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Women's role in ancient societies
Women's roles in ancient civilizations
Gender in the classical greek society
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The plays Antigone and Lysistrata contain aspects that can represent similarities and differences. In these plays, the protagonists are women, Lysistrata, and Antigone, who are both resilient and courageous women who challenge the gender roles of their time. However, one aspect that makes these plays different from each other is the communicated thought of who is exactly is the proper woman. In the time period of when these two plays were written, women basically had no basic rights they were to follow proper concepts expected of a woman of that age. Nevertheless, in these plays when these roles were challenged, one ended tragically while the other ended with expected results and it’s of course, because each of the protagonists took different …show more content…
In this case, in Antigone, Antigone saw that it was time to challenge these roles when it came to her family. Even when her brother, Polyneices, betrayed Thebes he had to have a proper burial because not only is that her brother, but the Gods she worshipped decreed that everybody had to have a proper burial. The problem is that Creon who is now king felt that Polyneices didn’t deserve a proper burial for betraying Thebes. So, he declares that it is unlawful for Polyneices to receive a proper burial. Because of the king’s proclamation of denying Polyneices the proper burial, Antigone rashly states, “Yes. I’ll do my duty to my brother— and yours as well, if you’re not prepared to. I won’t be caught betraying him (Sophocles, p. 4).” This presents how Antigone took the conscious decision to disregard the king’s orders and honor her brother who is a traitor, which is very ironic in itself. Antigone essentially tries to rationalize her crime by saying that she is honoring the Gods commands and honoring her brother though she might have awaiting charges. She forces herself to believe that she will be the one to die with honor because she believes that what she is doing is right where she says, “So leave me and my foolishness alone—we’ll get through this fearful thing. I won’t suffer anything as bad as a disgraceful …show more content…
In Antigone, Sophocles demonstrated what it is meant to be a proper Athenian woman, in this case, Antigone isn’t the proper Athenian women because first of all she is challenging a man and not only is Creon a man but he is also the king. Creon proclaimed that Polyneices isn’t deserving of a proper burial thus banning giving Polyneices that burial. Antigone isn’t willing to accept this, so she comes up with a plan without thinking of the impending consequences. In addition, she tries to persuade her sister Ismene in aiding her in which Ismene declines. In this situation, Sophocles communicates that Ismene is the proper Athenian woman since she isn’t committing treachery against the government and she follows the king’s proclamation. Since Ismene didn’t follow through with Antigone in burying their brother, Ismene ends up living. In contrast, in Lysistrata, Aristophanes communicated that a proper woman stands by her community and even though Lysistrata went against the implemented gender roles, she and the other women came together to help the city of Athens. Even if there was a chance of physical abuse or rape the women were willing to do anything to have their men away from war and at home with them. I personally believe that here Aristophanes is agreeing with Sophocles, but then again disagreeing with
Captivatingly, both women act daringly, regardless of the culturally constructed labels as women, products of incest and wickedness. They use their “otherness” as a power mechanism, rather than an excuse to passivity. In conclusion, Elphaba and Antigone challenge conventional roles of gender, as they are strong, courageous figures of rebellion and exemplify a lack of traditional gender normativity.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Antigone decides to betray Kreon’s law in order to honor the gods and their greater law. She says “you [Kreon], who are human/to violate the lawful traditions/the gods have not written merely, but made infallible,” defending her decision to bury the out-casted Polyneices because the law that prohibits it was not proclaimed by Zeus. When Kreon asks Antigone why she honors Eteokles (her other brother who also dies in the battle in Thebes) and Polyneices equally, she responds “Death is a god/who wants his laws obeyed,” corroborating the motive of why she upheld divine law over Kreon’s law (Sophocles 41). Even Haimon, Kreon’s own son and Antigone’s betrothed, supports Antigone by saying “the gods implant intelligence in humans/…that is the supreme one” (Sophocles 48). However, Antigone’s superior motive in giving Polyneices an honorable death is love. While conferring her plan with her sister, Ismene, Antigone tells her “He’s my brother an yours too/ and whether you will or not, I’ll stand by him,” indicating her love to her brother (Sophocles 22). In addition, Antigone is most direct with her intentions when she says “I am different. I love my brother/and I’m going to go bury him, now” (Sophocles 24). After Kreon asks Antigone why she dared to break his law, knowing the repercussions, she expresses that “if I had left my own brother stay unburied/I would have suffered all the pain I do not feel now,” further denoting her unwavering devotion to Polyneices even during her own conviction. Richard Emil Braun, an highly praised writer, also believes Antigone’s primary motive to bury her brother was love, as he says “The second burial of Polyneices shows that Antigone…did the deed, and not for money, but for love…Antigone was prompted by her love to fulfill a religious duty.” Civil disobedience to Antigone is
