A Gaza Diary
A somewhat controversial publication by Chris Hedges, titled A Gaza Diary, illustrates to the reader his vivid experiences during his weeklong stay in what is know as the Gaza Strip. Hedges’s travels, with illustrator Joe Sacco, start in Jerusalem and proceeds down south through the Gaza strip to a Palestine camp refuge called Khan Younis, where they stay for the majority of the trip. They venture over to Mawasi, also a Palestine village, located on the coast. In both these locations he describes the constant unrest and turmoil that residents face everyday and every night.
Hedges’s first entry has him in Beit Agron receiving his press pass and preparing for the dangerous trip ahead. While leaving he notes a man of Israeli Arabic descent that voices his opinion on the Palestinians and how they “are animals,” and that “…Israel is a land of love…Palestinians do not love…We should put fire to them.”
They proceed down the strip through gates and checkpoints. They meet up with Azmi Kashawi in Gaza City and make there way down to Abu Holi, a Israeli-controlled junction. At this junction Palestinian traffic is stopped until Jewish and Israeli troops are not in use of it. Sometimes they can wait up to hours or days and sometimes the gate is closed for long periods at a time.
Later on that evening they arrive in Khan Younis. Hedges’s describes the refuge as a dense, concrete shantytown, with crude septic tanks at every house that can over flow into the dwellings. Drinking water is limited and dirty at best, and the mazes of houses that occupy the area are accompanied to layers of sand on anything and everything. The village is horseshoed by Israeli military posts that have guns pointed down onto the rooftops constantly. They converse with a born resident of Khan Younis named Fuad Faquawi. He runs the United Nations Relief and Works Agency (UNRWA) for Palestinian Refugees in the village. As they speak, homemade mortars are sent up at the Israelis and groups of men and boys are out at the dunes throwing rocks at jeeps that patrol the Jewish settlement. Soldiers open fire and wound eight Palestinians. Boys are commonly found at the dunes daily, throwing rocks at the Israeli soldiers and get fired at. The Palestinian police are said to have given up on the holding the children back.
According to the article, Too Much Can Make Us Sick (http://www.sugarscience.org/too-much-can-make-us-sick/), “Heart disease. Diabetes. These chronic conditions are among the leading causes of death worldwide. Increasingly, scientists are focusing on a common set of underlying metabolic issues that raise people's risk for chronic disease. It turns out that the long-term overconsumption of added sugars is linked to many of these dysfunctions.” This means that people living today, have a lot more trouble with diseases because of our unhealthy sugar intake compared to the
“One of those obligations is that it must exercise a proper degree of care for its patients, and, to the extent that it fails in that care, it should be liable in damages as any other commercial firm would be
The first component of the four D’s of negligence is duty. The dentist owed a duty of care to every one of his patients. Duty of care is a legal obligation a health care worker, in this case, the dentist, owes to their patient and, at times,...
Throughout the life of an individual most people would agree that dealing with tough conflict is an important part in growing as a person. In “The Cellist of Sarajevo” all the characters experience a brutal war that makes each of them struggle albeit in different ways. Each of them have their own anxieties and rage that eventually makes them grow as characters at the end of the book. Steven Galloway’s novel “The Cellist of Sarajevo” exemplifies that when an individual goes through a difficult circumstance they will often struggle because of the anger and fear they have manifested over time. The conflict that the individual faces will force them to reinforce and strengthen their identity in order to survive.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Odysseus and Penelope play the roles of two lovers’ that are separated. Without Odysseus, Penelope hopes for “a gentle death with no mourning and craving my dear husband”. Penelope’s want for death instead of marrying a suitor with no Odysseus reveals her dedication to their love. In tapped by Calypso starving to see Penelope, Odysseus hopes “every day to get back home even if some god breaks me apart”. The fact that he is so set to witness wife and to be at home with her, the lack concern for the hazards desire to be reunited with his love. Penelope, affected by her empty surroundings of no companion, holds the stubbornness of a lover. Her easily affected environment filled with suitor’s causes her to speak rash words, confirming the amorous trait in her. Odysseus’s only hope to see his wife acknowledges his personality of a
The tort of negligence is the failure to exercise the standard of care that a reasonable person would exercise in a similar circumstance. Negligent conduct may consist of either an act, or an omission to act when there is a duty to do so. Four elements are required to establish a prima facie case of negligence. The existence of a legal duty to exercise reasonable care, a failure to exercise reasonable care. Cause in fact of physical harm by the negligent conduct; physical harm in the form of actual damages and proximate cause. Which is showing that the harm is within the scope of liability.
