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Feminism in literature essay
How are gender roles explored in the awakening
Feminism in literature essay
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Traditional gender roles are important in society, and the violations of these gender roles or over-adherence to them may cause many issues to surface. These issues may be caused within one’s self, other people, or society. By looking through the feminist lens, the theme of gender roles can be seen in The Awakening by Kate Chopin. The characters of Madame Adele Ratignolle, Leonce Pontellier, and Mademoiselle Reisz, all either uphold or rebel against the social norms of gender roles. First, Madame Adele Ratignolle is a traditional housewife and mother in The Awakening, and she upholds the gender expectations of a woman. For example, Adele is very loving towards her children, and she would do anything for them, even die. The novel states, “Edna …show more content…
For example, Mademoiselle Reisz inspires Edna to break away from tradition and prejudice, as the novel states, “‘...[Mademoiselle Reisz] put her arms around me and felt my shoulder blades, to see if my wings were strong, she said. “The bird that would soar above the level plain of tradition and prejudice must have strong wings”’” (84). All the women in this story, apart from Mademoiselle Reisz and Edna, uphold their traditions as a woman and do not think twice about it. Mademoiselle Reisz does not agree with these traditions and prejudice against women, and she makes it apparent by doing what she chooses to do, even if it does not appease society. This quote shows how she feels about independence from society. In addition, Mademoiselle does not settle for just any man to love. She had standards, as she states in The Awakening, “It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion” (82). Unlike many women, who married who their parents chose for them or whoever could make them a stable living, Mademoiselle Reisz says she would choose only who she deems worthy of herself. She does not let anyone else’s thoughts on love affect her. Also, Mademoiselle was not liked by many people, as she was very disagreeable. The book states, “He knew Mademoiselle Reisz a good deal better than he wanted to know her, he informed his questioner. In truth, he did not want to know her at all, or anything concerning her--the most disagreeable and unpopular woman who ever lived on Bienville Street” (59). Usually, women were supposed to be polite, nice, and sweet, especially to men. Mademoiselle shows that she does not follow these rules by being who she really is, which is a sassy woman. Moreover, Mademoiselle Reisz has no sense of style, as stated on page 25, “[Mademoiselle Reisz] had absolutely no taste in dress, and wore a batch of rusty black lace…”
In Frances Porcher’s response to “The Awakening” by Kate Chopin published in May 1899, she felt as though the book is slightly pathetic. While she believes that one can get absorbed by the principles of the book, she writes that the story makes one feel like “it leaves one sick of human nature and so one feels cui bono!” Furthermore, in Porcher’s analysis, the book “is not a pleasant picture of soul-dissection.” The distress of Edna does not allow one to joyfully engage in the plight that is exhibited. In addition to ugly cross-section, the book makes readers feel, “for the moment, with a little sick feeling, if all women are like the one” that is studied in the book. While it is disheartening to read that women might feel this way about the
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
The Awakening sheds light on the desire among many women to be independent. Throughout the novel Edna conducts herself in a way that was disavowed by many and comes to the realization that her gender prevented her from pursuing what she believed would be an enjoyable life. As the story progresses Edna continues to trade her family obligations for her own personal pleasures. This behavior would not have been accepted and many even criticize the novel for even speaking about such activities. Kate Chopin essentially wrote about everything a women couldn’t do. Moreover, it also highlights the point that a man is able to do everything Edna did, but without the same
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
Until the middle of the twentieth century, females were in an inferior position to males in all aspects of society. Women who wanted to deviate from the norm were often restrained by males and isolated in a sphere of society’s “perfectly submissive housewife”, a stereotype which women of the world eventually shattered. Kate Chopin accomplished this through her realist piece, The Awakening.
Kate Chopin's novella, The Awakening. In Kate Chopin's novella, The Awakening, the reader is introduced into. a society that is strictly male-dominated where women fill in the stereotypical role of watching the children, cooking, cleaning and keeping up with appearances. Writers often highlight the values of a certain society by introducing a character who is alienated from their culture by a trait such as gender, race, or creed.
