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Clifford Geertz notes on a Balinese cockfight
An analysis essay on an article
An analysis essay on an article
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Geertz’s “Deep Play: Notes on the Balinese Cockfight” Clifford Geertz’s “Deep Play: Notes on the Balinese Cockfight” is an essay that seeks to deal with the meaning of cockfighting in Balinese culture. Although the essay was meant for members of the academic community, it is in itself a fascinating account, description, and dissection of cockfighting’s significance in Balinese culture. This makes the essay an enjoyable read not only for those who want to understand Balinese culture, but also to laymen who want to find out why cockfighting is so important to the Balinese. In the lengthy essay, Geertz is able to not only describe cockfighting and Balinese life, but also provide insight and his expert interpretation on what cockfighting is to Balinese life. In many ways, what makes the “Deep Play: Notes on the Balinese Cockfight” unique among many anthropological studies and ethnographies is how Geertz is able to present his topic in such a way that it is not overwhelming or tedious to a reader. In order to achieve ease of understanding, Geertz makes use of a logical flow that allows the reader to ease into the topic of Balinese cockfighting then progresses in difficulty until the end. In making use of sections that are written in different ways, Geertz is not only able to establish a logical flow, …show more content…
Essentially, the sections are there so that Geertz can fill in the gaps of knowledge. As the essay progresses, the reader becomes knowledgeable about Balinese cockfighting. In a sense, the essay from start to end is a course in Balinese cockfighting that will allow the reader to keep up with the concepts Geertz presents at the end. The sections are logical, and present the different angles for understanding Balinese cockfighting. In the end, it achieves the goal of making sense of what Balinese cockfighting is and its significance to Balinese
The essay has made me realise to preserve the environment and not use the environment for my own purposes. Along with that, the author does a great job in describing the places that he visits during this story which is very helpful in getting the interest of the audience. The author is using some of the view he is seeing to show the audience. Such as “Here, two bison, their bodies ……….. how long it must have taken.”
Pham, Andrew X. Catfish and Mandala: A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam. New York: Farrar, Straus and Giroux, 1999. Print.
The film illuminates the life of the Wampanoag language and cultural meanings. How there had been threats posed to both since the times of European colonization, when the Wampanoag people had put up little resistance. The film is not a recap of the Wampanoag
Being a culture under pressure from both sides of the contact zone, there needs to be passion and emotion or else the culture might disappear into history. Anzaldua’s text makes great use of passion and emotion while merging the ideas of multiple cultures together through the tough experiences in her life. Autoethnographic texts give perspective to outsiders on how a culture functions from the inside point of view. Anzaldua’s “How to Tame a Wild Tongue” excellently portrays her culture’s plight and creates a fiery passionate entrance for her culture in their uprising through the contact zone.
The novel is nurtured with a very soft but sophisticated diction. The essay itself portrays the author’s style of sarcasm and explains his points in a very clear manner. In addition, the author has used vocabulary that is very easy to understand and manages to relate the readers with his simplistic words. The author is able to convey a strong and provoc...
“The Sambia: Ritual, Sexuality, and Change in Papua New Guinea” is a book written by Gilbert Herdt. It is based on a case study Herdt did during the 1970’s of the culture of the Sambia people. His study took place in Eastern Highlands Province of Papua New Guinea. He didn’t know much about their language, however through out his time there he was able to learn their language and customs. As he settled into their village, he mostly slept in the clubhouse with the other Nilangu villagers; however, eventually they built a house for him to stay at. Herdt had a great interest in gaining new knowledge about the Sambia culture.
...d issues of post-colonialism in Crossing the Mangrove. It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity. The notion that anything can be understood through one, objective lens is destroyed through her practice of intertextuality, her crafting of one character's story through multiple perspectives, and her use of the motif of trees and roots. In the end, everything – the literary canon, Creole identity, narrative – is jumbled, chaotic, and rhizomic; in general, any attempts at decryption require the employment of multiple (aforementioned) methodologies.
The first section, which lasts for the first 35 seconds, has a predominant non-diegetic foreground and a subtle diegetic background. The foreground segment corresponds to a musical score made by multiple violins playing a lengthy discordant piece. It is characterised for its high pitched notes which create a feeling of tension and anticipation to the audience. On the contrary, the background sounds, which encompasses both, the ripping paper and Marion’s body movements, are both diegetic and lower in intensity and volume in comparison to the forefront. It is possible to affirm that the background noises do not play a major role in the fragment but rather complete the picture the audience is
Storytelling has a special importance in culture throughout the African continent; Anansi the spider in Ghana, is one great example of an African fable that teaches children important lessons including respect for elders, the importance of wisdom, and the importance of culture. These stories have been retained and perpetuated by oral tradition, despite the western emphasis on written records; African tribes have preserved history and culture well thorough oral historians. The translator, D.T. Niane, explains the validity of oral history well by stating that written text can contain inaccuracies as well (xv). The importance of the oral aspect of djelis method relays the information in a personal manner, as Djeli Mamoudou Kouyate states, “writing lacks the warmth of the human voice,” therefore by creating a written text of an oral story it “does violence” to it (xvi). I was raised in an African community, here in DC and was lucky enough to attend Djeli performances by family friend, Djimo Kouyate, and later his son Amadou. Although I do not speak Manding, Djeli Djimo Koyate, performed the music in such a way that I was able to relate and...
• AW’s work is deeply rooted in oral tradition; in the passing on of stories from generation to generation in the language of the people. To AW the language had a great importance. She uses the “Slave language”, which by others is seen as “not correct language”, but this is because of the effect she wants the reader to understand.
In These Two Poems, Gillian Clarke Gives The Impression Of Someone Who Is Uncomfortable With Her Surroundings? Compare And Contrast Clarke's Feelings About Violence, Change And The Attitude Of Those That Perpetuate These Themes. The intention of this essay is to compare the corresponding themes of violence, change and the attitude of those who influence these themes. in the poems 'Jac Codi Baw' and 'No Hands'. Both poems are by Gillian.
...uses the reader to be more invested in the story and therefore truly strive to understand the world portrayed instead of just shallowly absorbing the setting. This is a strength because it gave the reader unique outlook on the Asian cultures because the audience feels personally involved in these situations. There are a few weaknesses in the book. I think perhaps, by putting the audience in these men’s shoes you cause them develop a bias. The reader will possibly have and emotional tie to the characters and because of this not see straight facts of history. The book is highly recommended to readers interested in pre-modern history, the book is a good look into the eastern world especially if one lacks research experience with that part of the world and its history.
This tribe brings nothing but death and destruction to the island. Moreover, the newly formed group of warriors even develop a dance that they perform over the carcass of the dead pig. They become so involved in this dance that that warriors kill one of their own kind. By chance, Simon runs from the forest towards the group that is already shouting “‘Kill the beast! Cut his throat! Spill his blood!’” (152).
For the purposes of this discussion paper, I have chosen the film The Kiwai: Dugong Hunters of Daru to analyse. The film takes a look at the traditional rituals associated with dugong hunting among the Kiwai. Viewers also learn about the impact which new technologies have upon hunting methods and the scientist who are working to protect the dugong from extinction. Primarily I will be focusing on Claude Levi-Strauss’ chapter “The Science of the Concrete” in The Savage Mind. Levi-Strauss’ argues that there are two ways in which cultures order their world.
N.B.: ‘Shooting An Arrow’: translated by Pradip Acharya, former Professor of Cotton College, Guwahati, Assam.