Not only had Penelope mentioned her dream, but she also had asked Odysseus what he had been wearing the last time that he had seen him when entertained in Crete. Penelope had given him a test that would have proved most difficult for any man who may have actually seen what Odysseus had been wearing. Odysseus went on to describe that he had been wearing a mantle, a tunic, and also a golden pin. This golden pin was something that Penelope had given him right before he had left for war and was important to her. By Odysseus mentioning the pin it had signified to her that he may have still loved her for the 20 years he had been away. She had began weeping after the description had been given as she likely knew that it had been Odysseus in which the old man claimed to see. During this moment it is very likely for her to have recognized that the old man was Odysseus and that is why he was able to describe his outfit with such
...lyphemus knows who blinded him so Odysseus calls back to the Cyclops to tell him that his name is Odysseus despite his men begging him not to. Because of his arrogance Poseidon punished Odysseus and his men and delayed their journey back home and caused a storm that made Odysseus shipwrecked. His arrogance also portrayed by Homer when he decided to listen to the Sirens instead of putting wax in his ears. He took a risky decision and his decision could have put him and his men in harms way. In contrast, throughout the story, Penelope appears to be humble. Instead of acting like Odysseus, Penelope never intends to make her name well known throughout the suitors. Instead she stays calm and encourages the suitors to stay home and make them think that they are welcome. Of course she hate the suitors but she never tells them to leave. This behavior contrast with Odysseus.
One important characteristic that Penelope and Odysseus share is their loyalty to each other. Odysseus failed to return home seven years after the Trojan war. Because he is assumed dead, 108 wealthy noblemen and princes invade his palace and refuse to leave until Penelope has married one of them. By marrying her, the suitors hope to gain control over Odysseus’s wealth and power. However, Penelope remains faithful to Odysseus. But, as a woman, she is powerless to remove the suitors from the palace. And without a man in the household, she is subject to her father’s decisions. However, despite his wish for her to remarry, Penelope clings to the hope of Odysseus’s return and remains faithful to him. She waits and gathers information by asking strangers who arrive in Ithaca about Odysseus. She goes through the stories of their encounter point by point, and asks about every detail while tears stream down her eyes. Although the suitors promise her a secure future, Penelope continues to wait for Odysseus. Without Odysseus, she does not believe that she will ever be happy again.
A tort is a wrong. More precisely, a tort is a violation of a duty imposed by the civil law. When a person breaks one of those duties and injures another, it is a tort. The injury could be to a person or her property. In a tort case, it is up to the injured party to seek compensation. She must hire her own lawyer, who will file a lawsuit. Her lawyer must convince the court that the defendant breached some legal duty and ought to pay money damages to the plaintiff. A crime is an act so threatening that the government itself will prosecute whether the injured party wants the case to go forward. A district attorney, who is paid by the government, will bring the case to court seeking to send the defendant to prison. If there is a fine,
Norris, Margot. "Blind Streets And Seeing Houses: Araby's Dim Glass Revisited." Studies In Short Fiction 32.3 (1995): 309. Academic Search Complete. Web. 2 Apr. 2014.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
From all the above we see that Penelope reflects successfully the faithful wife, the strong woman, the responsible woman the woman who cares about herself. She is loyal both to the principles of the palace and the principles of those times. During Odysseu's absence she continued to perform the duties expected of her very well and that is the reason, I believe that she managed to achieve the best reputation for Odysseus and herself, even though woman's role was restricted at that time. Like I always say behind evey great man there stands a greater woman.
The article Regime-Made Disaster: On the Possibility of Nongovernmental Viewing collected from the book Sensible Politics: The Visual Culture of Nongovernmental Activism, New York, NY: Zone Books, 2012. The author Ariella Azoulay who is an art curator, filmmaker, and theorist of photography and visual culture, currently she is working as an assistant professor at Brown University. However, her study discloses a detail view how the Israeli regime turns the photography of their invasion on Palestinians to benevolent photographs of Palestinian refugees.