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Gender difference in the caribbean essay
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Gender Identities in French Caribbean Literature
The masculine identity and the feminine identity in French Caribbean literature is far more complex and diverse in their gender roles than what one perceives in other varieties of literature. In this type of literature, masculinity is mostly depicted with forms of weakness, while femininity in French Caribbean literature is depicted with forms of strength, courage and determination. The question is why are gender identities in French Caribbean literature evolving so differently compared to other forms of works? These gender roles are unlike the typical gender stereotypes seen in the modern society that we know of today.
There are numerous examples of women in French Caribbean literature and their ability to triumph over major obstacles within their own lives is shown in the texts. What does it mean to be a woman of French Caribbean culture and identity and how is it shown in literature? Author Amy Garvey of the article Women as Leaders illuminates how Caribbean women are starting to become more influential leaders who “are extending ...
When I first read “We Are Ugly, But We Are Here,” I was stunned to learn how women in Haiti were treated. Edwige Danticat, who was born in Port-au-Prince, Haiti, in 1969 and immigrated to Brooklyn when she was twelve years old, writes about her experiences in Haiti and about the lives of her ancestors that she links to her own. Her specific purpose is to discuss what all these families went through, especially the women, in order to offer the next generation a voice and a future. Danticat writes vividly about events that occurred in Haiti, leading up to an assertion about the strength of Haitian women. Her essay is powerful in large part because of how she manages tone.
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
Masculinities.” Reconstructing Gender: A Multicultural Anthology. Ed. Estelle Disch. New York: McGraw Hill, 2006. 120-137.
Over the past few decades, research on women has gained new momentum and a great deal of attention. Susan Socolow’s book, The Women of Colonial Latin America, is a well-organized and clear introduction to the roles and experiences of women in colonial Latin America. Socolow explicitly states that her aim is to examine the roles and social regulations of masculinity and femininity, and study the confines, and variability, of the feminine experience, while maintaining that sex was the determining factor in status. She traces womanly experience from indigenous society up to the enlightenment reforms of the 18th century. Socolow concentrates on the diverse culture created by the Europeans coming into Latin America, the native women, and African slaves that were imported into the area. Her book does not argue that women were victimized or empowered in the culture and time they lived in. Socolow specifies that she does her best to avoid judgment of women’s circumstances using a modern viewpoint, but rather attempts to study and understand colonial Latin American women in their own time.
Women in Literature: Reading Through the Lens of Gender. Westport, Conn.: Greenwood Press, 2003. Print. The. Bailey, Carol. "
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
conceptualizations of gender in literature are situated in a culture and historical context ; the
The pervasiveness of passive heroines in popular versions of fairytales and folklore has long afforded feminist critics a rich hunting ground to criticize the roles forced on women by patriarchal societies. In The House on Mango Street, Sandra Cisneros uses allusions to female heroines in children’s tales in many of the novel’s vignettes to create a portrait of expected feminine roles within a Latino patriarchal community and recasts the tales to “reveal the true-to-life consequences for women who are socialized to live their lives waiting for the happy ending” (Spencer 278). The women of Mango Street are shown to conform to the traditional roles espoused by quintessential fairy and folk tale heroines. However, their lives, as described through the voice of young Esperanza, are far from magical. Instead The House on Mango Street is suggestive of a social reality in which the women’s lives are constrained by gender roles and social mores. This research paper will endeavour to demonstrate how Esperanza’s coming-of-age transition to an empowered Chicana can only be achieved by rejectin...
Texts can be esteemed as posing linguistic reflections of the society in which they are composed, and as such, they help construct and perpetuate existing and emerging representations of different individuals and groups. Evidently, the construction and presentation of gender has been explored, exploited and reinvented throughout the course of literary history. With the influx of feminist writers emerging in the early and mid-twentieth century, the socially accepted presentations of gender were being questioned, and the stifling restrictions of a patriarchal society became disentangled both in writing and in reality. This essay will examine and critique the construction and presentation of gender in Haruki Murakami’s “Norwegian Wood” and Clarice
The routes to cultural connections and bonds are imperative in the formation of an individual’s rooted identity. Edwidge Danticat’s Breath, Eyes, Memory uses the process of cultivating the Caco women’s past female experiences, in relation to the Haitian tradition of testing, to contrast its effect on them with that of Sophie’s. Danticat uses her personal experience as the start for her understanding of self. In Christina Garcia’s Dreaming in Cuban, Pilar Puente’s Cuban heritage requires the recordation of her family’s history as a necessary route in creating an identity through shared maternal bonds. Paule Marshall’s Praisesong for the Widow narrates the reconnection of Avey Johnson to her cultural teachings from Aunt Cuney through a spiritual experience while on the island of Carriacou. A female elder serves as a vehicle that offers a connection with their cultural tradition through which the protagonist identity is dependent on. The interlocking of a specific cultural practice and its relation to cultural awareness is seen in the narration of these three novels.
Women in The Count of Monte Cristo possess unique personalities, but intensely similar restrictions. Currently, women in the United States, as well as other countries, are able to have jobs, travel, and participate in many other activities that the ladies Dumas portrays are not allowed to. Feminist analysis of this book reveals the ways of the time and the delicate balance of society’s typical structure. In The Count of Monte Cristo, Alexandre Dumas realistically conveys that when women violate their traditional roles, the balance of life is disrupted. This is evident through descriptions of instances in which females are in the home as well as when they are not.
The Caribbean region is known for its very unique history which is as a direct result of colonization by the Europeans. Within the domains of these islands, lies a shared colonial and post-colonial experience amongst its peoples which has inescapably left them with a fractured psyche. Postcolonial literary writers, through their works, have addressed, criticized and highlighted many issues faced by Caribbean people. This ‘quarrel with history’ is centered on issues of race, social class structure, gender, culture and identity. Writers such as Sam Selvon in his novel ‘The Lonely Londoners’ and V.S. Naipaul in ‘The Mystic Masseur’, through their writing, have disempowered various factors that affects the colonized. The literary techniques used
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Antoinette’s occupation of a hybrid position dismantles the stable binary of white/black, colonizer/colonized. Hybridity interrogates and deconstructs the western hegemonic assumption of stable subjectivity and meaning. Destabilising the notion of the self and the Other as envisioned by the western grand narratives hybridity proposes that the self is constructed by multiple ideologies and multiple discourses at the same time. Antoinette’s frustration and instability stem from her inability to belong to any particular community and culture. As a white creole, she oscillates between the European world of her ancestors and the Caribbean culture into which she is born. The fact that she is born in Jamaica as a white creole with a European background problematizes her identity belonging to neither of them fully thereby creating a hybrid status. Rhys through Antoinette’s ‘in-between space’ or a ‘Third Space’, as Homi K. Bhabha argues, takes a position that identity is ambivalent and crucially challenged in the hegemonic colonial setting.