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Nathaniel Hawthorne comparison
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Nathaniel Hawthorne essay
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In the story "The Birthmark" written by Nathaniel Hawthorne, Aylmer the scientist is obsessed with Georgiana's imperfection, a hand-shaped birthmark that spoils her beautiful face. Georgiana's husband became captivated with getting it removed which led to the death of Georgiana. The story's tone is one of romantic controversy, a dilemma at a high level of existence. The scientist's love for his craft competes very intensively with his newfound love for his wife. It is also very psychological, strictly dealing with the raw mind of its subjects as if the ominous narrator told the story from inside their mind, rather than observe it from the outside. The story presents a reflection of Hawthorne's personal life with the marriage of Sophia Peabody and it The story shows a reflection of Hawthorne's personal life with the marriage of Sophia Peabody and it shows the fears and desires of a …show more content…
newlywed couple. This story has psychological themes of the purist of perfection as Aylmer is obsessed with Georgiana's aesthetic birth defect. It also offers philosophical commentary regarding societal beauty standards and the perception of beauty, the body vs the soul, and the dangers of manipulating human nature. In my opinion, Georgiana lets Aylmer attempt to remove the birthmark, despite the terrible danger, because she loves her husband so much and he is so troubled by the mark.
He tells her "dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect . . . shocks me, as being the visible mark of earthly imperfection." (para. ) Georgiana is incredibly hurt by her husband's choice of words. Aylmer has managed to con Georgiana into believing that she isn't worthy of his affection, the narrator reveals here that Aylmer's insistence on perfection is insane. In fact, this passage makes it clear that even total perfection wouldn't satisfy him. Georgiana realizes that if she managed to satisfy his demands, her triumph would last only "for a single moment." After that, he would want still more from her. The removal of the birthmark is something of an artificial goal, and the narrator suggests that Aylmer wouldn't be happy even if she'd never had the birthmark in the first place. His lust for flawlessness will never be sated-he has become
deranged. Hawthorne's ideas about science, beauty, and life still play a major part in our lives, despite many improvements. Even today, people try to play "God" and change things that nature has put in place. It's human curiosity; how much can be changed; how many things can be perfected? The themes in this short story-- religion, gender, and science--were relevant in Hawthorne's day, and still are many years later. The theme of religion is hidden in the desire to erase. thousands have cosmetic surgery performed every year as a way of trying to make themselves more beautiful. Religion has taken a step back in society today, so the significance of perfection by God has also been moved to the back burner. But, underlying all the surgeries performed today, is the question: Is it right to change what was given to you by God? Perhaps, but it is not without consequence. Many cosmetic surgeries require painful recovery time or follow-ups, and even some may be dangerous to one's health. Hawthorne's gender bias reflects his times. She shows some happiness at pleasing her husband. Georgiana's worst fear is an unhappy marriage, and she would much rather die than have Aylmer look at her with disgust. Gender bias today is not as strong as it once was but it still exists. There is still is a desire to be submissive and please men.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
What seems to be a simple tale of human error at first, Nathaniel Hawthorne’s short story “The Birthmark”, implies a much deeper and darker note upon closer inspection. A relatively short story, it details an event in the lives of Aylmer and Georgiana, a recent wedded couple. Georgiana possesses a birthmark on her cheek that repulses Aylmer more and more as time goes on. When he confronts her about it, she voices that it is a part of her charm, but Aylmer begins to react so violently around it that Georgiana finally agrees to give him a chance to remove it. He spends a few days in the laboratory with her and does remove the birthmark, but also removes her soul from the earth, she dies when the birthmark is gone. This story is wrought with details that support its label as a “dark romantic tale”. To see the story in the correct light, one has to understand what dark romanticism is. Dark romantic writers believed that humans are prone to sin. The human race is not always blessed with divinity and wisdom. Second, they represented evil in their stories with supernatural characters; ghost...
The words “beautiful” and “perfect” are both vague yet relative concepts as they are defined from person to person. In Hawthorne’s “The Birth Mark,” imperfections perceived by one are also seen as defining in beauty by another. Perfection, as sought by Aylmer, became an obsession which in the end required Georgiana to undergo a process of transmutation to become perfect and therefore a more desirable human being in Aylmer’s eyes. The concept of “bodily perfection” remains the same today as it was in Hawthorne’s time: beauty is in the eye of the beholder, but it is who the beholder is that is of greatest importance when determining the value of the opinion being shared. For Georgiana, Aylmer’s happiness, or lack thereof, defined the way in
When the news came of his father’s death, Hawthorne’s mother withdrew into her upstairs bedroom, coming out only rarely during the remaining forty years of her life. The boy and his two sisters lived in almost complete isolation from her and from each other (29).
