More handpicked essays just for you.
Hamlet's character development
Hamlet's character development
Conclusion for the analysis of hamlet prince of denmark
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the play “The Tragedy of Hamlet, Prince of Denmark”, Gertrude and Ophelia share similar characteristics. Gertrude is the queen of Denmark and also the mother to hamlet, and Ophelia is the daughter of Polonius, sister to Laertes and hamlet’s love. As a mother it is a maternal instinct to be loving, kind, caring and be there for your child during times of strife and joy. In contrast, a girlfriend or partner is also someone in your life that is expected to fill an emotional void and keep one on the right path, happy and to be able to easily confide in. Both Gertrude and Ophelia share the interest for the love for hamlet and are protective over him, but at some point in the play he is betrayed by both Ophelia and his mother. We find Hamlet’s …show more content…
Her character comes off to be one where essentially, “Ophelia has no control over her body, her relationships, or her choices” (Shmoop Editorial Team, 6-7). While Ophelia is not married to hamlet she is answerable to her father and brother and is expected to obey what they want her to do, but if she were married to hamlet she would be his wife and would be compelled to do as he says as his wife. In the play her father; Polonius and her brother; Laertes forbids Ophelia from having any relationship with Hamlet as he would beseech her name and her virginity. She responds and denies their judgement “I shall the effect of this good lesson keep, as watchman to my heart. But, good my brother, Do not, as some ungracious pastors do,Show me the steep and thorny way to heaven,Whiles, like a puffed and reckless libertine,Himself the primrose path of dalliance treads, And recks not his own rede.”(i.iii.45-51). Showing she would not stop loving hamlet and listening to her brother as he is preaching something he does not follow himself. In the beginning of the play they show us how both Hamlet and Ophelia are in love and would do anything for each other, but later on he learns that Ophelia is playing as the devil’s advocate and is spying on him for her dad and …show more content…
Her clothes spread wide,And mermaid-like a while they bore her up,Which time she chanted snatches of old lauds,As one incapable of her own distress,Or like a creature native and indued, Unto that element. But long it could not be, till that her garments, heavy with their drink, pulled the poor wretch from her melodious lay, to muddy death.”(iv,vii,162-180), as if she were there witnessing Ophelia death and could describe how Ophelia’s death took place
There is much similarity between Gertrude and Ophelia in the play. Both are attractive and simple minded, and are easily shaped by opinion, desires and ideas of others. Ophelia and Gertrude seem to be the same women at different stages in their lives. This may be one of the reasons why Hamlet was first attracted to Ophelia and now the reason why Hamlet rejects Ophelia.
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
to predict how they will treat other women in their life. Hamlet is a good
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
When reading the text, one can comprehend that Ophelia is caught in the middle between two opposite sides. Her family (father and brother) believe that Hamlet is a womanizer rather then the philosopher that he is. They also believe that he will use her in order to achieve his own purposes, and that he would take her precious virginity only to discard it because he would never be her husband. But, Ophelia's heart mesmerized by Hamlets cunning linguistics is set on the fact that Hamlet truly loves her or loved her, even though he swears he never did. In the eye of her father and brother, she will always be a pure, wholesome girl, an eternal virgin in a sense, (due to a parents nature to always see their offspring as a child) they want her to ascend into her stereotypical role in life as a vessel of morality whose sole purpose of existence is to be a obedient wife and a committed mother. However, to Hamlet she is simply an object used to satisfy and fulfill his sexual needs. He also seems to hold her at a distant which suggests that he may...
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
Throughout Hamlet, Shakespeare makes it evident that Ophelia is very unstable. She continuously changes her mind about the way she feels. Laertes and Polonius command her to do things that she does not agree with, but she does them with no argument. Afraid to stand up for herself, she stands back and watches everyone else control her life. In Shakespeare's Hamlet, Ophelia is treated as a marionette with her strings in the hands of the people around her; however, Kenneth Branagh portrays her as independent and innocent, ignoring Shakespeare's representation of her as feeble-minded through complete male dominance in her thoughts and actions, her indecisiveness, and digression into madness.
... she had nothing to say to try to defend herself. Ophelia is misled by Hamlet’s affection; this shows that she was easily manipulated.
Ophelia's insanity is driven by the fact that she has basically been cut out of Hamlet's life. " Like sweet bells jangled, out of time and harsh,/ That unmatched form and feature of blown youth/ Blasted with ecstasy" (III.i. 158-160).Her role as an "innocent lady" is to complete the picture of faithfulness and obedience. Without Hamlet, it is difficult for Ophelia to fulfill her role. Ophelia is completely pushed over the edge whe...
When writing Hamlet, Shakespeare created a complex play that relies on the roles of two important women to aid the progression of the plot. Although Queen Gertrude and Ophelia rarely speak, they function as a way for the men become informed about Hamlet’s mental state and motives for madness. Each woman made choices that greatly impacted the story plot and the lives of the characters. Ophelia’s suicide causes Laertes’s to desire revenge on Hamlet, and Gertrude’s infidelity and purposeful ignorance intensifies Hamlet’s urge for revenge.
In the play “Hamlet,” Gertrude and Ophelia share similarities and they are also contrasting characters. Gertrude, the mother of Hamlet, is a loving, honorable, protective mother. Ophelia, Hamlet’s love interest, is young, foolish, and underestimated. One of the main stances, to which they both contrast, is their love for Hamlet.
The term love can be exemplified in many variations. As complex as it is, it may be described as an experience rather than a tangible entity. Love’s paradoxical capacity consists of devotion and passion, which can be both liberating and binding in a relationship. A recurrent theme in Shakespeare’s Hamlet is the portrayal of one character’s love for another, and how this obliges them to act in various circumstances. This is prominent throughout the play, as seen in Hamlet's adoration for his father, Horatio's self-less love for Hamlet, and Gertrude's unparalleled love for her son. However, the love illustrated in these relationships cannot be used to define Hamlet and Ophelia’s association. In its place, Hamlet’s lust for Ophelia is simply a