Enkidu was civilized the wild animals would not be near him. He felt ...
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
Gilgamesh was considered a hero because he had many great qualities, such as loyalty, perseverance, and heroism. Although these are heroic traits, he also had his flaws and was self-righteous, selfish, and prideful. Gilgamesh was a great man and was seen as flawless and “perfect in strength” (4). He represented almost a human version of a god; therefore, making it hard to see his flaws because he seems so ideal. He appeared like the perfect man that had absolutely nothing wrong with him. He was very courageous and this was evident when he states, “There dwells in the forest the fierce monster Humbaba, [You and I shall] kill [him] [And] wipe out [something evil from the land]” (18). This statement shows both a heroic quality and a flaw in Gilgamesh. It shows his heroism and how he felt that he could accomplish great things. His statement also shows how prideful he was because he always wanted the glory and wanted to be seen as the hero. This comes from the fact that he was part human and part god and he knew how amazing everyone thought he was and felt that he needed to live up to that expectation. This can be seen as both positive and negative because it shows his determination, but yet shows his pride. Being prideful is not necessarily a good thing because in this situati...
The epic begins with Gilgamesh terrorizing the people of Uruk. They call out to the sky god Anu for help. In response Anu tells the goddess of creation, Aruru, to make an equal for Gilgamesh. Thus Aruru created Enkidu, a brute with the strength of dozens of wild animals. After being seduced by a harlot from the temple of love in Uruk, Enkidu loses his strength and wildness yet gains wisdom and understanding. The harlot offers to take him into Uruk where Gilgamesh lives, the only man worthy of Enkidu's friendship. After a brief brawl the two become devoted friends.