Gender Roles In Dracula By Bram Stoker

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Gender Roles during the Victorian era and in Dracula
In Bram Stokers novel Dracula, he portrays women as wanting to become a new woman. In 1897 this book was written, the Victorian age was about women becoming free. Women want to breakthrough the ideals that men had placed into them for years. All that they thought they could be were a child barrier or a housewife. Stoker projects women as different objects throughout his novel. There is the Pure woman, with no stains on her name or herself, and the impure women or the sex-crazed women. Bram Stoker also writes about the women that was once pure but now has a stain on her. When saying stain, it is meant to account for a women being impure or doing something to hurt her reputation, like being …show more content…

Men had this ideal of women always being the caregiver and needing to stay home to look after their kids. Women were not viewed as sexual creatures but as mothers. They did not have the rights of men and had only one place they needed to be, and that was at home. Men treated women as delicate flowers so they were protective of them. According to Emma Dominquez “the virgin and the whore the saint and the vampire: these two contradictory definitions of woman pervaded Victorian popular culture, haunting men’s imagination – and destroying woman’s lives.” (300) This is also a good interpretation of Bram Stokers Dracula because it shows how women were portrayed in the novel. These were two very different extremes and transitions. Two females from the novel made the transition between good and evil. Lucy and Mina, were these women. Lucy made the transition from saint to vampire which lead to her death. Mina made the transition from a virgin to a whore. Only after Draculas’ death was she later to recover from her vampire state; but she is now impure. According to Nancy Armstrong in the Journal Feminism, fiction, and the utopian Promise of Dracula she states
Feminist literary theory made a swift and telling intervention in the way of reading British fiction when it created a reader willing to consider what a female protagonist laced and how that lack could be satisfied. Feminist identified the feminine lack of terms of “agency.” By which they usually meant the authority enabling men to effect some kind of social change.

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