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What defines a home
What makes a house a home essay
Description of what a home is
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Home is a geographical space -- a site where we live but it is also ‘an ideal and an imaginary that is imbued with feelings’1 .Somerville(1992) has picked out seven key aspects of being at home: shelter, hearth,(emotional and physical well-being),heart(loving and caring relations), privacy, roots(source of identity and meaning, fullness),abode and paradise(ideal home as distinct from everyday life)2.Down the ages, we have associated ‘home’ as a haven, far away from the hostility and surveillance of the outside world. It is in the privacy of home that an individual gives expression to his ideas. The domestic items from curtains and furniture to books and records all contribute to the development of an individual. In all its details, a home is thus crucial to how an individual establishes his world.
Significantly, if a house establishes one’s world, then, it is still very much a man’s world. Marion young (1997) brings in Luce Irigaray’s ideas to explore the gendering of home:
‘‘…man can build and dwell in the world in patriarchal culture [Irigaray suggests] only on the basis of materiality and nurturance of women. In the idea of ‘Home’, man projects onto woman the nostalgic longing for the lost wholeness of the original mother. To fix and keep hold of his identity man makes a house, puts things in it and confines there his woman who reflects his identity to him. The price she pays for supporting this subjectivity, however, is dereliction, having no self of her own.”3
In the process, the subjectivity of males gets emphasized while everything that a woman does within the confinement of a home bolsters the male idea of ‘home’. Young emphasizes four important attri...
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...American dream,The future of Housing, work and family life,W.W. Norton,new York, 2002.p.82.
17. Deshpande Shashi, ‘A Wall Is Safer’ from Intrusion and other stories,Penguin,New Delhi,1993,p.120.
18. Friedan Betty, The Feminine Mystique, W.W.Norton, New York, 1963,p.15.
19. Hayden Dolores,Redesigning the American dream,The future of Housing, work and family life,W.W. Norton,new York, 2002.p.84.
20. Deshpande Shashi, ‘An Antidote to Boredom’ from Intrusion and other Stories,Penguin,New Delhi,1993,p.121.
21.Deshpande Shashi,Of Kitchens and goddesses from Writing from the Margin and other Essays,Penguin,Viking,New Delhi,2003, p.18.
22.Deshpande Shashi, Writing from the Margin from Writing from the Margin and other Essays,Penguin,Viking,New Delhi,2003, p.159.
23. Bunkse E., Geography and the Art of Life, The johns Hopkins University Press, Baltimore, 2004.p. 94.
The two works of literature nudging at the idea of women and their roles as domestic laborers were the works of Zora Neale Hurston in her short story “Sweat”, and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”. Whatever the setting may be, whether it is the 1920’s with a woman putting her blood, sweat and tears into her job to provide for herself and her husband, or the 1890’s where a new mother is forced to stay at home and not express herself to her full potential, women have been forced into these boxes of what is and is not acceptable to do as a woman working or living at home. “Sweat” and “The Yellow Wallpaper” draw attention to suppressing a woman’s freedom to work along with suppressing a woman’s freedom to act upon her
Kristjana Gunnars suggests that “Canada is an unhappy country. No, better still, the Prairies are unhappy. Canadian women are especially unhappy” (Gunnars 122). In Margaret Laurence’s A Bird in the House, the women are indeed unhappy. In the end, however, it is the women who triumph because of their solidarity. The men, due to their solitary states, are unable to maintain their traditionally powerful roles. In these short stories, the men appear to be the leaders of the household, but the women have the greater but subtler power. The men do not lend each other support, while the women are often willing to lend each other a shoulder to cry on. Thus, because of their bluntness and solitariness, the men in A Bird in the House are dethroned from their traditional seats of power in male-female relations, male-male relations, and in female-female relations where their absence is not missed.
Many stories talk about relationships, especially the ones between man and woman as couple. In some of them, generally the most popular ones, these relationships are presented in a rosy, sentimental and cliché way. In others, they are presented using a much deeper, realistic and complicated tone; much more of how they are in real life. But not matter in what style the author presents its work, the base of every love story is the role each member of that relationship assumes in it. A role, that sometimes, internal forces will determinate them, such as: ideas, beliefs, interests, etc. or in order cases external, such as society. In the story “The Storm” by American writer Kate Chopin and the play A Doll’s house by Norwegian playwright Henrik Ibsen I am going to examine those roles, giving a special focus to the woman´s, because in both works, it is non-traditional, different and somewhat shocking, besides having a feminist point of view.
