George Orwell's Concerns With Nationalism And Totalitarianism?

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Tong SHAW
PHIL 120
Professor Taylor
18 February 2015
1) In what ways is Nineteen Eighty-Four a fictional reworking of Orwell’s concerns with Nationalism and Totalitarianism? Nineteen Eighty-Four is a dystopian novel written by George Orwell and published in 1949. Many parallels of Orwell’s ideas on Nationalism and Totalitarianism can be found in the novel. In his essay ‘Why I Write’, Orwell explained that the work he has done since the Spanish Civil War was ‘written directly or indirectly, against totalitarianism and for democratic socialism.’ Nineteen Eighty-Four can definitely be seen as a warning against totalitarianism and thus explores several of the concepts of a totalitarian society and expresses Orwell’s concerns with Nationalism and …show more content…

It reflects many of his ideas and views of what he calls nationalism, which he defines as the tendency of ‘[…] identifying oneself with a single nation or other unit, placing it beyond good and evil and recognizing no other duty than that of advancing its interests.’ Nationalism has been present throughout history, and is even predominant in today’s world. He defines Nationalism not only includes alignment to a political entity, but also religion, race or ideas. Examples of such forms of nationalism could include Communism, Zionism, Catholicism and Pacifism. He argues that nationalism is not to be confused with patriotism, as he puts it, ‘[…] patriotism is of its nature defensive… Nationalism, on the other hand, is inseparable from the desire for power.’ Nationalism largely influences the way people think and act, and causes dishonesty within people, as nationalists who have chosen one side, would persuade himself that his side is the strongest regardless of the facts presented against him and his beliefs. These people feel a sense of superiority as they are provided with a sense of security from serving a greater cause and feel obliged to defend it. The slightest slur or criticism from another faction can cause them to snap or even act violently. It doesn’t even have to be directed at them; just the idea of someone being against them is enough to set off a violent reaction. This can be seen in the novel as the Two-Minute Hate, where propaganda is played for an audience and everyone present feels obligated to shout out insults and are prone to outburst or violence in the face of enemies of the Party in order to protect their

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