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Women portrayal in movies
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Women portrayal in movies
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While neither Machiavelli’s The Prince nor Shakespeare’s Henry V focus explicitly on gender roles, they both make assumptions and implications sufficient to illustrate their opinions about the nature and place of women in relation to men. In Machiavelli’s The Prince, men and women are depicted in traditional gender roles with women as tricky and unreliable, but ultimately yielding to men who are portrayed as tough and immovable. Shakespeare’s Henry V acknowledges these ideas, but also portrays women as able to influence events within the small domain they are given. Throughout The Prince Machiavelli gives definite instructions as to how a prince should and should not behave which often conforms to the traditional image of men as being tough …show more content…
Though she is a successful inn owner, she marries Pistol and in doing so gives up her autonomy as demonstrated when her husband commands her to “let housewifery appear” and “keep close” in his absence (Henry V 2.4.62). Subjugating herself to the will of her husband appears to conform to the inferior societal role of women found in The Prince. However, it is also clear that she has much more guile than subservience when it is revealed that she was “troth-plight” to Nym and “did him wrong” in marrying another (Henry V 2.1.20-21). This too seems to conform with Machiavelli’s notion that women are flighty and deceptive, “devils incarnate” (Henry V 2.3.32-33). However, it also brings up an important point: Mistress Quickly actually had a choice and she made it of her own free will. Though the exact reasons for her choice to marry are unknown, there is no mention of love or any strong emotional attachment regarding her apparently swift change of partner. This indicates that Mistress Quickly chose, not out of irrationality and a desire for chaos, but out of prudence, a quality associated with great men in The
Machiavelli believes that a government should be very structured, controlled, and powerful. He makes it known that the only priorities of a prince are war, the institutions, and discipline. His writings describes how it is more important for a prince to be practical than moral. This is shown where he writes, "in order to maintain the state he is often obliged to act against his promise, against charity, against humanity, and against religion" (47). In addition, Machiavelli argues that a prince may have to be cunning and deceitful in order to maintain political power. He takes the stance that it is better for the prince to be feared than loved. His view of how a government should run and his unethical conduct are both early signs of dictatorship.
Niccolò Machiavelli was a man who lived during the fourteen and fifteen hundreds in Florence, Italy, and spent part of his life imprisoned after the Medici princes returned to power. He believed that he should express his feelings on how a prince should be through writing and became the author of “The Qualities of a Prince.” In his essay, he discusses many points on how a prince should act based on military matters, reputation, giving back to the people, punishment, and keeping promises. When writing his essay, he follows his points with examples to back up his beliefs. In summary, Machiavelli’s “The Qualities of a Prince,” provides us with what actions and behaviors that a prince should have in order to maintain power and respect.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
(652) and those who do realize what the Prince is, dare not tell, for the Prince has the power of the masses to protect him. Machiavelli, in a sense, describes how to live, successfully and prosperously, by dealing with the human?s nature. He details how one is to manipulate
Gauss, Christian. Introduction. The Prince. By Niccolo Machiavelli. Trans. Luigi Ricci, revised by E.R.P. Vincent. New York: Signet Classic, 1999:7-32
Although Machiavelli gives numerous points on what it takes to excel as a prince, he also shows some raw examples of how he feels a prince should act in order to achieve maximum supremacy. First, when he says, "ought to hold of little account a reputation for being mean, for it is one of those vices which will enable him to govern" proves Machiavelli feels mighty adamant about his view that being mean will help a prince achieve success (332). It is absurd to imagine the meanest prince as the most successful. Also, when Machiavelli states, "our experience has been that those princes who have done great things have held good faith of little account, and have known how to circumvent the intellect of men by craft" revealing his attitude to manipulate people into fearing and respecting the prince (335). Also, Machiavelli shows that for a prince to be successful, he must not think about good faith.
Machiavelli?s model for his ideal prince was Cesare Borgia, also known as Duke Valentino and son of Pope Alexander VI. He believed Cesare Borgia possessed all the qualities of a prince destined to rule and maintain power in his state. He believed that politics has a morality of its own. There is no regard of justness or unjustness, of cruelty or mercy, of approval or humiliation, which should interfere with the decision of defending the state and preserving its freedom. Therefore, the ruler/prince's single responsibilit...
