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The role of the woman in literature
The role of the woman in literature
Dracula gender roles essay
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“Of all the evils for which man has made himself responsible, none is so degrading, so shocking, or so brutal as his abuse of the better half of humanity; the female sex,” Mahatma Gandhi. In the novel Dracula by Bram Stocker there is an abundance of evidence that suggests that the female characters are treated differently than their male counterparts. This is significant because women are constantly being taken advantage of and are constantly being looked over and conventionalized to less than they are capable of. In this essay, there will be an investigation into the gender roles of men and women and how it affects the overall outcome of the female character. It will apply the research of the female character Mina and her journey throughout …show more content…
The first scene demonstrates the raw male power over women in this period. In this scene, Mina is sent to bed because she is “too precious to [the men] to have such risk. [They] are men and are able to bear” (281) Mina is being pushed aside because of she is thought of as fragile, nevertheless she breaks through her mold as a woman and wants to help take action against Dracula even after hearing that she is unable to handle the severity of the …show more content…
Mina knew that they were making the wrong decision, “but their minds were made up, and, though it was a bitter pill for [her] to swallow, [she] could say nothing” (281). Mina knew that it was not a favourable idea to be shut out and be left alone, still she did not want to speak up against the men. Even though she had just aided the men in collaborating with them showing she has the knowledge, Mina is pushed back into the stereotypical role of a woman being too weak and not being able to handle the truth, the men saying that “it is too great of a stain for a woman to bear” (293). Despite Mina being a woman she is certainly strong and able to take care of herself and he true potential is being hidden.
As a result of Mina not knowing any better than she has been taught, she eventually convinces herself that what the men are saying must be right because “they all agreed that it was best [for her] not be drawn into [the] awful work” (296). Ultimately these actions contradict the whole purpose of excluding Mina is allowing Dracula effortless access to Mina. While mina has been left alone, Dracula take advantage of Mina making her impure. As men belittle women they throw away the chance for self expression, and silence the voice of women, ultimately making the wrong
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
Science has proven that anatomically, women’s physical strength is generally less in comparison to men’s enhanced muscularity. This anatomic disadvantage that women suffer has led to negative stereotypes of gender. Women are considered weaker, or less intelligent than men based on an impression that women are minuscule in comparison to men. In the novel Dracula, Bram Stoker sheds light on gender inequality, establishing that not all women are inferior to men, in fact, they should be seen as equals. Notably, Stoker reveals society’s ambivalence to women’s fortitude by providing an abundance of Victorian gender stereotypes and their inaccuracies throughout the novel. In addition, Stoker downplays female cliché’s, disclosing that women
The best quote in the entire book ," Why can't they let a girl marry three men, or as many as want her, and save all this trouble? But this is heresy, and I must not say it."This quote is important because it shows the significant roles of women throughout the book.The quote stood out to me so much because it represents the Victorian era of women. Lucy and Mina were less equal to the men and couldn't go and know about the plans to kill Dracula.The women in the book played no part in the killing of Dracula. " Why can't they let a girl marry three men ", she is saying that she can't do what the men do because they aren't seen as them.Dracula targets them and makes them his prime. It was Mina's hard work, persistence and pureness that in the
Bram Stoker’s “Dracula,” came to print in 1897, at the height of nineteenth century Victorian life in Europe, a progressively modern era that saw much medical and technological advancement. This era brought with it the contentious idea of an empowered woman, the “New Woman,” a woman who aspires to be educated as well as sexually and economically independent. Stoker gives a contrasting view of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. However, one woman’s fate is determined by her weakness, while the other is determined by her strength.
This essay explores the blurring of gender roles within Bram Stoker’s Dracula and Angela Carter’s The Lady of the House of Love, focusing on the presentation of a sexually assertive female and its threat to the patriarchal society, and the duality of the female characters as they are presented as enticing and thrilling, but also dangerous and somewhat repulsive.
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
Stoker uses 5 women in total to portray the Women discourse. The first is Mina Murray, a sensible young woman engaged to the main protagonist of the novel, Johnathon Harker. Mina is a highly educated woman for her time and was very fortunate to have a job as a teacher. Ms Murray, as well as being in the women discourse, is also one half of another very important discourse by Stoker: East meets West, or in other words, Traditional vs. . Mina represents the West and the good side of Women, abiding by the laws of society. The East and the evil is represented by Dracula’s three brides.
A ‘new woman’ was both determined and independent; it was the start of the breakaway from unequal gender norms and values that we have almost fully established today. Mina was seen as a ‘new woman’ by the other male characters in the novel which was evident in the way she was described. “Ah, that wonderful Madam Mina! She has man’s brain-a brain that a man should have were he much gifted-and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good a combination” (Stoker, 201). Even though this is essentially a sexist comment by today’s standards, this was a compliment of the highest regard given to a woman in the Victorian era. Mina was used by Stoker to represent the changing standards for women. Mina had the job of a school teacher so she had already broken traditional gender roles as other women like her would have been stay-at-home parents and caregivers. She was fully involved in the plans to defeat Count Dracula and her opinion was held in high regard by the male characters in the novel. These qualities were what made her a ‘new woman’. However, she was also representative of the traditional Victorian woman in the things she said and her values on marriage; it was representative of the changing views on male
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Dracula accentuates the lust for sexuality through the main characters by contrasting it with the fears of the feminine sexuality during the Victorian period. In Victorian society, according to Dr.William Acton, a doctor during the Victorian period argued that a woman was either labelled as innocent and pure, or a wife and mother. If a woman was unable to fit in these precincts, consequently as a result she would be disdained and unfit for society and be classified as a whore (Acton, 180). The categorizing of woman is projected through the “uses the characters of Lucy and Mina as examples of the Victorian ideal of a proper woman, and the “weird sisters” as an example of women who are as bold as to ignore cultural boundaries of sexuality and societal constraints” according to Andrew Crockett from the UC Santa Barbara department of English (Andrew Cro...
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
In Bram Stoker's Dracula , Mina is intrigued by the idea of the "New Woman". This "New Woman" is not subject to men and the rules of society in Victorian England. This notion of the "new woman" is that she is more independent and isn't subject to the man but is instead an equal. Mina says "... I suppose the 'New Woman' won't condescend in future to accept. She will do the proposing herself." By this, she envisions women will forego tradition and take over some of the roles previously done only by men.
The connection is made when Dracula sees a picture of Mina while Jonathan is held up in Dracula’s castle in Transylvania. With Jonathan trapped Dracula and Mina become quite close and go as far as to fall in love with each other. Throughout the novel, there is no love connection between Dracula and Mina and the only relation they encounter is as he attempts to seduce her to her death in spite of the men meddling with his plans of destruction. In the novel Mina resented Dracula for what he had done to her good friend Lucy Westenra. (Stoker Dracula) (Coppola "Bram Stoker 's Dracula")
...f Dracula’s birth into the world of the undead lays the foundation for the love affair between Dracula and Mina. However, the love story changes the characters of Dracula and Mina drastically from the novel. In the film, Dracula is a character with whom the viewer sympathizes while in the novel he is feared. Mina’s character is strong willed in the novel while in the film she is weak and pathetic. Coppola’s adaptation destroys the characterization of the novel, taking away from Stoker’s image for the novel. The movie, instead of being titled Bram Stoker’s Dracula, should have been titled "Francis Ford Coppola’s Dracula".