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Test of the d'urbervilles thomas hardy critical analysis
Hardy's vision of human tragedy in tess of the d'urbervilles
Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles
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Tess of the D’Urbervilles by Thomas Hardy was written and set in late nineteenth century England. The Victorian Era was a time of great change, as England’s economy was making the transition from agricultural-based to industry-based. This period of modernisation led to the examination of traditional ways of thinking and the scrutiny of many foundations of English society such as, class divisions, religion and gender roles. Hardy uses the characters and events in Tess of the D’Urbervilles to make comment on his world. Through his work, Hardy particularly demonstrates a moral sympathy towards England’s lower classes. Hardy became famous for his compassionate and often controversial depiction of young women victimised by the sanctimonious strictness of English social morality, which is illustrated through the novels protagonist Tess. (Context, 22/05/14)
Hardy uses characters who step outside their socially accepted class norm to express society’s changing moral standards. The Durbeyfields are important in describing the way in which social classes were no longer valued to the same standard, as they were in the Middle Ages. Tess Durbeyfield, who possesses an education that her unschooled parents lack, did not quite fit into the traditional rural culture of her ancestors. Her diction is better than her mother’s yet not quite up to the same standard as Alec or Angel’s, showing that she is on the verge both socially and culturally. Hardy uses Tess in this way to represent the indistinct and unstable notions of class in nineteenth century England. In the Victorian Era, old family lines were dying out and discounted. Sheer wealth became more important than lineage or inner nobility. This explains how Simon Stoke, Alec’s father, was able...
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...er a female (Themes, Motifs and Symbols, 25/05/14).
Hardy has also expressed male dominance in the Victorian Era using the relationship between characters Tess and Angel. Hardy particularly seems to criticize the concept of double moral standards (Why Should I Care, 28/05/14). This can be seen when Angel, ignorant of her past, likens Tess to ancient Greek goddesses calling her ‘Artemis’ and ‘Demeter’, due to her physical beauty. He also states that he believes to be a fortunate man to have her as his own. However, as soon as he learns of Tess’s loss of virtue during their confessions Angel is unwilling to forgive her and even asks her, “how can forgiveness meet such grotesque – prestidigitation as that!” (Hardy, 1981, p.228). This reflects that social bias towards chastity has been formed to the advantage of men, where their forgiveness comes at a minimal cost.
This universal principle, relevant throughout time, is portrayed through the characterization of Darcy in ‘Pride’. The difference in class, landed gentry compared to middle class, remained a vital factor in Darcy’s behaviour and way of living. The use of verbal irony when Wickham comments, “He (Darcy) was to be above all company, in having been unworthy to be compared” and Mrs. Lucas implying that “With family, fortune, everything he has the right to be proud”, demonstrates the separation created through the class barriers. Austen challenges these social class barriers through satirically implementing the unorthodox unions of Darcy and Elizabeth in her novel, in defiance of the ironic social dichotomy (CHANGE) “Your alliance will be a disgrace, YOU(R) name will never be mentioned by any of us”. The characterization of Darcy also emphasises the importance (Over the top/ruling) of stratification, being at utmost importance and over ruling other positive assets in life such as love, relationships, freedom and being ‘happy’ – “Could you expect me to rejoice in the inferiority of your connections… whose condition in life is so decidedly beneath my own?” showing the importance aspect of Regency England and its relevance to the modern world.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
“If women are expected to do the same work as men, we must teach them the same things.” The famous Greek philosopher Plato once said this, and society still has not fully fathomed this idea regarding gender equality. Fahrenheit 451 is a novel written by Ray Bradbury, set in a dystopian society. It touches on censorship, individuality and technology dangers, but the most prevalent recurring theme is based on gender roles and stereotypes. In the story, Guy Montag is a firefighter, whose sole mission is to burn books and any houses that contain them. Everything changes when he meets a young and insightful girl, Clarisse, who changes how he sees the world. Montag’s wife Mildred, is a housewife not only to him, but to an entirely fake family composed
The community and her unsupportive parents’ cold treatment towards Tess following these events emphasize the hegemonic male perspective of society towards women. Furthermore, Hardy shows how women are seen by society through the male gaze as sexual objects, as Tess is blamed for Alec’s lack of self-control. He attempts to justify his cruel actions as he calls Tess a “temptress” and the “dear damned witch of Babylon” (Hardy 316), yet he later says that he has “come to tempt [her]” (340). Tess is also objectified by Alec when he says that if Tess is “any man’s wife [she] is [his]” (325). The narrator’s repeated sexualized descriptions of Tess, such as her “pouted-up deep red mouth” (39), further demonstrate how women are commonly seen through the male gaze in society.
In addition to gender roles, social classes were incredibly important in Victorian life. The typical woman’s life was framed mostly by her interactions with men of equal social standing. For Vivie, this means the middle class. Because the prototypical Victorian woman was most common in the middle class, a New Woman like Vivie encountered resistance to her way of life. The resistance was often passive, though, a result of men who are unable to comprehend a more independent woman. Mr. Praed is a f...
Nathaniel Hawthorne’s ‘The Scarlet Letter’ was considered by many as the controversial novel of its time, given its themes of pride, sin and vengeance. It was also set in a time when very few were thinking about the equality of of men and women, but Hawthorne managed to bring gender-based inequality to light through the novel’s male-dominated Puritan setting and by reversing the gender roles of characters, such as Hester Prynne and Arthur Dimmesdale.