In the short story The Birth-mark, Aylmer: scientist, philosopher and perfectionist, is married to Georgiana, a woman of unthinkable beauty and possibly the closest woman to ever reach perfection. However, the tiny hand shaped mark that lay on the surface of her cheek aggravates Aylmer and he thinks day and night of how he may get rid of it in order to help Georgiana reach the perfection that he longs for. The actions that he proceeds to take, prove that he is indeed the villain and the one to blame for Georgiana’s death. He does so by tearing her down with crude words, making Georgiana feel insecure and self-conscious about her outward appearance as well as keeping his failed experiments a secret to her.
imperfection." If she hadn't been so close to detestment, he would not have minded the
The birthmark is a lingering thought on his mind from daylight till twilight that it somehow possesses over him. In his dream, Aylmer recollects, “. . . the deeper went the knife, the deeper sank the hand, until at length it’s tiny grasp appeared to have caught hold of Georgiana’s heart, . . . her husband was inexorably resolved to cut or wrench it away” (Hawthorne 3). Aylmer recognizes how hysterical the dream is and begins to feel guilty. It is clear that his dream can be seen as being deeply obsessed with the mark that surfaces across Georgiana’s cheek. Furthermore, Aylmer is so fixated on Georgiana’ s birthmark and is set on getting rid of it, that even Georgiana begins to get jittery. Aylmer expresses, “I have already given this matter the deepest thought--thought which might almost have enlightened me to create a being less perfect than yourself” (Hawthorne 3). Georgiana seems terrified over her husband’s thoughts, but refrains herself from telling him how insane
Kopley, Richard. “Hawthorne’s transplanting and transforming ‘The Tell-Tale Heart’”. GALE Studies in American Fiction 23.2 (1995): 231-234
Wagenknecht, Edward. Nathaniel Hawthorne – The Man, His Tales and Romances. New York: Continuum Publishing Co., 1989.
...ection. By removing the birthmark from Georgiana’s face, Aylmer has taken away her humanity thus leading Georgiana to her death. Georgiana cannot live anymore because she is no longer a human being. Therefore claiming that science has its limits over nature and if those limits are crossed the consequences could be fatal.
III. Comparable aspects of Hawthorne's characterization in The Scarlet Letter and The House of the Seven Gables
Nathaniel Hawthorne’s, “The Birthmark” was on the darker side of the Romantic Movement, but it was still a love story. There was a love of science and obsessing over beauty and perfection. Aylmer love Georgiana and she loved him. She was willing to die for him, and he was willing to experiment on her, even if meant losing her. Hawthorne put himself into his work, expressing fears, and emotions that was hard to put into words. His surroundings impacted the outcome of his
Colacurcio, Michael J. The Province of Piety: Moral History in Hawthorne's Early Tales. Cambridge: Harvard University Press, 1984.
Nathaniel Hawthorne did not do much explaining when it came to the characters involved in "The Birthmark". He did not portray the main characters: Aylmer, Georgiana, and Ambidab as human beings, but rather as symbols. While analyzing the story "The Birthmark", I have achieved some great insight of the author 's articulate writing style; especially, his style of making characters have symbolic meaning. In this story, Hawthorne uses his characters to symbolize specific things. In this ambiguous, short story, the three characters each symbolize Science, Beauty, and Nature. Each character represents an unusual force that has equally worked against each other.
The tone adopted by Hawthorne from the inception of the narrative toward Aylmer urges the reader to respect Aylmer’s scientific ambition—directly his triumph of head over heart, but indirectly his objectification of Georgiana and subsequent attempts to fix something that she never thought was a flaw. Not only is Aylmer’s obsession with getting rid of her birthmark selfish in that he does it for “the sake of giving himself peace” (647) rather than any desire to make his wife happy, he also admits to feeling guilt over his tyrannical treatment of her. For example, his “horror and disgust” in response to her facial blight rarely escapes her notice, and when she reacts poorly to his “convulsive shudder,” he attempts to soothe her and “release her mind from the burden of actual things” (650) as if she is an empty-headed infant in need of a pacifier. Furthermore, in response to her desperate request for its removal, he isolates her from humanity, administers potentially harmful concoctions into her rooms and body without her knowledge, and ultimately—and rapturously—succeeds in shrinking the mark at the cost of her