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Character sketch of canterbury tales
Analysis of one the characters from Canterbury Tales
Analysis of one the characters from Canterbury Tales
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In the 14th century, class distinction was of great importance. The class to which one belonged determined the clothes one was allowed to wear, the color of that clothing and even behavior. In Geoffrey Chaucer's General Prologue and The Canterbury Tales , we can find any number of characters with these behavior distinctions if we examine them. The Knight, for example, is described as a worthy man of "trouthe and honour, freedom and curtesie" (I, 46). He is of a noble rank, and therefore his behavior is one of good reputation (honour). Conversely, Both the descriptions of the Reeve and the Miller in the General Prologue are quite unflattering; their verbal cutting into each other's tales demonstrates the stereotypical "churlish" behavior of the lower class. The word gentilesse, which comes up several times in the Canterbury Tales, is most often defined as descriptive of nobility -- so those from noble class are "gentil man" and "gentil woman." The Knight as a member of the noble class is gentil because of his title. Members of the clergy can also fit into the gentilesse category. Though the Reeve and the Miller being crude and churlish would not fit into this category, Chaucer does not limit gentilesse to the noble class alone. He instead broadens the definition to include those characters who are patient, steadfast and able to endure great hardship and who will give their will over to the will of God. The hag in the Wife of Bath's Tale and Griselda in the Clerk's Tale are both perfect illustrations of Chaucer's view of non-nobility gentilesse. The hag and Griselda exhibit gentilesse because they are virtuous, dedicated to God and positive forces of change for those around them.
In the Wife of Bath's Tale, the hag...
... middle of paper ...
...d them to a higher spiritual gentilesse.
Bibliography
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Chaucer, Geoffrey. The Canterbury Tales. Pp. 3-328. In the Riverside Chaucer. Larry D. Benson, ed. Boston: Houghton, 1987.
Cooper, Helen. "The Shape-shiftings of the Wife of Bath, 1395-1670." Pp. 168-184. In Chaucer Traditions: Studies in Honour of Derek Brewer. Ruth Morse and Barry Windeatt, eds. Cambridge: Cambridge UP, 1990.
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Chaucer, Geoffrey. "The Wife of Bath's Tale." Canterbury Tales. McDougal Littell Literature British Literature, 2012. Print. 180-192.
Boardman, Phillip C. "Geoffrey Chaucer (c. 1343-1400)." Enduring Legacies: Ancient and Medieval Cultures. 6th ed. Boston: Pearson Custom Pub., 2000. 430-54. Print.
Chaucer exemplifies this in “The Wife of Bath’s Tale.” Living in a male-dominant society, the wife ...
Cox, Catherine S. Gender and Language in Chaucer. Gainesville, Florida: U of Florida P, 1997.
Mandell, Jerome. Geoffrey Chaucer : building the fragments of the Canterbury tales. N.J. : Fairleigh Dickinson University Press, 1992.
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The Wife of Bath Prologue and Tale. Geoffery Chaucer. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 375-408. Print.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
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Mitchell, J. Allan. (2005). Chaucer's Clerk's Tale and the Question of Ethical Monstrosity. Studies in Philology. Chapel Hill: Winter 2005. Vol.102, Iss. 1; pg. 1, 26 pgs
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Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Chaucer, Geoffrey. "The Project Gutenberg EBook of Troilus and Criseyde." 12 July 2008. Project Gutenberg. Web. 27 November 2013.