Tess, the protagonist and heroine of Hardy's novel, becomes a victim of rape and in turn, her life grows to become degraded, humiliating and depressing; of which none of these things she deserves. Although initially striving to be heroic and providing for her family, (after she was responsible for the death of Prince) the position she takes on at the d'Urbervilles' ultimately leads to her death as she is raped and then pursued by her seducer Alec d'Urberville until she must murder him. This courageous yet dangerous decision to murder Alec epitomises her character as a heroine as she is brave enough to perform such a malicious act in order to kill her suffering at the root rather than being passive and perhaps choosing to take her own life instead.
Tess' two "choices" as her husband, Alec d'Urberville and Angel Clare, hold many of the patriarchal stereotypes of the Victorian Age, chasing Tess as more of a metaphorical piece of meat than a passionate lover. As their secrets are revealed on their wedding night, it becomes harder and harder for Angel to love Tess, seeing her as "another woman in your shape" (Hardy 192). The author, at this point in the relationship between Tess and Angel, perfectly exemplifies the values and culture of the Victorian age. Though both Angel and Tess are guilty of the same misbehaviors in their pasts, Angel believes that "forgiveness does not apply to [Tess'] case" (Hardy 191). Under the reign of Queen Victoria, the role of men in sexual relations was strictly reproductive, and the sex act was considered a release of helpless energies, basically holding no sins of love or conjugal travesties. For women, however, it was a softer, more passionate act, meaning more of the love than the fertilization, and emotionally pulling the sex partner too close to just scoff the happening off and move on with life (Lee 1). Such conflicting views in the perspective of sexual intercourse make it nearly impossible for Angel to "forgive [Tess] as you are forgiven! I forgive you, Angel" (Hardy 191). Jeremy Ross also believes that Hardy "abandoned his devout faith in God, based on the scientific advances of his contemporaries" (Ross, Jeremy 1).
Tess of the d'Urbervilles Through life people may fault, or get on the wrong side of the tracks. Yet hopefully they keep faith and then willingly they may recoup and redeem themselves by recovering. Many believe that, Tess in, Tess of the d'Urbervilles was a great example of this. In Hardy's Victorian age novel, Tess of the d'Urbervilles, he illustrates casual wrong, the will to recover, the growth of love, and death. Almost everybody has done something casually wrong and not think much of it, many call this indifferent nature.
The nineteenth-century woman was defined by her adherence to submission and resistance to sexuality. She was portrayed by most writers as a naive, accepting figure with strong concerns about living up to the prescribed societal ideals for a respectable woman. The women in Jane Austen's novels offer a clear representation of the nineteenth-century woman. Austen refuses these women any sexual expression and focuses more upon their concern with marriage and society. Thomas Hardy resists Austen's socially accepted depiction of the female with his radically independent heroines.
...cept her. ?Unadvisable? gives the impression that Angel does not really care one way or another. All of this is unfair to Tess, as Alec?s decision to rape her was not her fault in any way. Also, Angel?s sexual history is more promiscuous than Tess?s, and yet he sees only her flaws. Hardy uses specific word choices and diction to thoroughly inform the reader of the injustice of Tess?s circumstances.
It is said that a man should not marry a woman that he can live with but instead with a woman he cannot live without. Although this statement may hold true for some relationships, it does not pertain to the marriage of Tess and Angel in Thomas Hardy’s Tess of the d’Urbervilles. Although Tess and Angel are married, they spend almost the entirety of their marriage separated from each other with no communication. As a modern reader, it is difficult to relate to these parts of the story. Nowadays, would a man leave his newly wed wife for over a year? More than likely this would never happen, but the themes of marriage in Tess of the d’Urbervilles are still very relevant to modern relationships. Today people still rush into marriage and believe that marriage will fix all just like in Tess and Angel’s situation. People also still utilize marriage a resource for
e may feel that the choice has been taken away from her and it is a case of survival. Hardy has a strong sense of accidental, coincidental, fate and bad luck. However it is trying to decipher which events are what. For example there are hints that Tess preordained to be murderess, and early in the story, when Prince dies, “Her face was dry and pale, as though she regarded herself in the light of a murderess.” I believe that many actions that took place in her life were not always bad luck were not always fate but just the path that she led.
Hardy’s novels are ultimately permeated upon his own examination of the contemporary world surrounding him, Tess’s life battles are ultimately foreshadowed by the condemnation of her working class background, which is uniquely explored throughout the text. The class struggles of her time are explored throughout her life in Marlott and the preconception of middle class ideals are challenged throughout Hardy’s exploration of the rural class. Tess of the D’Urbervilles revolves around Hardy’s views of Victorian social taboos and continues to be a greatly influential piece from a novelist who did not conform to the Victorian bourgeois standards of literature.
...y a set of expectations and values that are established on mannerisms and conduct challenged by Elizabeth. From this novel, it is evident that the author wrote it with awareness of the class issues that affect different societies. Her annotations on the fixed social structure are important in giving a solution to the current social issues; that even the class distinctions and restrictions can be negotiated when an individual turns down bogus first impression s.