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Masculinity vs femininity
A doll's house a feminist play
Women and feminity as a theme in a doll's house
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Throughout history men and women have had separate roles in and out of the family. Henrick Ibsen’s “A Doll’s House” and Tennessee Williams’ “A Streetcar Named Desire” are two pieces of literature placed within a timeframe in history where these gender roles were essential. From the outside, these two plays appear to be very different; however, a very similar theme runs through both. “A Doll’s House” and “A Streetcar Named Desire” have a very similar take on masculinity and femininity in a marital relationship; men must make all decisions and are dependent on the subordination of the women. Women are dimwitted creatures who must comply with what the men say sacrificing all other dreams. Ibsen and William make one idea evident: Daily life is often led by the stereotypical roles society places on the masculine and feminine genders. Stanley and Helmer, the main men characters of the two plays, seem like they are very different when comparing the two to each other. However, they both follow society’s stereotypical roles. Like all average men, Stanley and Helmer are in charge and must always be at the top in their relationship. When Stella orders her husband to come outside with her, Stanley replies, “Since when do you give me orders?” (Williams) This angry …show more content…
Helmer uses pet names for his wife and calls her “skylark”, “squirrel” and “song-bird. These names dehumanize Nora and make her an animal, showing that Helmer believes he can teach her to listen to him as a person would a pet. When finally coming to the realization of the state of their relationship Nora says, “I think that before all else I am a human being, just as much as you are.” She is not the little doll Helmer thinks she is; one that moves exactly the way he wants her to. Society sees a women as an accessory to a man, not an equal counterpart. A women is no longer even seen as an actual human being when stuck in this type of
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
The dawn of the twentieth century beheld changes in almost every aspect of the day-to-day lives of women, from the domestic domain to the public. By the midpoint of the twentieth century, women 's activities and concerns had been recognized by the society in previously male-dominating world. The end of the nineteenth century saw tremendous growth in the suffrage movement in England and the United States, with women struggling to attain political equality. However, this was not to last however, and by the fifties men had reassumed their more dominant role in society. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. In this play male dominance is clear. Women are represented as
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
A Doll House, by Henrik Ibsen, and A Raisin in the Sun, by Lorraine Hansberry, both have central themes of search of self-identity within a social system. This is demonstrated by women characters from both plays breaking away from the social standards of their times and acting on their own terms. In most situations women are to be less dominant than men in society. These two plays are surprisingly different from the views of women in society and of the times and settings that they take place in.
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has no consequences for his actions against his wife and is never held accountable for treating the people around him poorly; this lasts until Blanche arrives. Blanche is an outwardly demure, but spirited young woman who after experiencing untold misfortune breaks mentally and decides to no longer care what others may think of her. She lives her life lavishly and foolishly by having dalliances with younger or richer men who shower her with gifts and attention to get sex from her all too willing form. Her effect on Stanley is one of temptation and challenge; she continually tries to convince her sister that she is too good for the man and in turn fosters a resentment for her in him. Stella acts as the antithesis of Stanley and Blanche’s extreme personalities. She is innocence and purity where they are the darkness that threatens to overtake her life. Throughout, Stella is a pawn that they both try to use against the other to no real avail as she is determined to make the best choice for herself. In th...
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
Stella, Stanley's wife in the play, is a passive woman. She is displayed this way through how she responds to the people and situations around her. When she is beaten by Stanley, she understands that his drunkenness takes hold of him and he has no control over his actions. She knows he never means her harm and his intentions are good.
Henrik Ibsen's play A Doll's House is an astonishing, yet accurate portrayal of how women were treated in the 1800s. It is essentially a force runner to women's rights and sets a path for many more feminist works to come. The novel fiercely challenges the modern idea that all women, by virtue of being women, are inclined towards feminist political interests. The roles of women have been a big part of literature and are usually a representation of how the roles of women in real life have evolved and continue to evolve. A Doll's House is an essential part of IBO specifically for the fact that it shows historical realism in the Victorian Era, and continues to challenge the unrealistic expectations of women in marriage.
