More handpicked essays just for you.
The portrayal of women in 19th century literature
Changing roles of women in twentieth century literature
Gender roles 20th century literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the following essay I will compare and contrast gender roles and marriage between “The Proposal” by Anton Chekhov and “Country Lovers” by Nadine Gordimer to showing how women tried to survive in controlling their identity. This essay will compare and contrast each of the characters used by two very different writers. The early 1900’s era was not kind to people in their struggle for what they tried to accomplish with their lives.
Nadine Gordimer was born 1923 in Africa. She was against the opposition that the black people of Africa had to face and stressed this issue in her writings. She was awarded the Nobel Prize for literature in 1991. Anton Chekhov was also famous for Russia’s Pushkin Prize in 1888 and like Gordimer, he also wrote many short stories but sometimes ventured out into theater with several plays. Both writers lived abroad sharing the use of conflict in their writings such as unrealistic expectations, endowment and social status. They used symbolism more as a contrast instead of a comparison, but compared lower class to higher class status for each of their characters in the two short stories that will be featured in this paper.
In the article written by Gordimer that is titled “Twenty-one Years Later she states that “since 1980 other media have taken over from the printed word as the most powerful means of free expression. I remain as totally opposed to censorship as ever, but I am in a quandary when I touch the wrong button on television set and find I’m confronted with a couple making Shakespeare’s ‘beast with two backs’ in a truly beastly and violent sexual display that certainly could frighten any of the many children left to amuse themselves playing the channel keyboard of television. I’m more co...
... middle of paper ...
...p107, 2 p. Contemporary Review Company, Ltd.
Gordimer, N., 2001 Twenty-One Years Later, Biography, spring, Vol. 30 Issue 2, p. 277, 2 p.
Kenyon, O., 1989 Women Writers Talk, Carroll & Graf Publishers, ISBN-10: 0881847054.
Miller, R., 2008 Sweat. February 8, Collins Harper, Retrieved
Website:http://www.zoranealehurston.com.
Ritchi, D., 2003 Doing Oral History, New York: O U P.
Seyhan, A., 2001 Writing Outside the Nation, U K: Princeton University Press.
Singh, G., & Kumari, D., 2011 History Revisited in Oral History by Nadine Gordimer, Language in India, February, Vol. 11 Issue 2, p 296-303, 8 p.
Trump, M., 1986 The Short Fiction of Nadine Gordimer, Research in African Literatures, Fall, Vol. 17, Issue 3, p 341-369, 2 p.
Winkelmann, J., 2002 “Restless Legs” in “The Wedding Proposal”, Acta Neurologica Scandinavia, April, Vol. 105 (4), p. 349-350.
In the eighteenth century, the process of choosing a husband and marrying was not always beneficial to the woman. A myriad of factors prevented women from marrying a man that she herself loved. Additionally, the men that women in the eighteenth century did end up with certainly had the potential to be abusive. The attitudes of Charlotte Lennox and Anna Williams toward women’s desire for male companionship, as well as the politics of sexuality, are very different. Although both Charlotte Lennox and Anna Williams express a desire for men in their poetry, Charlotte Lennox views the implications of this desire differently than Anna Williams.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
In the nineteenth century the inequality of women was more than profound throughout society. Margaret Fuller and Fanny Fern both women of the century were much farther advanced in education and opinion than most women of the time. Fuller and Fern both harbored opinions and used their writing as a weapon against the conditions that were considered the norm in society for women. Margaret and Fuller were both influential in breaking the silence of women and criticizing the harsh confinement and burden of marriage to a nineteenth century man. Taking into consideration Woman in he Nineteenth Century by Fuller, Aunt Hetty on Matrimony, and The Working-Girls of New York by Fern, the reader can clearly identify the different tones and choice of content, but their purposes are moving towards the same cause. Regardless of their differences in writing, both Fern and Fuller wrote passionately in order to make an impact for their conviction, which was all too similar.
