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Gender roles in 20th century literature
Gender roles in 20th century literature
Gender in us literature 20th century
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The novel The Awakening, written by Kate Chopin, sparked much controversy among the nation with topics of marital infidelity and most importantly, gender roles. This story set in Louisiana, centered on around a woman that questions and fails to meet societies standards, as well as roles as a wife and mother. Her failures and struggles as a woman allow us to gain a better understanding about gender roles in the late 1800s.
The theme of gender roles is shown through the character of Edna Pontellier. From the start of The Awakening it becomes clear that Edna does not fulfill the traditional duties a wife or mother would during this time period, such as supporting her husband and caring for the children. While vacationing in Grand Isle, Louisiana, Léonce speaks of how he is disappointed in his wife. After coming home
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She questions her role as a wife and mother and is searching for freedom. Edna begins painting as a way to reach some independence and self-worth. She begins to admire and build a friendship with Mademoiselle Reise because she sees how independent a woman can be. Another moment in the novel when she feels a since of re-birth is when she swims in the ocean alone for the first time, which is foreshadowing to her death. This illustrates that during this time period it was almost unheard of for women to do things on their own and for themselves.
Gender roles are also illustrated when looking at the male characters in this novel. Léonce is a successful businessman and when he travels for work Edna becomes romantically evolved with a young man named Robert, whom devotes himself to her for the summer. He is very careful about the way he speaks to Edna, for example he calls her “my dear” because he acts like Léonce has a possession over her. Léonce even visits a doctor to talk about his concerns for Edna when she expresses her “rights of a
Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and sensuality she finds at the summer beach resort of Grand Isle. While both of these moves exist in Edna's story, to focus on one aspect closes the reader off to the ambiguity that seems at the very center of Edna's awakening. Edna cannot define the nature of her awakening to her husband because it is not a single edged discovery; she comes to understand both what is not in her current situation and what is another situation. Furthermore, the sensuality that she has been awakened to is itself not merely the male or female sexuality she has been accustomed to before, but rather the sensuality that comes in the fusion of male and female. The most prominent symbol of the book‹the ocean that she finally gives herself up to‹embodies not one aspect of her awakening, but rather the multitude of contradictory meanings that she discovers. Only once the ambiguity of this central symbol is understood can we read the ending of the novel as a culmination and extension of the themes in the novel, and the novel regains a...
The Grand Isle society and inhabitants put great expectations on its women to belong to their men and be secondary to their children. Throughout Kate Chopin's dramatic novel The Awakening, she tells the story of Edna Pontellier, a woman who throughout the story tries to find herself using various different methods until it leads to her untimely demise. Kate Chopin tries to make the women look more as possessions rather than people. Edna Pontellier's society, therefore, flourishes with "mother-women," who "idolized their children, worshipped their husbands, and esteemed it to a holy privilege to efface themselves as individuals" (12). Throughout the story, Chopin presents a contrast in her male characters. She depicts Leonce as a good husband capable of great things but one who is oblivious to his wife’s needs. Alcee Arobin as a make who recognizes Edna’s physical (animalistic) needs in a relationship, and Robert as a sensitive male who understands Edna’s thoughts and feelings but also realizes that he cannot have Edna because she is one of Leonce’s possessions, therefore leaving him at a crossroad. Throughout the book the men have a lasting effect on Edna, thus controlling her and preventing her from gaining her independence she tries so hard to obtain.
Being a woman, she is completely at the mercy of her husband. He provides for her a lifestyle she could not obtain on her own and fixes her place in society. This vulnerability stops Edna from being truly empowered. To gain independence as a woman, and as a person, Edna must relinquish the stability and comfort she finds in the relationship with her husband. Mr. and Mrs. Pontellier's marriage comprises a series of power plays and responds well to Marxist and Feminist Theory. Leonce Pontellier looks "…at his wife as one who looks at a valuable piece of property…". He views her as an accessory that completes the ideal life for him. Edna, however, begins to desire autonomy and independence from Leonce, so true to the feminist point of view.