Women of the 19th century were trapped in their societal roles. There was no way out. Rights were unattainable: no matter how many rights movements occurred, such as the Norwegian Association for Women’s Rights. A women’s place in society was determined by their husband’s status; there was little to no way to obtain a job, a women could not even decide for herself whether or not she wanted to be married or have a child. The male role in the woman’s life took over all decisions and property. Women were seen as the property of men, like their dolls. This idea of a women being a doll was especially evident in Ibsen’s A Doll’s House. Henrik Ibsen was a Norwegian dramatist, he became known as the father of modern realistic drama. He became popular because of the ridicule he received for “revealing a women’s need for independence from male authority” (feminist literature). While most characters in the play remained obedient to their societal roles, one woman took her life into her own hands. Mrs. Linde, after the death of her husband, learned to stand on her own two feet with no ones help. She got a job, a house and learned to stand on her own two feet. Even though Mrs. Linde played a minor role in the play, her life became a model for the feminist movements because she defied female stereotypes for her time period.
The old and new attitudes toward sexuality and the proper behavior of women is very apparent in the play called A Doll House. The play shows how each woman has sacrificed who they were for the men and the other people in their lives. The play also shows how men see women in general. Several characters give up who they thought they were meant to be, because of the social aspect in their lives. Society has always placed a burden on women as who they are supposed to be as wives, mothers, and as adult women. Women were seen as the inferior sex in the past and in the present. Things have changed over the years as women earn more and more freedom and rights that men have had for a very long time. The sacrifices that are made in this play speak to how things work for women in society. Women give up their right to happiness because they feel obligated to change who they are to help someone else.
The nineteenth century was truly a different time for women and what their assumed roles in life would be. Henrik Ibsen’s play “A Doll’s House” is an examination into those assumed roles and a challenge to them. It was a time of obedience and inequality and in the first act each character is shown to portray these qualities. However, the characters in this play have multiple layers that get peeled back as the story progresses. As each new layer is revealed the audience is shown that even with the nineteenth century ideals, the true nature of each character is not quite what they appeared to be initially.
A Doll’s House and The Importance of Being Earnest were both written in the late nineteenth century at a period in time when gender roles in society were not only significant to the structure of society but were restrictive and oppressive to individuals. This was particularly true in the case of women who were seen as the upholders of morals in polite society and were expected to behave accordingly. A Doll’s House and The Importance of Being Earnest challenge society and its inclination to categorise and expect certain behaviour of individuals based on their gender.
The role of women has changed significantly throughout history, driven by women who took risks in setting examples for others to follow. Henrik Isben, author of A Doll's House, said “ A woman cannot be herself in society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Innes 147). This proves that Isben was aware of male dominance in society during that time period. In his drama, “A Doll's House,” it deals with gender favoritism and male dominance.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
For various reasons, the role of women in society has been analyzed and frequently debated throughout history. Henrik Ibsen’s A Doll’s House is no exception to the rule. In Norway, and during the Victorian period in history, women’s responsibilities were simply to keep house or do small jobs on the side such as sewing or light secretarial work. Henrik Ibsen may have had several intentions when writing his play A Doll’s House, but the one that stands out so clearly is the role of women in the time period from which the play takes place and just how doll-like they were treated in Victorian society. Women during this period were by no means the decision-makers of their households. Husbands or fathers were the heads of the household and many times women didn’t even know what state their financial affairs were in. It was often times only when something drastic happened that a woman would become aware of these things. For instance, if a husband should fall sick or even pass away and there were no male relatives to help take care of things, often times the woman would have to step up and distinguish what needed to be done in order to take care of things. We see a variation of this situation in Ibsen’s play. We meet a woman, Nora, and her husband Torvald and in it we witness the deterioration of their life together through Nora’s eyes. Throughout this analysis of A Doll’s House, I will address several things concerning Ibsen’s play. I will give a synopsis of the play, an analysis of three major characters: a.) Nora, b.) Torvald, and c.) Krogstad. I will discuss the language of the play and themes. I will give an in-depth look at the playwright himself as well as information on his creation of the play. I will give an idea of ...