Many stories talk about relationships, especially the ones between man and woman as couple. In some of them, generally the most popular ones, these relationships are presented in a rosy, sentimental and cliché way. In others, they are presented using a much deeper, realistic and complicated tone; much more of how they are in real life. But not matter in what style the author presents its work, the base of every love story is the role each member of that relationship assumes in it. A role, that sometimes, internal forces will determinate them, such as: ideas, beliefs, interests, etc. or in order cases external, such as society. In the story “The Storm” by American writer Kate Chopin and the play A Doll’s house by Norwegian playwright Henrik Ibsen I am going to examine those roles, giving a special focus to the woman´s, because in both works, it is non-traditional, different and somewhat shocking, besides having a feminist point of view.
The interesting narrative published in 1789 by Olaudah Equiano is an autobiography telling his experience as a captive in the transatlantic slave trade. Although the story is meant to entertain readers, it also furthered the cause of abolition. In the narrative of “The interesting life of Olaudah Equiano,” Equiano says that he is from South Carolina but through his description of Africa portrays it as his home. This is important because it shows a man struggling to reveal his true origin in order to go forth in fighting for a purpose and struggling to find within himself his true identity.
The industrialization of the nineteenth century was a tremendous social change in which Britain initially took the lead on. This meant for the middle class a new opening for change which has been continuing on for generations. Sex and gender roles have become one of the main focuses for many people in this Victorian period. Sarah Stickney Ellis was a writer who argued that it was the religious duty of women to improve society. Ellis felt domestic duties were not the only duties women should be focusing on and thus wrote a book entitled “The Women of England.” The primary document of Sarah Stickney Ellis’s “The Women of England” examines how a change in attitude is greatly needed for the way women were perceived during the nineteenth century. Today women have the freedom to have an education, and make their own career choice. She discusses a range of topics to help her female readers to cultivate their “highest attributes” as pillars of family life#. While looking at Sarah Stickney Ellis as a writer and by also looking at women of the nineteenth century, we will be able to understand the duties of women throughout this century. Throughout this paper I will discuss the duties which Ellis refers to and why she wanted a great change.
One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the barter from her marriage and love with her husband.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
In Gilman’s story The Yellow Wallpaper, and in Chopin’s story The Story of an Hour are two feminist stories, which freedom is the main theme. In the nineteenth century, women were supposed to take care of their children and obey their husbands. “Women of the mid-19th century had no such choices. Most lived in a state little better than slavery. They had to obey men, because in most cases men held all the resources and women had no independent means of subsistence” (Wojtczak). The Yellow Wallpaper, takes a devastating look at the oppressive relationships between middle class husband and wife, doctor and patient. The Story of an Hour describes a moment of awareness when Mrs. Mallard realizes how she really feels about her life and situation. The news of her husband’s death shocks her into an awareness that seems to overtake her against her will. Mrs. Mallard and the narrator both express they want to be free, but unfortunately they achieve freedom through insanity and death. Freedom is accomplished in an unusual way in The Yellow Wallpaper and The Story of an hour; the freedom these women attained is not readily obtainable to most women in the 19th century.
The period is the early 19th century; those involved and discussed in this essay are for the most part Russian gentry. Increasingly relaxed social mores in the “developed” world, including the greater freedom to choose to whom one gets married to as well as increased women’s sexual rights, were much more uncommon during the time that War and Peace takes place. Tolstoy, an outspoken critic of arranged marriages, uses the characters in his novel as a way of exploring the various types of love, and in general the interactions between men and women of the time. This essay will attempt to focus on these relationships in an effort to get a better idea of Tolstoy’s views on the proper roles that men and women should play as friends, lovers, or spouses. By exploring the male/female relationships among the noble families, a detailed picture of both the expectations and realms of acceptable behavior will be established.
Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
Women in African Literature Today. Ed. Eldred Durosimi Jones. Trenton, N.J.: Africa World Press, 1987. 5-14.
Within these marriages, readers get a sense of how education plays an important role in a successful marriage, as this fulfills both of their dreams of personal identity. Although women in the nineteenth century were viewed to be superior wives and mothers, manage the household, and perform domestic tasks, it was important for women to become educated as “an education was supposed to enable these girls to become successful women in society” (Leigh 117). Women were not meant to be “trained” in some way to become good wives, but needed to be formally educated in order to be a successful wife and