In the play, Antigone, two brothers are killed in battle. One of them, Polyneices, is considered to be a rebel by the new ruler of Thebes, Creon. The corrupt and prideful king, Creon, created an edict that states that nobody could bury Polynices’s body because he was a traitor to Thebes and his family and denies the sanctification and burial of Polyneices's body because of his rebellion and intends to leave him to become the meal of wild animals. Polyneices's sister, Antigone, defies Creon by giving her brother a proper burial, no matter the consequences. Both King and Antigone sought to do what they thought was the right thing to do, even if it was against the law. Though King and Antigone are two completely different people from two completely different times, they were actually quite similar in that they both were minorities at a disadvantage, and lacking power and credibility among those in control. King and Antigone both fought for injustice and what they believed in, however, not necessarily in the same
Women of any society always have had a different role to play than that of men. Psychologically, a woman is to find a mate in order to bring healthy offspring into the world. Conservative thinking tells women to cook, clean, take care of the family, and to perform other miscellaneous domestic chores. Yet, Sophocles also defines the place of a woman in his tragedies: Oedipus the King and Antigone. Women were respected as very powerful and dignified individuals, but at the same time were forbidden to meddle with the affairs of men as they, figuratively, were to stand behind men at all times. The mother and daughter combination of Jocasta, the typical Greek aristocrat, and Antigone, a strong-willed woman who defies her sex role, opposing each other in almost every aspect, clearly portrays the different lives of women at the time of these Greek tragedies.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Having already been through public disgrace, when her own father, Oedipus found out that he was to fulfill a prophecy; he would kill his father and marry his mother, and this caused Antigone to be full of resentment toward her city. Both of her brothers die in a battle and, Creon, the king of Thebes forbids the burial of one of her brothers, Polynices. This must have driven Antigone to follow her moral law. Considering the love she had for her family as well as her God, she felt that you react upon morals not upon the laws of man. That morale law was to honor her brother and give him the respectful and proper burial that he deserved just as her other brother was given. The love she had for her family was the only thing she had left to honor. Ismene, Antigone’s sister was more fearful of the king’s law then the way her heart was leading her. Her values were slightly distorted.
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
Antigone welcomed death at the time of burying her brother; she was not concerned with the consequences. She saw her actions as being true to the gods and religion. “I myself will bury him. It will be good to die, so doing. I shall lie by his side, loving him as he loved me; I shall be a criminal but – a religious one.” (Antigone, lines 81-85) To Antigone, the honor of her brother, and her family was all that was important. She may be going against Creon, but if her actions were true in her heart then the gods would see her in a good light.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Greek tragedy incorporates female characters that symbolize women in Ancient Greece. Through the portrayal of Antigone in the playwright, Antigone in Antigone by Sophocles and Penelope in the epic poem, The Odyssey by Homer, these two women play opposing roles depicting how they appear to society through their actions. In both of these stories, they embody the ideals of passionate women who are very loyal and brave. Through other female characters in each story such as Penelope and Ismene, we can construct a better view of traits illustrated by Antigone and Penelope.
Antigone risks her own life to bury her brother, therefore, she goes against Kreon’s edict that Polyneices should be left unburied; she believes Polyneices deserves to reach the afterlife. Antigone tells Ismene, “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (Sophocles 23). Antigone is willing to risk her own life by disobeying the king’s authority; She stands up for her religious belief that Polyneices should be buried. Kreon tells Antigone before she takes her own life, “I won’t encourage you. You’ve been condemned” (Sophocles 57). Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th...
In Antigone, her brother Polynices, turned against his own city by attacking his own brother just so he could become king. On this day, both brothers died. One, Eteocles, was given funeral honors, but the other, Polynices, was not. This decision was made by Creon, Antigone’s uncle and the current King of Thebes. Creon said “He is to have no grave, no burial, no mourning from anyone; it is forbidden.'; (Pg. 432; l. 165) He also announced that anyone who should attempt to bury him would be put to death. After hearing this decision, Antigone said that Creon couldn’t do that and that the Gods would want Polynices to have a proper burial, therefore Antigone promised to her sister Ismene that she would be the one to defy Creon and bury her brother; and she didn’t care if the whole city knew of her plans. After being caught in the act, she was taken to the palace and when asked by Creon why she did it. Knowing the punishment that would come from it, she replied by saying that she didn’t think Creon had the power to overrule the u...
Aristophane’s Lysistrata is a flawed classic filled with the power struggle between man vs. woman. It is entirely focused and written from the male perspective, in which male-privilege dominated and disregarded the women’s outlook entirely. This “classic” is full of misogynistic perspectives, and should be disregarded as a great piece in Athenian literature.
The play was considered comic by the ancient Athenians because of its rhyming lyricism, its song and dance, its bawdy puns, but most of all because the notion and methods of female empowerment conceived in the play were perfectly ridiculous. Yet, as is the case in a number of Aristophanes’ plays, he has presented an intricate vision of genuine human crisis. In true, comic form Aristophanes superficially resolves the play’s conflicts celebrating the absurdity of dramatic communication. It is these loose threads that are most rife with tragedy for modern reader. By exploring an ancient perspective on female domesticity, male political and military power, rape, and efforts to maintain the integrity of the female body, we can liberate our modern dialogue.