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Mesed up idea of normalityin society
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Geek Love, by Katherine Dunn, is a fictional work of art that trails the life of Olympia Binewski, a hunchbacked albino dwarf, from her creation to her death. Her parents Aloysius "Al" Binewski and his wife, the geek "Crystal" Lil, decide to ‘breed’ their own freak show, questioning: “What Greater gift could you offer your children than an inherent ability to earn a living just by being themselves?”(Dunn, 18). Most of the action takes place at the Binewski’s Fabulon, a traveling circus, where Oly along with her siblings Arturo, a flipper, aqua boy, Electra “Elly” and Iphigenia “Iphy”, the Siamese twins, and Fortunato, Chick the norm looking child with telekinetic powers get to evolve. The role each freak kid takes in the Fabulon changes, grows, some having their own ‘shows’ or cults, Arty becoming the new leader of the Fabulon. Soon what used to be the love, …show more content…
This boundary line separates the visual capacity of the human eye from what is beyond it. Does that mean there’s nothing behind that line? Or does that even make the horizon real, like a border between two different countries? Most likely not. This horizon doesn’t exist, it isn’t there and it never was, because as you move toward it adjusts to your vision. It is something that people have created, accommodating with a ‘fake reality’. If it was to exist, shouldn’t the Earth be squared, and we could fall from it? No, we’re not that silly, aren’t we? But maybe we are… Think about the term ‘normality’ and what differences exist between it and this imaginary line called the horizon. We look anywhere in order to draw a line when it comes to normality. As a society, sometimes we are under the impression that there is an exact set of terms that define normal. Normality is no different than the horizon, nothing but an unfounded mindset that has been jolted into our brains from the moment we were
It represents a dream that is “never out of sight,” but waiting to be realized. As the novel unfolds, it is clear that Janie's quest to fulfill her dreams is difficult and full of obstacles. When Janie is forced into marriage, she loses sight of the horizon because she feels trapped and alone. Janie longs relationships while her grandmother wants her to be well-cared for. The narrator says “Nanny had taken the biggest thing God ever made, the horizon… and pinched it in to such a little bit of a thing that she could tie it around her granddaughter’s neck” (Hurston 89). Janie’s grandmother limited Janie’s ability to reach her dreams, and instead put her in a place she did not want to be. After Joe’s funeral, Janie reflects on how her grandmother set her life on a course she did not want to take, “she had been getting ready for her great journey to the horizons in search of people… but she had been whipped like a cur dog, and run off down a back road after things” (Hurston 89). In preparing for her journey to the horizons, Janie longs to live a life of her own, with her own dreams and desires. She realizes that her longings were always there, but they have been contained by well wishers like
The main character of this book is Susan Caraway, but everyone knows her as Stargirl. Stargirl is about 16 years old. She is in 10th grade. Her hair is the color of sand and falls to her shoulders. A “sprinkle” of freckles crosses her nose. Mostly, she looked like a hundred other girls in school, except for two things. She didn’t wear makeup and her eyes were bigger than anyone else’s in the school. Also, she wore outrageous clothes. Normal for her was a long floor-brushing pioneer dress or skirt. Stargirl is definitely different. She’s a fun loving, free-spirited girl who no one had ever met before. She was the friendliest person in school. She loves all people, even people who don’t play for her school’s team. She doesn’t care what others think about her clothes or how she acts. The lesson that Stargirl learned was that you can’t change who you are. If you change for someone else, you will only make yourself miserable. She also learned that the people who really care about you will like you for who you are. The people who truly love you won’t ask you to change who you are.
During the Ming and Qing Dynasty, under the circumstance of which the absolute monarchy reached its peak progressively, two trends of thoughts appeared in China:
Tan, Amy. The Joy Luck Club. Published by Penguin Books 1989. New York, New York, U.S.A.
Holden’s love life distinctly reflects that of Salinger’s, as he strays from the orthodox motivations of society and hopelessly seeks a steadfast relationship. After physically fighting with Stradlater over his impulsive actions toward Jane, Holden ponders the sincerity of his intentions in having intercourse with her. He disapproves of Stradlater’s careless motives and discovers his personal desire for a long-lasting romantic bond as he states, “I just kept laying there on Ely's bed, thinking about Jane and all. It just drove me stark staring mad when I thought about her and Stradlater parked somewhere in that fat-assed Ed Banky's car. Every time I thought about it, I felt like jumping out the window” (Salinger 26-27). Using a reflective tone, Holden recognizes his desire for a sincere relationship through his shock and
Fiction Studies 49.3 (Fall 2003): 443-468. Rpt. in Children's Literature Review. Ed. Jelena Krstovic. Vol. 176. Detroit: Gale, 2013. Literature Resource Center. Web. 11 Mar. 2014.
