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Medieval Attitudes To Marriage The Canterbury Tales
Role of medieval women
What roles women play in medieval period and ow misgomy help distroy women postion in medieval period
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“Lie it or not, today we are all pioneers…The old rules are no longer reliable guides to work out modern gender roles” –Stephanie Coontz. The quote compares to gender roles, medieval to today and how they are changing, claiming we are a pioneers leading the wat in our ever changing culture. The historical gender roles defined by society, can easily be found in the first society, The wife of Bath. Where, through the initial descriptions as well as the later interactions among the pilgrims, readers learn about the places they occupy in medieval society. All of these interactions enable Chaucer to present insights within the story about practices and institutions in this time period; for example, his views of the clergy and church officials reveal
During the medieval ages, women were described as evil creatures that would destroy anyone standing in their way to get what they want. People claimed that women's malicious intentions clouded their judgment from doing the right thing forcing them to be selfish. In Chaucer's The Canterbury Tales and Malory’s The Death of King Arthur, both focus on women’s behavioral impulses through their dishonesty, manipulation, and their promiscuity.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
In Chaucer's The Canterbury Tales, a reader is introduced to a rather bizarre and heterogeneous group of people leaving for a pilgrimage. The Wife of Bath is the most interesting and lively character of the group. Her "Prologue" and "Tale" provide readers with a moral lesson as well as comic relief. The Wife's "Prologue" serves as an overture to her "Tale", in which she states a very important point regarding the nature of women and their most sacred desires. According to this character, women desire sovereignty, or power, over their men most in the world. This wish seems to be most appropriate for women of the time period in which Chaucer lived. However, women today no longer wish to dominate their men - sovereignty of women over men is not relevant in the twenty-first century. The reason is that women are no longer deprived of power and freedom.
Before the Middle Ages, women were societally submissive to male supremacy. As the Middle Ages progressed, one develops a sense that women sought a change in societal order. Upset that they are not able to share their beliefs due to their position, women began to become more vocal. In comparing two great poets Geoffrey Chaucer and William Shakespeare, one sees a connection in their most well known works. Chaucer's view on women, demonstrated by the “Wife of Bath’s Tale” and the Wife’s belief that all women desire sovereignty, is welcomed by William Shakespeare but not achievable by Hamlet’s female protagonists, Gertrude and Ophelia.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Berkeley: U of California P. 1992. Print. (Kennedy Library PR1928.W64 H36 1992)
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
The Virtue of Men and Women in The Canterbury Tales People never change. In every town you will always be able to find the "rich guy," the "smart guy," the "thief," and the "chief." It has been that way since the first man was swindled out of his lunch. Throughout his life, Geoffrey Chaucer encountered every kind of person and brought them to life for us in "The Canterbury Tales," a collection of short stories written in the 1300's. There are tales of saints, tales of promiscuity, tales of fraud, and tales of love.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Los Angelos, CA: University of California Press, 1992. Print.
Although society has advanced dramatically technologically, I feel that we still have a long way to go when it comes to how we view one another. It amazes me that in a society such as ours, that bases its existence on the equality of all people, that misogyny (as it occurred in medieval times) still takes place. A timeless example of misogyny is the objectifying of women, which suggests that a woman's sexual beauty is her only worth. In dealing with this misconstruction, some women, as in the case of Bercilak's wife in "Sir Gawain and the Green Knight" and Alisoun in "The Miller's Tale" from The Canterbury Tales, use their sex appeal to deceive, lure, and, manipulate men. A small part of me shamefully admits that I respect, and even appreciate, the way in which a woman can outsmart a man by entertaining his sexist views; however, as a whole, I strongly feel that if a woman uses her sexuality for her own advancement, then she is contributing to her own misogyny.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This is shown in the disappearance of the rape victim and the happy ending for the Knight. While the overall story is one of supposed feminism shown through women's empowerment, there are many aspects of "The Wife of Bath" that are anti-feminist in nature.
All through Canterbury Tales, women are dealt with as objects in everyday life. In the “Miller’s Tale,” an old man marries a younger, attractive women for her looks. In the “Wife of Bath’s Tale,” a virgin woman has her virginity and innocence taken from her by what is suppose to be a noble and honorable knight and when his punishment is later to marry an older, less attractive women, all respect for his newly wife vanishes. A woman’s level of recognition in Canterbury Tales are through her class in society, whether she is young and beautiful, or old and disgusting, and her degree of experience in life. Women are not desired for their intelligence, wisdom and capabilities which might of kept a relationship deceitful-free. The “Wife of Bath’s Tale” had a perfect example of how a man should treat his wife and how there was more to wealth, beauty and a man’s own selfish needs from a woman. The outcome for the men in Canterbury Tales for their poor decisions were ones they had no idea were coming.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Expectations are either set high or set low; and everyone who’s a part of society chooses to meet, exceed, or ignore those expectations. In the prologue of The Canterbury Tales, author Geoffrey Chaucer creates a diverse group of characters who are involved in several different roles of society. Throughout the prologue Chaucer humorously describes each person, and their position in their society and how they live their life; whether that be the way that is expected of them or not. Chaucer satirizes characters in the prologue by using exaggeration, hyperboles, irony, and imagery to represent through them the choices that different people make based on the expectations of society.