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
The Story begins with a description of the house. The house in itself is a symbol of isolation women faced in the nineteenth-century. The protagonist describes the house as isolated and miles away from the village, but also described as “the most beautiful place” (Gilman 217). During the nineteenth-century, women were in a sense isolated from society, just like the house. The role of the women was to stay home and tend to the
Women still need to break away from the cult of domesticity. Women, although having made strides to be more independent, are still more or less dependent on men. Society still perceives women to be just housewives or mothers, women are subjected to the same ideas to that in Wollstonecraft’s era. Although women are given more freedoms, such as education, and employment, they are still not on the same standing as men. The role of women has undoubtedly evolved, however, this evolution does not put women in the same standing as men. Society still believes that women are still better off being housewives and mothers. According to Martha J. Cutter society believes that no matter what splendid talents a women might have “she could not use it better than by being a wife and mother” (384). The cult of domesticity still has a grasp on women; women are still bound by the home. Women are still seen as mere servants by society. Society condemns women to the home; it forces them to become dependent on men for their existence. Women must emancipate themselves from the home; they must break the chain that binds them to the cult of domesticity. Women must shatter society’s preconception of them and move towards building their own image. The cult of domesticity must be erased from society in order for women to become free from the home. Cutter asserts that women must
Suggested roles of all types set the stage for how human beings perceive their life should be. Gender roles are one of the most dangerous roles that society faces today. With all of the controversy applied to male vs. female dominance in households, and in the workplace, there seems to be an argument either way. In the essay, “Men as Success Objects”, the author Warren Farrell explains this threat of society as a whole. Farrell explains the difference of men and women growing up and how they believe their role in society to be. He justifies that it doesn’t just appear in marriage, but in the earliest stages of life. Similarly, in the essay “Roles of Sexes”, real life applications are explored in two different novels. The synthesis between these two essays proves how prevalent roles are in even the smallest part of a concept and how it is relatively an inevitable subject.
Society set a standard many years ago that in a relationship, the woman depends on the man. In The House on Mango Street, woman tend to trust and not have power in relationships. Sandra Cisneros develops the theme that women are inferior to men. This is based on men’s view on power and women accepting their role through the motif of gender roles throughout the novella The House on Mango Street.
Women have been given by society certain set of duties, which although change through time, tend to stay relatively along the same lines of stereotypical women activities. In “A Doll House” and “Simply Maria” we see the perpetuation of these forms of behavior as an initial way of life for the two protagonists. Nonetheless; we see a progression towards liberation and self discovery towards the development as a human being by breaking the rules of society. Such attitudes soon find opposing forces. those forces will put to the test the tenacity of these women; and yield freedom and ownership for their lives which are owned by others at the start of their stories.
The female gender role in society has created a torturous fate for those who have failed in their role as a woman, whether as a mother, a daughter, or a wife. The restrictive nature of the role that society imposes on women causes extreme repercussions for those women who cannot fulfill their purpose as designated by society. These repercussions can be as common as being reprimanded or as severe as being berated or beaten by a husband or father. The role that women were given by society entails being a submissive homemaker who dotes on her husband and many children. The wife keeps the home impeccably neat, tends to the children and ensures their education and well-being, and acts obsequiously to do everything possible to please her husband. She must be cheerful and sweet and pretty, like a dainty little doll. The perfect woman in the eyes of society is exactly like a doll: she always smiles, always looks her best and has no feelings or opinions that she can truly call her own. She responds only to the demands of her husband and does not act or speak out of turn. A woman who speaks her mind or challenges the word of any man, especially her husband, is undesirable because she is not the obedient little doll that men cherish. Women who do not conform to the rules that society has set for them are downgraded to the only feature that differentiates them from men; their sex. Society’s women do not speak or think of sex unless their husband requires it of them. But when a woman fails to be the doll that a man desires, she is worth nothing more than a cheap sex object and she is disposed of by society.
Friedan frustratingly explains how women’s choices to revert back to domestic roles after World War II compromised women’s independence and identity. Friedan uses this frustration to revive modern feminism and extinguish the prison that gender roles had imprisoned women in. In The Feminine Mystique, Friedan illustrates how women fell into the common portrayal of a housewife just fifteen years after the war and how “millions of women lived their lives in the image of those pretty pictures of the American suburban housewife, kissing their husbands goodbye in front of the picture window, depositing their stationwagonsful of children at school…their only dream was to be perfect wives and mothers…”(Friedan 61) and other description that fit the occupation of “housewife”.
Women are looked at as less than males, and males are to be far superior because society thought male to be the better gender. “A Doll's House,” by Henrik Isben describes the sacrificial role of nineteenth century women , men in society and in the household.
Postmodernism is a cultural phenomenon that reflects profound changes in society and culture within which it is strongly rooted. One of the givens that postmodernism question is the concept of the self, the unitary self. Postmodernism opposes essentialism and decanonizes master codes, hence the relation between postmodernism and feminist agenda is quite significant.