Fox-Genovese also emphasizes this point, when she says that both the feminist and the psychological aspect of “The Awakening,” “must be read together, for the grounds for choosing one rather than the other do not exist” (262). Other women may have, and do, find a way to exist in such a society and be happy with the little freedom they are allowed. Therefore, Edna Pontellier is portrayed a prisoner of her own upper-class society. Her surroundings demand of herself that she conforms to certain feminine ideals, which she however, is not willing to do. This final episode with Edna naked for the first time stresses the idea of rebirth in Edna; she is now "some new-born creature" (113) at the end of her life. Expression becomes a symbol of freedom for Edna. Fox-Genovese’s conclusion about “The Awakening” is that the novel tells the story of the progress in the Edna Pontellier’s character, as well as her mental regression. As Edna discovers the injustice of her male dominated society, rejecting its values, and managing to break away from society’s traditional gender roles, her stories furthermore depict her “psychological regression,” as Fox-Genovese has stated about Edna’s journey in “The Awakening” (262). Edna can only be herself when she is alone, without the
The Awakening sheds light on the desire among many women to be independent. Throughout the novel Edna conducts herself in a way that was disavowed by many and comes to the realization that her gender prevented her from pursuing what she believed would be an enjoyable life. As the story progresses Edna continues to trade her family obligations for her own personal pleasures. This behavior would not have been accepted and many even criticize the novel for even speaking about such activities. Kate Chopin essentially wrote about everything a women couldn’t do. Moreover, it also highlights the point that a man is able to do everything Edna did, but without the same
In the novel, during many instances, intricate intimacies are illustrated. “No multitude of words could have been more significant than those moments of silences, or more pregnant with the first-felt throbbings of desire.” (30) Robert, in pursuit of Edna unlocks her sexual awakening alongside his social awakening. Robert becomes aware that he must step out of the boundaries and evolve as a man. Yet Robert still stumbles in his path. He and Edna have a common bond. They both attempt to defy the norms of society. Robert respects Edna’s yearning for individualism and only seeks to accompany her on that journey by form of marriage. However, he struggles to fight what societal ordainment. He lacks the key to break societies chains. He can’t simply let go of the expectation of marriage within this era. On the contrary his relationship with Edna gives him an optimistic view on his love life. “His search has always hitherto been fruitless, and he has sunk back, disheartened, into the sea. But to-night he found Mrs. Pontelllier.” (29) His passion for Edna, conveys his innocent hope for repressive love between himself and Edna. He and Edna
The author of The Awakening uses the characters in the novel to create Edna. The characters create Edna by influencing her decisions, her desire for independence, and her newfound sexuality. Robert, Mademoiselle Riesz, and Alcee Arobin help Edna become an independent woman by stimulating her new sexuality and desire for independence, and supporting her expression through art and her bold decisions throughout the novel. Leonce, Madame Ratignolle, and Edna’s father try to prevent Edna’s awakening by helping her learn the ways of tradition and convincing her that she can be a better wife and mother but do not support her in her new lifestyle. These persistent attitudes these characters share drive Edna to separate from her family and move out showing her desire for independence.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
In Chopin's Awakening, the reader meets Edna Pontellier, a married woman who attempts to overcome her "fate", to avoid the stereotypical role of a woman in her era, and in doing so she reveals the surrounding. society's assumptions and moral values about women of Edna's time. Edna helps to reveal the assumptions of her society. The people surrounding her each day, particularly women, assume their roles as "housewives"; while the men are free to leave the house, go out at night, gamble, drink and work. Edna surprises her associates when she takes up painting, which represents a working job and independence for Edna.
Leonce Pontellier, the character portraying Edna’s husband was a man very traditional in his thinking. He was self-absorbed and honestly did not see the fault in his own ways. He sincerely believed that Edna was the most important person in his life. However we notice throughout the story that his behavior was in direct contrast with that statement. Edna is only important to him, as in how she effects him and the effect her actions has on his life.
