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Jane Eyre and Mr Rochester relationship
Jane Eyre and her relationship with Rochester
Jane Eyre figurative use
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he Garden of Eden was a paradise, yet still fraught with peril. Eve and Adam’s inability to resist temptation was ultimately their downfall and the same could be said for Jane and Mr. Rochester in Charlotte Bronte’s novel, Jane Eyre. The allusion to Jane and Mr. Rochester’s own Eden during the proposal scene is used to expose the hidden agenda of Mr. Rochester’s offer and the divide it will create between him and Jane. The parallel to Eden is significant in the fact that it contributes to the forbidden nature of the proposal and highlights the social divide between Jane and Mr. Rochester. The setting of the scene is a “sheltered and Eden-like”(Bronte 276) orchard. It is a beautiful, secluded place that is only inhabited by Jane and Mr. Rochester. They both talk about being equals, created in each other's likeness leading to the image that they …show more content…
Mr. Rochester even goes as far to say, “It is as if I have a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame” (Bronte 280). This gives reference to the fact that Eve was created from Adam’s rib, strengthening the hint of connection and the equality that they share. However, their bond can and will be broken. Just like after Eve eats the apple and God makes it so husband will rule over wife; after Jane accepts Mr. Rochester’s proposal his treatment of her changes. During their period of engagement, he goes from treating her as his equal to something he wants shape into his same social status by loading her riches. He is determined to put a “diamond chain” (Bronte 287) around her neck and “clasp the bracelets”(Bronte 287) on her wrists. This gives the image of Mr. Rochester entrapping and enslaving Jane which is why Jane abhors the fact that he is trying to change her into
Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative. From the introduction of Jane’s orphan life, she battles between her ire at cousin John’s antics and obedience to Aunt Reed’s reluctant guardianship.
...life. Adams’ points out that Rochester believed he had “made” Jane a woman; she was not a woman in her own right. Without Rochester’s presence looming over her, she is simply a child. These roles are reversed, and Jane feels in control when Rochester is blinded by the fire set off by Bertha. Jane’s “nurturing custodianship” of him makes her feel equivalent to him, thus leading them to get married.
The need to love and to be loved is a general characteristic basic to human nature. However, the moral principles and beliefs that govern this need are decided by the individual. In the novel Jane Eyre , author, Charlotte Brontë, vividly describes the various characters' personalities and beliefs. When the reader first meets the main character, Jane Eyre, an orphan of ten, she is living at Gateshead Hall in England with her Aunt Reed and three cousins, all of whom she greatly despises. Soon after, Jane is sent away to the Lowood Institution, a girls' school, where she lives for the next eight years. Jane then moves to Thornfield Hall to work as a governess for Mr. Rochester; they fall in love and plan to be married. However, during the wedding ceremony, it is revealed that Mr. Rochester already has a wife. Humiliated, Jane leaves Thornfield and travels to Moor House. While there, Jane hears Mr. Rochester's voice calling her name one evening; she immediately returns to Thornfield only to find a charred and desolate house burned by Mr. Rochester's lunatic wife. During the tragedy, Mr. Rochester's wife dies and he looses a hand as well as the sight in both eyes. However, because his wife is deceased, Jane and Mr. Rochester are free to marry and do so. Even though Jane's existence is anchored in the need to love and to be loved, she is an intense character and refuses to sacrifice her moral principles and beliefs regardless of the situation.
Jane Eyre was published in 1847. Originally titled Jane Eyre: an autobiography, the novel is about title character, Jane Eyre, and her journey from girlhood to wife of Rochester. The book contains many elements of the gothic, including the supernatural, the horrific, and other gothic forms and elements. The excess contained in the book includes that of sexual excess, as Jane is attracted to Rochester by sexual passion, as well as that of the romantic, there is also what Rochester considers Bertha's sexual excess. This essay will aim to discuss how these are contained by the Christian framework of the novel.
...ment and realization that he has lost Jane to another man in the following dialogue between them, “’I know where your heart turns, and to what it clings. The interest you cherish is lawless and unconsecrated. Long since you ought to have crushed it: now you should blush to allude to it. You think of Mr. Rochester?’ It was true. I confessed it by silence. ‘Are you going t seek Mr. Rochester?’ ‘I must find out what is become of him.’ ‘It remains for me, then,’ he said, ‘to remember you in my prayers; and to entreat God for you, in all earnestness, that you may not indeed become a castaway. I had thought I recognized in you one of the chose. But God sees not as man sees: His will be done.’” (Bronte 436) Though Jane Eyre’s stay at Moor House and Morton were crucial for her recovery to stability of her life, she yearned to be at Thornfield and wedded to Mr. Rochester.
Bronte’s main character, Jane Eyre, conforms to this unequal power dynamic throughout most of the novel. Therefore, Jane is portrayed as the direct product of Victorian society. Throughout the novel, the men Jane encounters hold the power and inevitably mold and shape her throughout the novel into their idealized standard of a woman. Mr. Brocklehurst, Mr. Rochester, and St. John each project their own image of the perfect woman upon Jane and each of them attempt to shape her to their idealized standards. Jane is left in the end to discover herself whilst in her search to be reunited with the love of her life, Mr. Rochester. Jane’s relationship with Mr. Rochester however focuses far more on romantic notions and brings to ...
