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Gender and roles of women in literature
Gender and roles of women in literature
Gender and roles of women in literature
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When it was written in 1925, Gentlemen Prefer Blondes, by Anita Loos was heralded as a tremendous novel. It was seen as cutting edge and insightful, yet somewhat risqué in its portrayal of Lorelei Lee and her escapades. I can see how this may have been thought at that time, seeing as how women were looked at in such a different way then they are currently. The fact that a women with as little know-how as Lorelei can manipulate men the way that she does, leaves no question as to who is the superior gender in Loos’ mind. While the books is quite amusing, and does have many strengths, if it is looked at in the context of women’s struggles with issues such as domesticity, sexuality and socioeconomic standing it seems less and less like such a brilliant, satirical social commentary.
Lorelei seemed to come from a middle class family. She mentions that she attended business college, and that her father was sending her away to learn how to become a stenographer. This indicates that it was not out of the question for her to work for a living, although after she fell into the hands of Gus Eisman she does nothing of the sort. After living under the care of Mr. Eisman, she easily makes the transition from being a part of the working middle class to the life of leisure of the upper class. This of course would be a tremendous event for most people, but Lorelei seems not to dwell too much on it. She chooses, rather to focus on other more important things like...
Since their family was big, they needed quite a big house. Even though Kathy Link is a Relo, there are other Relo’s out there that are a lot worse. Those people who feel that if they earn a certain amount of money, for example being in the upper class, don’t feel the need for people in the lower classes to associate themselves with them. People become in tune with having money, being in a high status in society gives people the notion that having money, living in extravagant houses is normal. They think it’s the only way to live, and don’t see how other people don’t live the same way.
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
Within the period of 1900-1920, many national reforms were rising to the top as Progressive Era reformers and the federal government heard the voices of the people. The effectiveness of Progressivism is a controversial subject for some, but the future was changed through the events of any actions a president made, the rights of people, and unfair treatment and conditions. This era brings changes to our society that also changes the future of it. These two decades brought forth successful times in bettering America.
The progressive movement of the early 20th century has proved to be an intricately confounded conundrum for American historians. Who participated in this movement? What did it accomplish, or fail to accomplish? Was it a movement at all? These are all significant questions that historians have been grappling with for the last 60 years, thus creating a historical dialogue where in their different interpretations interact with each other.
It may seem that the male characters in classical cinema are given power and control over female characters, but the relationships between characters in Billy Wilder’s 1944 noir Double Indemnity and Michael Curtiz’s 1945 drama Mildred Pierce are complex and do not conform to specific gender roles. Rather, both of these films feature female characters that are both controllers and the controlled. The characters Mildred Pierce and Phyllis Dietrichson hold both of these roles in their respective films but are inverses of each other: Mildred acts strongly and independently but is actually controlled emotionally and financially by others, while Phyllis is presented as submissive but is the grand manipulator. As such, these two films present different images of the “independent woman,” both of which are destined for failure.
A variety of reforms were done by the middle-class Progressives to innovate the society of America into what they believed in. Limiting the power of the “upper scum” and supporting the rights of the “lower scum” of society to create a classless society was what they believed in. The Progressives searched to have a poli...
As the middle class began to further divide, those who grew in wealth became known as a banking/industrial class. Along with their sudden economic prosperity there came a desire for social transformation- an aspiration for new aristocracy. They carried their traditional middle class values into prominence with their accumulation of wealth. They sought to achieve a merit oriented Society rather than social climbing, for their children's sake, into the existing one based solely on birth. This hindered the new class from ever attaining Aristocratic Social acceptance for their new wealth and deemed them the nouveaux riche. Despite obvious disapproval from the Aristocracy the nouveaux riche continued their economic ascent through "personal contact [which] was a crucial element in filling posts" (Loftus 5). This dependence upon others for mounting economic standing was contrary to the middle class value of independence. This industrial class was forced to rely upon the connections, potentially aristocratic, in order to succeed. Loftus explains that middle-class values were carved out in these attempts to define a society based on merit rather than aristocratic privilege. However, the importance of cultural capital and social networks to success in the period implies that the rise of the middle-classes in the Victorian period saw the replacement of one set of privileges with another (Loftus 4). However the Nouveaux Riche failed to fully assimilate into aristocratic society due to lack of pedigree.
One of the most fascinating elements that female authors bring to light is their use of perspective—something that’s most commonly illustrated through the eyes of a man, a male author, or, more often than not, both. Women writers offer a different voice than their male counterparts, even if it’s simply by the subtle inclusion of their own experiences within the narrative of the central character. With that in mind, the question must be asked—how do these female authors present their male characters? It’s common for male authors to stick to stereotypes and caricatures of the women they include in their works; but do female authors choose to follow this style as well? How do they represent the “modern man” within their texts? Through Woolf’s
“A patent is an intellectual property right granted by the Government of the United States of America to an inventor “to exclude others from making, using, offering for sale, or selling the invention throughout the United States or importing the invention into the United States” for a limited time in exchange for public disclosure of the invention when the patent is granted.” ("Patents," 2014) There are three types of patents, utility, design, and plant. Utility patents protect useful process, machines, article of manufacture, and composition of matter. Design patents pro...
The Progressive era in America (roughly late nineteenth century into the 1930s) was in response to government exploitation, bigotry, child labor, unpleasant working conditions in processing plants, absence of human rights for the ladies and minorities, and environmental degradation. Numerous positive changes were made: thanks President Theodore Roosevelt, who demanded safeguarding America's common assets; he likewise busted imposing business models and called for justice for women.
The Progressive Movement, lasting from 1901-1920, was a time of great change in America. Originating as a response to corporate and political corruption at the turn of the century, progressives emphasized improving American society by taming capitalism. However, with this political and economic reform came social injustice. While America made great strides towards new and more efficient business, banking, and politics, the early twentieth century showed conservative approaches to issues like racial, ethnic, and religious equality.
Bounded by the end of the nineteenth century and the American entry into World War I, the Progressive Era brought dramatic changes to the nation’s economic, political, and social sectors. Progressives included both men and women from various ethnic groups, classes, and occupations who challenged traditional attitudes about the American way of life. The roots of Progressivism date back to the mid to late 1800s, when angry farmers and small business owners formed the Grange and later the Populist Party to confront unfair practices of big business. Progressivism appealed to middle and lower-class Americans who felt helpless against industrial giants like Andrew Carnegie and John D. Rockefeller, whose increasing power influenced politicians and the laws and regulations they sanctioned.
The Progressive Era remains an important time in our society’s history. A time when the middleclass came together to make changes that would affect generations of Americans. This was an era when journalist, photographers, artists and civic minded people who called for reform in politics and government. This was a time when reformers demanded safe working conditions and regulation of big business for men, women and children. This was an era when progressive officials that expanded the role of government to aid society in cleaning up the cities and an era when environmental concerns overcame big business. A time when women made a big difference in child and health issues not to mention the women’s suffrage movement. Progressive reformers instituted many of the programs and policies that we enjoy today as a nation.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).