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Recommended: Narrative essay on mother
Corrine Fizer
Play Analysis: Genera Analysis
Analysis of Night, Mother
Marsha Norman’s Night, Mother is a well-written, much-discussed play. It has become a classic piece of dramatic work and has also gone on to win a Pulitzer Prize award.
It can be examined from a few different standpoints, from the dramatic, psychological, and even mythical. Although this play has so many different views to explore, they all mainly focus on the protagonist of the play, Jessie, and her motivations for her decision to take her own life. Through further exploration, I will analyze one of the major scenes before Jesse takes her own life and would like to further explore the character of Mama.
When reading the ending of the play or even just reading throughout the script, we find ourselves asking, “Why suicide?” Jessie could have survived, but she chose not to for a few different reasons. The scene I am examining starts on page 46 where, I believe, is the initial point in which Mama begins to feel helpless and breaks down. Mama starts by manipulating her into feeling guilty. She says “Maybe I fed yo...
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
The plays, The Glass Menagerie and A Raisin in the Sun, deal with the love, honor, and respect of family. In The Glass Menagerie, Amanda, the caring but overbearing and over protective mother, wants to be taken care of, but in A Raisin in the Sun, Mama, as she is known, is the overseer of the family. The prospective of the plays identify that we have family members, like Amanda, as overprotective, or like Mama, as overseers. I am going to give a contrast of the mothers in the plays.
Mama is a good example of an extremely optimistic character in the play. She always sees the best of every situation. At times the situation may seem completely hopeless to the audience. Yet, she never gives up. Mama has always dreamed of owning a house, she has always wanted to move her family out of the “ghetto”. Finally, she gets the chance to do so; she gets an important amount of money from the insurance company. She decides to use that money to make a down payment on a house. But her dreams are rapidly crushed; her son, Walter, has lost all of the money in an investment. Although she is extremely angry at first she does not give up. She decides that perhaps they can clean up the place they currently live in. They can add new furniture and perhaps even new curtains. The following quote perfectly illustrative Mama’s optimism: “I sees things differently now. Been thinking ‘bout some things we could do to fix this place up some. […] Why this place be looking fine. Cheer us all up so that we forget trouble ever come… […] Sometimes you just got to know when to give up some things… and hold on to what you got …” (p140) Mama is a really strong and important character in the play. Due to her hopefulness she is able to hold her family together till the end.
Mama, as a member of an older generation, represents the suffering that has always been a part of this world. She spent her life coexisting with the struggle in some approximation to harmony. Mama knew the futility of trying to escape the pain inherent in living, she knew about "the darkness outside," but she challenged herself to survive proudly despite it all (419). Mama took on the pain in her family in order to strengthen herself as a support for those who could not cope with their own grief. Allowing her husband to cry for his dead brother gave her a strength and purpose that would have been hard to attain outside her family sphere. She was a poor black woman in Harlem, yet she was able to give her husband permission for weakness, a gift that he feared to ask for in others. She gave him the right to a secret, personal bitterness toward the white man that he could not show to anyone else. She allowed him to survive. She marveled at his strength, and acknowledged her part in it, "But if he hadn't had...
1. Walter - His dreams of owning a licquor store conflict religiously with Mama's value system. The conflict between Mama and Walter is amplified by the fact that it is Mama's apartment in which the family lives and Walter is unable/unwilling to make decisions because Mama is so domineering. Ironically, it is the one decision that she eventually lets Walter make which nearly destroys the family.
... perfect exemplars of how an ideal innocent women, can face undoubtedly tragic fates. Despite much strength in their characters, both Daisy and Desdemona exhibit the vulnerability of their innocence, the ability for others to take advantage of them, and glaring weaknesses. They are unaware of their surroundings, which lead to questionable actions. Their inevitable tragedies occur because of how each character dealt with these situations placed in front of them. All in all, Daisy and Desdemona are responsible for their tragedies because they are women placed in unfamiliar positions and are unable to deal with situations placed in front of them.
As a small child, about two years old, Lizzie's mother died. Her father, Andrew, married again. Lizzie did not like her stepmother even though she did not really remember her real mother at all. She never really accepted her stepmother as the person who raised her. And then one afternoon they were robber sunk in the house a...
... sins, but she can’t take back what she did so she will forever have blood on her hands. This guilt and all of the lies she has told is giving her true trepidation and in the end she decided to end her terror by taking her life.
Mama’s dreams were first deferred when she moved into the small apartment that the Youngers family stay in through out most of the play. She became too busy that she couldn’t accomplish her dream. She also could not for fill her dreams since she did not have enough money to do so. Her dreams were even more shattered with the death of her husband, but when she got the money from her husband’s death her dreams then became a reality again. Mama wants Travis to be happy and play in the garden but she cannot do this since they live in a dirty ghetto.
The scene was that the sheriff came in and told momma that “A crazy negro messed with a white lady today” and that the boys which we could refer to as the mobs were after a Negro. Marguerite views the sheriff’s act as an act of kindness because he knew that if any other black man had heard the Klan’s coming they would be willing to hide anywhere and it was too embarrassing to hear.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
In the opening scene of the play Mama goes to her plant and nurtures it. Mama tries to instill the value of family importance to her children as she struggles to keep them together and functioning (Kohorn). The plant symbolizes Mama's dreams of owning her own house. She uses part of the money to put a down payment on a house in a white neighborhood.
... own way. Ayckbourn shows Lucy's mother qualities by the satisfaction she takes in the end when she's resolved the situation and made sure everyone’s happy. Ayckbourn is showing in this section about men getting their own way against women and how things should be different. I agree with this view, men and women should be equal and treated the same. In conclusion this play is exploring the issues about women being stay at home mothers at the time. We see strengths of a mother, and on the other hand we do see the great personal cost that mothers have to pay. He shows that mothers lose their identity by being a mother; their entire life is devoted to the children and not themselves. In my opinion Ayckbourn's play is well written, I feel that he has shown the issues well and in a way that people would have started to comprehend his point when they watched the play.
‘Night Mother, a play by Marsha Norman, focuses on the last conversation between Mama and her daughter Jessie, before Jessie commits suicide. Jessie is in her late thirties or early forties; she is no angsty teenager trying to evoke anger from her mother. One could argue that this last conversation between Jessie and her mother centers around Jessie trying to ready her mother for her death, or trying to understand Mama’s choices over Jessie’s lifetime. Rather, Jessie chooses to tell her mother of her suicide plan to hurt her, and their conversation is about the mistakes Mama has made in regards to Jessie.