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Gender and society
Gender roles in trifles by Susan Glaspell
Analysis of the play Trifles by susan glaspell
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It's amazing how something that is out of all people's hands can define their entire life from what their job is, what is expected of them, and what they are treated like. This something is gender. Gender has been the root of many conflicts throughout history, and the male is often viewed as the more dominant role over the female. Susan Glaspell excels at expressing a gender based conflict in her play Trifles by presenting how these gender roles cause the women to feel belittled, but also shows that the egotistical, selfish men do not care about them. The gender conflict is evident in the characters’ dialogue and in the stage directions.
One of the most important tools that an audience uses to interpret a character’s true demeanor is through
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It is easy to judge the attitude of a character by how he treats those around him. Mr. Hale, Mr. Peters, and Mr. Henderson, all of the male characters in Trifles, have absolutely no regard for women. They treat the women like significantly lesser beings and show no respect to them. In their eyes, they believe that the women are only capable of agonizing over trivial affairs, so Mr. Hale states, “Well, women are used to worrying over trifles” (Glaspell 604). This statement is said in a sarcastic tone to emphasize the true meaning behind it. Mr. Hale affirms this because he does not believe that women worry over anything important. Blinded by his masculinity, he is convinced that the women are inferior and only fret over these so called trifles, but the high and mighty men worry about the essential aspects of things. Later on, Mr. Peters, the sheriff, …show more content…
Stage directions are an author’s guide for the characters to follow; they instruct a character on where to go or how to behave. Glaspell takes advantage of this and uses the stage directions to help convey and emphasize the male versus female gender conflict. One example is, “starts to speak, glances up, where footsteps are heard in the room above. In a low voice.” There is an apparent fear contained within these stage directions that has been expertly placed in order to express the gender conflict. Hearing the men walking above them, the women feel the need to speak a soft tone in order to avoid being heard. It seems as if they are scared of any possible repercussions that may occur if they are heard. Moreover, the stage directions later say, “The men laugh, the women look abashed.” Once again the men have no respect for the opposite gender, and they laugh at what the women are discussing which causes them to feel ashamed and embarrassed. This emphasizes the blatant contempt that the men have towards the women, and manifests how lowly the women feel as a result. All in all, by following the stage directions, the characters accurately convey a conflict based on
Men's Assumptions in Trifles and A Doll House. There are many similarities in the relationships between men and women in Susan Glaspell's Trifles and Henrik Ibsen's A Doll House. The conflict in each play is the result of incorrect assumptions made by the males of a male-dominated society. The men believe that women focus on trivial matters and are incapable of intelligent thinking, while the women quietly prove the men's assumptions wrong. In the plays Trifles and A Doll House, men believe women only focus on trivial matters.
Susan Glaspell's Trifles explores the classical male stereotype of women by declaring that women frequently worry about matters of little, or no importance. This stereotype makes the assumption that only males are concerned with important issues, issues that females would never discuss or confront. The characters spend the entirety of the play searching for clues to solve a murder case. Ironically, the female characters, Mrs. Peters and Mrs. Hale, uncover crucial evidence and solve the murder case, not the male characters. The men in the play, the Sheriff, County Attorney, and Hale, search the scene of the crime for evidence on their own, and mock the women's discussions. The women's interest in the quilt, broken bird cage door, and dead canary, all of which are assumed to be unimportant or trifling objects, is what consequentially leads to their solving of the crime. The women are able to discover who the killer is by paying attention to detail, and prove that the items which the men consider insignificant are important after all.
Notably, one of the principal ideas presented in Glaspell’s work is the concept of gender roles, moreover, the notion of institutional misogyny present in 20th century America. These said ideas are fleshed out through the characters of the play. The play opens with the introduction of five characters: Sheriff Peters, Hale, County Attorney
...stine. "On the Edge: The Plays of Susan Glaspell." Modern Drama 31.1 (Mar. 1988): 91-105. Rpt. in Twentieth-Century Literary Criticism. Ed. Marie Lazzari. Vol. 55. Detroit: Gale Research, 1995. Literature Resources from Gale. Web. 27 Nov. 2011.
Another symbolic part of the play is when the men overhear the women talking about Mrs. Wright’s quilt, wondering if she was going to quilt it or knot it, and they laugh at them. Mrs. Hale is immediately offended by the way they laughed at them where Mrs. Peters is apologizing for them because "they have a lot on their minds".
Trifles is an excellent example of gender stratification at the most basic level: everyday conversation and behaviour. Interactionists have observed common patterns which reoccur in everyday interaction between men and women. Like in Glaspell’s work, men have been shown to regularly change the topic of conversation and disregard a woman’s ideas. (Kumbamu) Throughout the play the County Attorney interrupts or considers the women’s concerns to be merely ‘trifles’ by wishing to ‘talk more of that…later.’(Glaspell 141) The women’s actions exemplify what are considered to be female behavioral roles. The women except and do not challenge the obvious male verbal dominance and instead prove to be adaptable to the circumstances and provide emotional support. (Kumbamu) Mrs. Peters and Mrs. Hale are unwillingly put into a ‘lonesome’ environment they normally would have stayed away from. (Glaspell 143)
“The treatment of women in ‘Trifles’”, a web site that analyzes the demeanor of women throughout the play, states “ The women are betrayed as if they are second class citizens with nothing more important to think about, except to take care of the medial household chores like cooking, cleaning, and sewing.