Her transformation and journey to self-discovery truly begins on the family’s annual summer stay at Grand Isle. “At a very early period she had apprehended instinctively the dual life- that outward existence which conforms, the inward life which questions. That summer at Grand Isle she began to loosen a little of the mantle of reserve that had always enveloped her” (Chopin 26). From that point onward, Edna gains a deeper sense of desire for self-awareness and the benefits that come from such an odyssey. She suddenly feels trapped in her marriage, without being in a passionately romantic relationship, but rather a contractual marriage. Edna questions her ongoing relationship with Leonce; she ponders what the underlying cause of her marriage was to begin with; a forbidden romance, an act of rebellion against her father, or a genuine attraction of love and not lust? While Edna internally questions, she begins to entertain thoughts of other men in her life, eventually leading to sensuous feelings and thoughts related to sexual fantasy imagined through a relationship with Robert Lebrun. Concurrently, Edna wavers the ideas so clearly expected by the society- she analyzes and examines; why must women assimilate to rigid societal standards while men have no such
The 19th and 20th centuries were a time period of change. The world saw many changes from gender roles to racial treatment. Many books written during these time periods reflect these changes. Some caused mass outrage while others helped to bring about change. In the book The Awakening by Kate Chopin, gender roles can be seen throughout the novel. Some of the characters follow society’s “rules” on what a gender is suppose to do while others challenge it. Feminist Lens can be used to help infer and interpret the gender roles that the characters follow or rebel against. Madame Ratignolle and Leonce Pontellier follow eaches respective gender, while Alcee Arobin follows and rebels the male gender expectations during the time period.
The 1890’s were an era of rapid social change in regards to women’s rights. In 1893, Colorado was the first state granting women the right to vote with Utah and Idaho following soon after in 1896. This soon set momentum towards of ratification of the 19th Amendment in 1920. It was in 1899 the Kate Chopin published The Awakening, a novel telling the tale of a suppressed mother, Edna Pontellier, and her desire for something more in her life. Literary scholars consider Chopin’s The Awakening as a subtle yet effective portrayal of women of the late 19th century and consider it as an important piece of the feminism movement. Throughout the late 1800’s and early 1900’s, women had felt controlled by men and the demands society put upon them. Men had held a discriminatory view of women throughout this era, for they merely saw women as property. Women were expected to bear a man’s child, care for the child, and watch over the household while the man was away. The Awakening was an eye-opening novel in that it challenged the social structure of the time in which men dominated society. This novel showed the discriminatory view of women and treatment of women. The novel also does a great job in showing the dissatisfaction in the women’s lives, particularily through the actions of Edna Pontellier. Due to society’s expectations, women were not allowed to pursue their psychological or sexual drives, for it was scorned by society. Edna pursues these drives as she eventually cannot tolerate her way of living. In The Awakening, Chopin’s use of three characters, Edna Pontellier, Adele Ratignolle, and Mademoiselle Reisz, exemplifies the accepted roles of women in the late 19th century.
Edna Pontellier is a woman in the 1800s who is way ahead of her time. She is a woman that knows what she wants and likes, and she is not afraid to speak her mind. She has her own opinion on things. Even though society tells her that she must act and speak a certain way, she is not afraid to do things her way even if they seem rude to everybody else. Throughout the book we see her progress from a woman who is somewhat content with her life to a woman who needs to break free. Edna thinks of her marriage to Léonce as the end of her passionate days and the
Her novel was considered immoral not only for its depictions of female sexual desire but also for portraying a woman that went against the typical social and gender norms. When the book opens, Edna Pontellier is an obedient wife and mother vacationing at Grand Isle with her family. However, things begin to change as Edna becomes close to a man named Robert Lebrun. Before they act on their mutual romantic interest in each other, Robert leaves for Mexico. Edna is lonely without his companionship, but shortly after her return to New Orleans, she picks up the male equivalent of a mistress, Alcee Arobin. Although she does not love him, he awakens various sexual passions within