Agency- self-determination, volition, or free will; it is the power of individuals to act independently of the determining constraints of social structure.
According to George Lucas, the supreme liar, there is only one type of moviegoer. As usual, George Lucas is incorrect. There are actually three types of moviegoers. They are the romance type, the comedy type, and the sci-fi type.
The nonfiction book I read was titled Beautiful Child and was written by Torey Hayden. Beautiful Child follows the life of a special education teacher who is new to a school is met with a challenging class consisting of five children, all with very different needs. The class consists of a child who has tourette’s syndrome (Jesse), a child who we later find out has dyslexia (Billy), two twins who have fetal alcohol syndrome (Shane and Zane), and a young girl who is selectively mute (Venus.) Although through the story we see each child grow and progress, Venus is the main character and we see her open up to Torey through books and most important She-Ra comics. As Venus’ story unfolds, so do the horrendous details of her family that include a past of drug abuse and prostitution. The quietness of Venus that left many confused, begins to make
Today, love, sex and romance are three main topics that presented in media as main themes discuss in contemporary popular culture. Social media is important in shaping audience value about feminism through the framework of contemporary media like films, magazines, plays, advertisements, TV shows, graphic novels, etc. The television show “Sex and the City” incorporates “pop feminism” that influences many lives of women. Sex and the City is originally talking about four single thirty-something women living in Manhattan. They are coming to New York in order to seek “love and labels” (Sex and the City). The main theme of Sex and the City is concentrating on contemporary American woman’s conception of sex, love, and romance. As we learned from lecture, sex, love, and romance have a history; they are different in different cultures; they are shaped by gender, class, race, ethnicity, nation, ability, and other differences (Lecture Notes). Sex and the City is focusing on modern American woman’s experiences and their thinks with sex, love, and romance. The four main women characters in Sex and the City represent diversity of gender, class, race, ethnicity, religion, age, able-bodiedness through their different experience and expectations of their life (Lecture Notes). Sex and the City represents that the feminism notions of sex, love, and romance are socially constructed, and this social construction of sex, love and romance are featured in these female characters’ personalities.
In his play, Shaw brings up the realities and issues of the restrictive marriage and divorce laws in England, especially how they affect women. Cuthburtson we know has a judicial divorce because everyone knows about it, because of the publicity of divorce courts at that time. The biggest reference to the issue of marriage and divorce however is in the original third act regarding Julia and Paramore. The couple is struggling because they are no longer happy, in fact were never really happy because they never really cared for each other in the first place. Paramore and Grace wish to get married and Julia 's heart is still with Charteris, although she has no chance of convincing him to marry her. Because divorce could only be initiated based
The video of the son “coming out” to his father was filled with intense drama because of the high emotions and awkward conversation that took place. While the video started out pretty slow, it was clear that the conversation was going to be transformative for everyone involved. Thinking about this confession in regards to this video caused me to reconsider how I defined confession. The son’s “coming out” seemed to series of confessions that when separated from each didn’t carry as much impact. The conversation quickly turned messy when the son sensed his father was not respectful of his choice. Part of me felt as I watched this video that it was not meant for my ears or eyes. This confession is such a scary one that I felt like I was invading
Fans can have strong responses to both narrative and production events effecting their favorite television shows. A wall used to mourn Ianto Jones after he is killed off Tortchwood:Children of the Earth. 50,000 pounds of peanuts mailed to CBS's New York office to show support of Jericho when it was canceled (Elber 2007). Hate and threats directed to writers, producers, actors, and their families protesting the importance of Castiel in Supernatural. These reactions are tied to fans' emotional investment and connections they have created by expanding past what is seen on screen. A sense of justification for the actions taken stem from the broken promise of shared production in a participatory culture.
Dating and marriage is not always how the movies picture it to be. It can be a complicated entanglement that is a special part of one’s life at the same time. Reality imposes a lot of true questions in relationships, which must be figured out in order for the relationship to thrive. Here is my take on dating and marriage for my life.
“The Little Match Girl,” gives readers an insight on what it is like to be a starving, freezing, homeless, and mistreated little girl.