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Feminism in popular music
Depiction of women in rap and pop songs
Depiction of women in rap and pop songs
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The song “Hey Mama” written by David Guetta and sung by Nicki Minaj, has a happy electro-house beat that makes people want to dance and sing along. What a person first sees when watching the music video is DJ Guetta, in the desert with some other people walking towards a box. As soon as he opens this box, Nicki Minaj, the rapper, starts singing. The lyrics Minaj sings are surprisingly sexist and can be off putting to the audience. David Guetta’s and Nicki Minaj’s song “Hey Mama” harks back to the time of socially established gender roles, gender exploitation, and gender inequality, which today’s society has been trying to combat.
In David Guetta’s and Nicki Minaj’s song, the old idea of established gender roles is evident despite being a song written in 2015. The lyrics, entirely sung by Nicki Minaj, are written by Guetta, fail to spread a positive message to the younger generation. This song sends a message that is close minded and chauvinist. The idea that
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Minaj is idolized among the teenage demographic and she sends them a negative message that goes against the fight for gender equality by singing this song. In 2016 we are still a long way from completely eliminating gender inequality. However there are positive role models like Nobel Prize winner Malala Yousafzai, a Pakistani teen who is an activist for female education, “she’s given millions of girls . . . the opportunity to obtain an education and empower a future greater than caring for a household.” (Schemmer). With the help of activists like Malala and society slowly progressing, little steps are being made, and one day, gender equality will be a reality for everyone. Artists have the great opportunity to be heard by huge masses to educate and spread positive messages to improve our society, especially when the society is in an everyday fight to reach a milestone as the one of gender
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Throughout the emotional lyrics of Tupac Shakur’s song “Dear Mama”, he constantly reveals trial and tribulation. Shakur sympathetically expresses the obstacles he endures due to the undying support of his mother who displays sacrificial love. He explains the abnormal circumstances in which his family undergoes such as poverty, single parenting, and even feelings of hopelessness. Shakur characterizes his mother as a heroic figure, who outshines the negative aspects of his life by providing the essentials only a mother could both physically and morally instill in her child. The artist brilliantly captivates his audience by revealing personal information from his childhood in which many can relate to.
Mclune (2015) is an African American woman who is opposed to sexism on black on females in the hip –hop culture and wants this nonsense to come to an end once and for all. As a Black lady, Mclune (2015) voices and reveals her angry and frustration in her article. Mclune (2015) discusses how black women are frowned upon by hip-hop male singers in the music industry and the affects this has on the women. The hip-hip male singers do this by showing black women as
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
It leads toward the development of women’s presence and existence in the music industry. This song played a huge role in popular culture and music. Women started to get themselves involved in social media such as television and radio station to promote feminism. Popular culture was one of the site to reproduce gender inequalities. Women’s mind was stored with the idea of false image on femininity. “No more Miss America!” campaign motivated women to eliminate low class status by pleasing audiences with their body and appearance. (‘No more Miss America! [1968] (1970,
On the night of December 13, 2013 Beyoncé, released her fifth self-titled album on ITunes. The album caught many people by surprise because Beyoncé did not set a date for the album, nor did she use any promotion; she did release a video on her Instagram asking her followers if they “were ready”. The buzz spread through social media like a wild fire. With no promotion or no warning, Beyoncé album took the world by storm and made it for her audience and critics to take in the album and it contents. Many people loved the album for not only its catchy songs, but also the growth and “looser” conservative Beyoncé. On the other hand many people did not feel that her album was growth, but a way to catch up to the overly sexual generation. Beyoncé has always been aware of her sexual side, pop side, and feminist side; this has been documented through her four previous albums. Yet, a lot of people have questioned if Beyoncé a feminist because of the content of her newest album. In order to answer that a person must ask him or her self; what is a feminist, why some people believe she is feminist, why others do not believe she feminist, and whether or not Beyoncé think she is a feminist.
Despite its increasing popularity, hip-hop music often implements misogynistic ideals by portraying women as sexual objects or as helpless beings in need of savior.
There are many people who criticize rap music for its intolerance towards women and its effect on the youth of today, and those criticisms are warranted. Rap music has long had the “tendency to represent misogyny at its true best, capturing the essence of women in the oh-so-catchy rhymes of debased and objectified, crude animal forms” (Farooq 1). Rap music not only offers up ideas of disrespect towards women, but condones these actions! This music preaches using women as nothing more than objects of pleasure. In addition to the devaluing of society that misogynistic rap music promotes, the ideas presented in rap music are having a very negative effect on today’s youth. “Rap music and hip hop, with their particular emphasis on sex and demeaning depictions of women, were blamed for encouraging early sexual behaviour” (Rap Music Blamed 1). These lyrics are pushing sexuality onto children at a younger age each year. Everyone sees the pre-teen girls walking around the malls dressed up in mini-skirts and crop tops with more makeup than your average clown, drawing lewd stares from males of all ages. The over-sexualized attire and attitudes are the beginning of a self-destructiv...
The oppressive picture displaying the sexual objectification of women that most hip-hop artists paint while rapping can only be described as appalling. Many artists imply that a woman?s sole purpose is to gratify a man?s every sexual desire. For instance, ?Nelly?s ?Tip Drill? goes as far to portray scantily clad women as sexual appliances? (Weisstuch). Though Nelly is relatively mild when contrasted to other hip-hop artists, his actualization of women cannot be ignored. By calling women ?sexual appliances,? Nelly essentially promotes the idea that it is customary to view all women solely as sexual objects. Moreover, the generic ?sex appe...
Hip Hop a grass movement started in 1974 in the South Bronx in New York City. Created to end gang violence, a voice for the underrepresented minority. Rap music is critical to understanding the hip hop generation’s gender crisis, a crisis between sexes that allows African American males to blatantly disrespect African American women for the sake of the culture. The consistent referencing of African American women as ‘bitches’ and ‘hos’ and the hyper sexualization of their bodies is harmful to the African American community. These images instill that it is alright to represent black women in this nature, and harmful to the young girls who are intaking all these negative images. Harmful to both the perspective of young men and women Hip-Hop is like a pillar in the African American culture. It represents how each generation views themselves in this society and how they internalized these narratives. In this essay I will summarize the main arguments in Chapter 7 of Gender talk , discuss the creation and deconstruction on views
It has been played in many other countries and is listed in many major hit charts in those countries. It became one of her best-selling singles. Beyoncé has been singing about women’s independence since she was in the hit group “Destiny’s Child”. Many of her songs support women’s lifestyle and keep cheering up girls with her powerful and expressive vocals (Armstrong). In addition to her songs and lyrics, her beautiful appearance fascinates many female audiences and influences from teenagers to grown-ups as if she was a role model. A negative side of the video is that the video gives the impression that men are always to be blamed and women are always “victims” of the relationships, which is not
(Minaj, My Time Now) By relating herself and her own personal struggle to be accepted into her genre to other women who share similar struggles, she is positioning herself has role model. Her aspiration seems to be for women to look to her as an example, showing them that she was told she couldn’t succeed and doing so despite. Her example transcends the world of hip-hop and is relatable to all women seeking success in professional fields dominated by
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.
The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.