Adele Ratignolle and Mademoiselle Reisz, the two important female supporting characters, provide the two different identities Edna associates with. Adele serves as the perfect mother-women in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps.
“The Awakening” is a courageous piece of literature work that demonstrates how civilization forced tremendously elevated expectancies for females and their hypothetical roles. Kate Chopin uses this novel to bring those “expected roles” to light. Edith Wharton also shows how this epidemic has restricted and impaired two of the protagonist in her story “Roman Fever”. During the time period that this book was written, in the early nineteenth century, this epidemic of forcing roles on women was widespread, and this altered the lives of these women in an abysmal way incessantly.
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence.
In The Awakening, Kate Chopin tells a story during the upbringing of the feminist movement, the movement was masked by the social attitudes entering into the 1900’s. She tells this story in the form of a novel, in which is told in a third person view, that is very sympathetic for Edna Pontellier, the protagonist. This is a review of the journey Edna takes in her awakening and evaluate the effectiveness this novel takes in introducing, continuing, and ending Edna’s awakening.
The 19th and 20th centuries were a time period of change. The world saw many changes from gender roles to racial treatment. Many books written during these time periods reflect these changes. Some caused mass outrage while others helped to bring about change. In the book The Awakening by Kate Chopin, gender roles can be seen throughout the novel. Some of the characters follow society’s “rules” on what a gender is suppose to do while others challenge it. Feminist Lens can be used to help infer and interpret the gender roles that the characters follow or rebel against. Madame Ratignolle and Leonce Pontellier follow eaches respective gender, while Alcee Arobin follows and rebels the male gender expectations during the time period.
The 1890’s were an era of rapid social change in regards to women’s rights. In 1893, Colorado was the first state granting women the right to vote with Utah and Idaho following soon after in 1896. This soon set momentum towards of ratification of the 19th Amendment in 1920. It was in 1899 the Kate Chopin published The Awakening, a novel telling the tale of a suppressed mother, Edna Pontellier, and her desire for something more in her life. Literary scholars consider Chopin’s The Awakening as a subtle yet effective portrayal of women of the late 19th century and consider it as an important piece of the feminism movement. Throughout the late 1800’s and early 1900’s, women had felt controlled by men and the demands society put upon them. Men had held a discriminatory view of women throughout this era, for they merely saw women as property. Women were expected to bear a man’s child, care for the child, and watch over the household while the man was away. The Awakening was an eye-opening novel in that it challenged the social structure of the time in which men dominated society. This novel showed the discriminatory view of women and treatment of women. The novel also does a great job in showing the dissatisfaction in the women’s lives, particularily through the actions of Edna Pontellier. Due to society’s expectations, women were not allowed to pursue their psychological or sexual drives, for it was scorned by society. Edna pursues these drives as she eventually cannot tolerate her way of living. In The Awakening, Chopin’s use of three characters, Edna Pontellier, Adele Ratignolle, and Mademoiselle Reisz, exemplifies the accepted roles of women in the late 19th century.
Bryfonski, Dedria, ed. Women's Issues in Kate Chopin's The Awakening. Farmington Hills, MI: Greenhaven, 2012. Print.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
In it they find a forerunner of Liberation. Though The Awakening has a similar path with Madame Bovary of Flaubert, it doesn’t share a lot with that amazing precursor. Emma Bovary awakens tragically and belatedly indeed, but Edna only goes from one reverie mode to another, until she frowns in the sea, which represents to her mother and the night, the inmost self and death. Edna is more isolated in the end than before. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. In The Awakening, the protagonist, thus Edna, is a victim because she made herself one. Chopin shows it as having a hothouse atmosphere, but that doesn’t seem to be the only context for Edna, who loves no one in fact- not her husband, children, lovers, or friends- and the awakening of whom is only that of