Rochester is is where she finds the deep connection that changes the course of her life. They have a quick, witty rapport and are very alike though seemingly different. When they first meet, Mr. Rochester implies that Jane is a leprechaun as a joke. Jane responds with a straight face, “the men in green all forsook England a hundred years ago.”(104). They have a very similar sense of humor and are able to sustain interesting conversations. This leads to an attraction, even though outwardly they are much different. Mr. Rochester is a middle-aged, broken gentleman with a string of meaningless mistresses and a dark marriage in his past, while Jane is a very young woman, right out of a catholic school. They are both ultimately searching for the same human love. At this point in the story, however, they are not similar enough that they can be together. Mr. Rochester loves Jane, but he is still very possessive and values her as a sort of object over her own autonomy. “I will myself put the diamond chain round your neck, and the circlet on your forehead... and I will clasp the bracelets on these fine wrists,” (220). Because of this, their values differ in regards to Jane’s autonomy and her decisions. When Bertha’s marriage to Rochester is exposed, Jane decides she must leave, but Mr. Rochester doesn’t understand how important that is to her. “Jane, do you mean to go one way in the world, and to let me go another?” (269). Jane is very close to ending her period
Jane is exposed to different kinds of religion as the novel goes on. Bronte exposes a great deal of characterization in Jane as she is forced to decide between conforming to the religions of her peers or staying true to herself and discovering the faith that is right for her. She must decide between the evangelical overlook of a harsh Christian society, represented by Mr. Brocklehurst, the idea of passion before principle, represented by Mr. Rochester, and the idea ...
“What do I sacrifice? Famine for food, expectation for content. To be privileged to put my arms round what I value-to press my lips to what I love-to repose on what I trust: is that to make a sacrifice? If so, then certainly I delight in sacrifice”(About.com Classic Literature). Jane has lived a hard life and because of that she just wants to be independent and respected. But to have those things she has to sacrifice her happiness and the chance of not being with the man she loves. She wants to be happy and to have the feeling of being loved, but she knows that she would not be able to be happy if she does not respect herself. And if she was with Mr. Rochester, the man she loves, then she would lose her self respect because Mr. Rochester is still married, so she would not be his wife she will just be the other women.
During the novel Jane encounters two important men and through these men has two proposals of marriage, one from Rochester whom she loves and the other from her cousin St John Rivers. The two men are portrayed very differently, as are their marriage proposals. This essay will compare and contrast St John Rivers and Edward Rochester.
This brought into question Jane’s grand need for independence. Jane’s equality in a relationship is derived from her desire for independence. Jane reveals her need for independence in her relationship with Mr. Rochester when she told him she would always call him master but she would not be inferior to him. Haiyan Gao asserts in her article “Reflection On feminism in Jane Eyre,” “Jane loves Rochester with all her heart and Rochester’s status and wealth make him so high above for Jane to approach, yet she never feels herself inferior to Rochester though she is a humble family teacher.” It is also notable that Jane does not pursue a relationship with Mr. Rochester with the intention of gaining money.
It is human nature to desire freedom and yearn for passion, yet it is also human nature to obtain acceptance and follow reason. It is a never ending battle between passion and reason; without reason there is no acceptance, without passion there is no freedom. In Charlotte Bronte's Jane Eyre, Jane struggles between passion and reason. Though Jane loves Mr. Rochester, her employer at Thornfield Hall, she has certain values to uphold in order to conform with society. Jane does not let her affections overtake her morality, though her return to Mr. Rochester proves passion to be stronger than reason.
Charlotte Bronte utilizes the character of Bertha Rochester to interrupt Jane’s potential happy ending with Mr. Edward Rochester. Bertha is announced by Mr. Briggs as a way to stop the wedding and it also shows how hopeless Jane’s situation is. “That is my wife “said he. ‘Such is the sole conjugal embrace I am ever to know—such are the endearments which are to solace my leisure hours! And this is what I wished to have,’” (312) and “’I wanted her just as a change after that fierce ragout,’” (312) are quotes that express Mr. Rochester’s reasons for trying to remarry while he already has a wife, meanwhile showing his disposition towards said wife. Had Mr. Briggs and Mr. Mason not been present for the ceremony, Jane may have lived happily in ignorance. Due to Bertha’s involvement however, Jane could never truly call herself Mr. Rochester’s wife. She says, “’Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire—I should then be your mistress: to say otherwise is sophistical—is false.’” (323) This quote shows that as a result of Bertha’s exposure, Jane refuses to marry Mr. Rochester. The influence that Bertha’s brief debut had on Jane’s life was significant enough to hinder the growth of her relationship with Mr. Rochester.
Love is an important theme in the famous novel Jane Eyre by Charlotte Bronte. Jane's love for Rochester is clearly noticible throughout the novel. But Jane's true love for Rochster becomes appearent in only a few of her actions and emotions. Although it may seem Rochester manipulated her heart's desire, this can be disproven in her actions towards him. Jane followed her heart in the end, by returning to Rochester.
Ultimately, concepts such as happiness cannot be guaranteed to skeptics like Jane Eyre and “hideous” men like Rochester -- only the divine union of passion can be guaranteed. Yet, for Bronte’s characters, this is sufficient reward and an appropriate closure for a love story about such atypical characters. Below, I will use characterizations of the Romantic literary school, as well as criticism of Jane Eyre, to explain how the ending of the novel fits perfectly with the rest of the landmark novel.