In “Trifles” there are two plots occurring simultaneously, the men have a story offstage while the women have the attention on stage. This adds a dynamic to the play to further emphasize the sexism within it, Glaspell separates them physically as well as mentally to demonstrate that the men do not think that the women were clever enough to find any evidence. By
The use of vernacular speech, in this play, lends to the overall feeling of life in the early 20th century. This definitely aids in establishing a link with this play’s key audience, women. And also helps to establish the play’s surroundings and setting. The use of language provides a backdrop for the play, illustrating the differences between men and women. More so, the purpose of this play was to illustrate the common bond between women, even in the face of the law. It proves that in hard times people of a common bond usually stick together, and written in the face of the up and coming women’s suffrage movement, it provides the reader with a real understanding of the motivation and the dedication these women put into their work.
The power of women is different than that of men. Women display a subtle and indirect kind of power, but can be resilient enough to impact the outside world. In Trifles, Susan Glaspell delivers the idea that gender and authority are chauvinistic issues that confirm male characters as the power holders, while the female characters are less significant and often weak. This insignificance and weakness indicated in the play by the fact that the women had the evidence to solve a murder, but the men just ignored the women as if they had no value to the case at all. This weakness and inability of the female to contest the man’s view are apparent. According to Ben-Zvi, “Women who kill evoke fear because they challenge societal constructs of femininity-passivity, restraint, and nurture; thus the rush to isolate and label the female offender, to cauterize the act” (141). This play presents women against men, Ms. Wright against her husband, the two women against their spouses and the other men. The male characters are logical, arrogant, and stupid while the women are sympathetic, loyal, and drawn to empathize with Mrs. Wright and forgive her crime. The play questions the extent to which one should maintain loyalty to others. Mrs. Peters and Mrs. Hale try to withhold incriminating evidence against Mrs. Wright, and by challenging the reader to question whether
Trifles is one play that really shows the conflict between gender roles in the early 20th century. At the beginning of the 1900s the idea of everyone having equal rights didn’t exist. Men clearly dominated every aspect of life, while women were often left with little importance. The oppression of women during that time stretched to the point that they were not truly acknowledge as their own person. Their sole purpose was to take care of their families by keeping house and performing their caretaker duties. According to the essay “Literary Context in Plays: Susan Glaspell” by Bailey McDaniel claims that Glaspell’s work Trifles is considered an observation on the demeaning, insignificant characterization of women’s labor and their lives within domesticity (McDaniel). Susan Glaspell really tries to emphasize this feminist view throughout the entire play.
Susan Glaspell highlights the settings as theatrical metaphors for male dominated society in the early 20th century. “Trifles” begins with an investigation into the murder of Mr. Wright. The crime scene is taken at his farmhouse where clues are found that reveals Minnie Wright to be a suspect of murder. In the beginning of the play, it clearly embodies the problems of subordination of women. For example, there are two main characters in this play—Mrs. Peters and Mrs. Hale, who are brought along with the sheriff and attorney to find evidence for Mr. Wright’s murder. The men gather and work together at the stove and they talk with each other in familiarity while women “stand close together near the door behind men” (Glaspell 444). Perhaps the location of the women standing behind the men near the door reflects also their secondary or inferior social standing in the eyes of the men. Moreover, it seems that the wo...
Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot. The timid and overlooked women who appear in the beginning of the play eventually become the delicate detectives who, discounted by the men, discover all of the clues that display a female to be the disillusioned murderer of her (not so dearly) departed husband. Meanwhile, the men in the play not only arrogantly overlook the "trifling" clues that the women find that point to the murderer, but also underestimate the murderer herself. "These were trifles to the men but in reality they told the story and only the women could see that (Erin Williams)". The women seem to be the insightful unsung heroes while the men remain outwardly in charge, but sadly ignorant.
Susan Glaspell’s Trifles (1916), is a play that accounts for imprisonment and loneliness of women in a patriarchal society. The plot has several instances where women issues are perceived to be mere trifles by their male counterparts. The title is of significant importance in supporting the main theme of the story and developing the plot that leads to the evidence of the mysterious murder. Trifles can be defined as things of less importance; in this story dramatic, verbal and situational irony is used to show how the insignificant trifles lead to a great deal of truth in a crime scene investigation. The title of the story “Trifles” is used ironically to shape the unexpected evidence discovered by women in
The Real Relationship Between Men and Women In the play Trifles by Susan Glaspell, the men of the story are portrayed as completely out of touch with the women. This may be perhaps the single most important theme of the play. The gender differences set the stage for the most important event of the story, the murder. The men of the story are mainly oblivious to the steps the women make in the story.