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Hollywood stereotypes in film essay
Hollywood stereotypes in film essay
Racial Discrimination in the Movies
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Who is really responsible for stereotyping among the ethnic characters in films? According to Jessica Hagedorn in her article “Asian Women in Film: No Joy, No Luck” she explains the stereotypes that are happening in the movie industry since then. In fact, this issue was very popular in Hollywood films. There always have been this racial issue about the roles that they give to Asian actors and actresses that were always limited. Another problem is about the racial options of the casting of the films even though the original roles was made to be Asian (“Yellow Faces”). Hollywood writers and directors have a social responsibility to avoid stereotyping ethnic characters because they have the power to choose the characters, to interpret the movies, and to influence people.
To begin with, the first reason why movie directors have a responsibility regarding this issue is because they have the power to choose the castings and characters. They are responsible for the stereotyping of the Asian people and other race or ethnicities. In fact, the casting directors are the one who chooses the characters that were suitable for the movies. While the writers will be accountable for the roles that the characters are doing in the movie. For example, Hagedorn asserts one example of the film that was written which portrays Asian stereotypes, like The World of Suzie Wong where an Asian woman plays to be a prostitute in this film (344). This film clearly shows that the roles that are played by Asian are always not so great.
On the other hand, some people might say that the producers are only choosing the best characters for the roles. To illustrate, in the documentary “Yellow Faces” some people claims that the casting of the movie The Last Airbe...
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...the power to influence people are the main reasons why the Hollywood writers and directors have a social responsibility to avoid stereotyping ethnic characters. The film producers should have done better in making films with Asian actors or Asian themes when they produce it using the right characters for it or better roles. Clearly, it shows a bad image for the Asian people and it degrades them to think that they are less than another ethnicity. Even though today it was gradually changing, it was still there and the people should be aware of that. Movie is a huge part of every people’s lives, so the movies can influence people in many ways. Thus, the roles and plot should be appropriate, fair and equal. In that way, the racism in the film industry can be lessened and people will start recognizing all ethnicities with the same capabilities in movies and in real life.
Sitting in the movie theater, I was baffled to see so many stereotypes touched on in one single film. These stereotypes were not just any kind of stereotype – they were those pertaining to Asians in particular. The obviousness and sheer transparency of the stereotypes made the movie look like a complete joke. The film? Kill Bill.
Back in the 1800’s, when calculating the population, African Americans were counted as 3/5 of a person (Antonia, p2). One would think that in the past two hundred years people’s beliefs would have changed a little bit, but the general white public are stuck into believing the common stereotypes commonly portrayed in movies. In films and television shows blacks are almost always portrayed as murderers, robbers, rapists, pretty much anything negative, like American History X, for example. Two black men are shown breaking into a white man’s car. People see this, and in turn believe that all black men will try and steal their car; as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. Very rarely, if ever, is it possible to see a minority depicted as a hero-type figure. Every once in a while, there will be an independent film from a minority director, but as Schultz states in Lyon’s piece, “We [blacks] are still being ghettoized in Hollywood, a serious black project of any scope is as difficult to get marketed today as it was in the ‘70s.” By making a barrier to entry for minorities in the film industry, it’s almost as if America is trying to keep black films out of the popular media. At first glimpse, it may appear that minorities are very hard to be seen in the filming industry, when in reality, they are becoming more and more apparent in America’s mainstream media culture, particularly in action movies.
Just like any other racial stereotypes, Asian Stereotypes have been and always will be around in our society. The fact that Asians are allowed to be portrayed stereotypically in Media shows the lack of voices of this minority group. Asian stereotypes are taken lightly by others, and yet heavily by the Asian population. Whether one likes it or not, Asian stereotype does not disappear eternally. As individuals of intellectual specie, we have to acknowledge the power of a racial stereotype and the possibilities of it remaining to be an eternal issue. To allocate such problem to another perspective, we must aim to become aware of them, by viewing these Asian Stereotypical films of what your average American watches on TV or at the movies. Although when Asian characters seem harmless (Jackie Chan in “Rush Hour” series) or humorous...