The most astounding aspect of The Prince is Machiavelli’s view that princes may indeed, be cruel and dishonest if their ultimate aim is for the good of the state. It is not only acceptable but necessary to lie, to use torture, and to walk over other states and cities. Machiavellianism is defined as “A political doctrine of Machiavelli, which denies the relevance of morality in political affairs and holds that craft and deceit are justified in pursuing and maintaining political power (Def.)” This implies that in the conquest for power, the ends justify the means. This is the basis of Machiavellianism. The priority for the power holder is to keep the security of the state regardless of the morality of the means. He accepts that these things are in and of themselves morally wrong, but he points out that the consequences of failure, the ruin of states and the destruction of cities, can be far worse. Machiavelli strongly emphasizes that princes should not hesitate to use immoral methods to achieve power, if power is necessary for security and survival.
William Shakespeare is known to be the greatest writer in the English language, and till this day Shakespeare upholds the title of being the start of English literature. Something every reader has possibly observed is how Shakespeare portrays women. The majority of William Shakespeare’s plays objectifies women and in some ways shows his underline feelings towards women, and their roles in society. This is clearly shown through out Shakespeare’s play ‘Othello’. The society of Othello is completely controlled by men who are the military and political leaders of their homeland. Furthermore women are seen as powerless second-class citizens, who are in place for nothing more than to serve their men. But the horrendous actions and intense downfall of the men in Othello show how men are not nearly as authoritative and powerful as they seem. The boldness of the female characters proves that they are much more capable of just serving. Furthermore, by the end of the play, I admit the men of Othello are not the ones who perform courage and power instead; this title is given to the women in the play.
Machiavelli discusses assertive and bold ideas in “The Prince,” revealing his radical and courageous nature. His treatise is deceptively self-soliciting, because he disguises his extreme notions behind a veil of feigned expertise. His frank approach makes him appear confident and deserving of the utmost respect; however, he cautiously humbles himself by pouring immense flattery for the ruling prince into his work and, in doing so, assures protection for himself and his notorious ideas.
Machiavelli’s advice to princes directly correlated to his view on human nature. He believed that every common man was born evil and selfish. That did not stop him, however, from saying that humans many show instances when they exhibit generosity and wholeheartedness. He does tell princes, however, not to count on the few occurrences that may happen, and he says, “It is necessary to be a prince to know thoroughly the nature of the people, and one of the populace to know the nature of princes”. He is saying is that it is imperative that a prince knows the natural human nature, that each and every human will become more self-interested than interested in the good of the state. If he is ignorant to that fact, his kingdom/area of rule will deteriorate simply because he believes in the citizens that occupy it. He does believe, however, that with the right training, a human being can be molded (with the help of the state, of course) and he says, “Nature creates few men brave, industry and training makes many.” Although he believes that people cannot change themselves for the good, he does think that the state and military can shape humans for the better, but there will always be
In The Prince, Machiavelli attempts to completely decouple the actions of a good ruler from personal ethics. Machiavelli begins to do this by first establishing what he believes human nature to be Machiavelli argues that numerous traits that are innate among humans. Among these, Machiavelli argues that people are generally self-interested, but that their affections for others can be won and lost. They tend to remain happy so long they avoid affliction or oppression. He also argues that they might be trustworthy in prosperous times, but they can turn selfish, deceitful, and profit-driven in adverse times. They admire honor, generosity, courage, and piety in others, but most do not pursue these virtues in their own life. Finally, Machiavelli argues that ambition is found in those who have achieved some power, but most common people are satisfied with the way things are and therefore do not yearn to improve on the status quo. People will naturally feel obligated after receiving a favor or service, and this bond is usually not broken capriciously. Nevertheless, loyalties are won and lost, and goodwil...
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
Machiavelli illustrates several key points in what it takes to be a "successful" Prince. In chapters 5-10, Machiavelli is giving us a true image of the coldhearted reputation he has carried throughout the years. He explains his ideas on taking over a "free" state or republic and how to conquer and rule with the peoples loyalty and respect.
In his novel, Othello, he uses the courage of the women in his literature to depict how women should be treated, and to contrast from how little respect they once obtained. The society in Shakespeare’s Othello is strongly dominated by men who were the political and military leaders of their homeland during the Elizabethan era. These men are expected to stay loyal to their reputations and to uphold the strong sense of character that earned them their positions in the first place. In contrast, during the Elizabethan period of time women were viewed as weak second-class citizens and inferior to males, with their only job being to serve their men.