...ent from the silent era of film, overt racism of ethnic minorities was blatantly apparent within the film medium. However, presently this overt racism however has shifted into a more subtle segregation of casting and racial politics within the film medium. It seems that both the problem and the solution lies in the Eurocentric domination within the Hollywood film industry – and it seems that it still remains challenged to this day.
I gave several examples where Asian Americans were used to play very simple characters. These roles were defined by stereotypes that exist in America. I also researched instances on counter actions taken by Asian Americans to protest against these negative images. My research also has examples of Asians that have succeeded in breaking through the racial barriers in the media.
...enshoff et al. (2009), it is important to mention that films that are produced by Hollywood are first and foremost strictly business. To Asian viewers, it may be easier to detect these faulty portrayals, but whether Hollywood casts a Korean to play a Japanese role, or a Chinese to play a Korean, it is all the same because Hollywood uses what works to sell its product well.
Although we have taken monumental strides in the past fifty years towards racial equality and diversity, it is still commonly argued that popular culture lacks some sort of racial representation. In the United States, the people who live here are vastly diverse when it comes to race and culture, yet in the media people of color get marginalized and stereotyped everyday in film, music, and etc.
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
Those who deny the existence of the racism rooted into modern day Hollywood are far from reality. They may think that in the United States we are getting closer to equality when it comes to casting but we in fact are not. While there is the belief that America has progressed when it comes to social issues, the percentage of roles held by black actors in film and TV has dropped from 15 to 13 percent from the early 2000’s to 2011 (McClintock and Apello 2).
However, as degrading the stereotypes may be, some directors use these stereotypes to communicate the reality of the situation. For example, when the premise of the plot relates to history of Asian Americans, the inclusion of culture-specific attitudes and accents transforms the movie or TV show in an unidealized perspective of the world. Rather than shying away from what is considered racist, the directors stays true to what is part of society. Therefore, the ethical responsibility is to display these negative stereotypes.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
At the end of the NPR article they discuss the problem between keeping television shows diverse, “without amplifying the problems of stereotyping and prejudice” (Feld). Television shows feel that in order to a successful show with diversity, the people need to be cast-typed or take on every stereotype that is associated with that particular race or gender. The Erigha article discusses how, “many of actors were type-casted, or put in racialized roles, that fit their ethnicity” and some of these people do not necessarily fit that type, “they used Asian Actors as an example, many of the actors that were born in America, were asked to speak in a Chinese accent.”
The work's topicality is characterized by the existence of the gender stereotypes in society, having generalization, and does not reflect individual differences in the human categories. Meanwhile, there is still discrimination on the labour market, human trafficking, sexual harassment, violence, women and men roles and their places in the family. Mass media offers us the reality, reduces the distance, but we still can see the negative aspects too. TV cultivates gender stereotypes, offering ideas about gender, relationships and ways for living. Such media ideas attach importance to many people in the society. Consequently, it is quite important identify gender stereotypes in the media, in order to prevent false views relating to gender stereotypes.
Ethnicity and appearance has become a tremendous problem in the media due to the fact that they try to use it as a power to control creativity of abstaining the truth in media. According to journalist Nishijima, A, she refers to the Oscars and explains that it is very absurd how the media is slowly progression in lacking diversity. This was recognized when watching the Oscars and seeing that based off predominantly white nominees. Nishijima quotes “Boone Isaacs decl...
But it doesn’t even matter, because Hollywood would probably cast Scarlett Johansson anyway. I speak for myself and the other 17 million Asians in the United States when I say that I’m tired of being unrepresented or whitewashed in media. Particularly, us East Asians, as that is the perspective I’m most experienced with. We can’t help but feel mad when we’re cast aside so white people can get casted into every role.