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Differentiating roles of men and women in game of thrones
Differentiating roles of men and women in game of thrones
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Game of Thrones is a fantasy piece, set during the medieval times, which takes place in a country called Westeros. Although it is set in a different time and place than where we are today, the show still has the same constructs, and built by the same fabrics that define our gender roles here in America. This show is a great example of gender roles, and what happens when people follow these rules or stray from them. Taking an in depth view of the season one opener, “Winter is Coming” helps reveal many of the social constructs not typically thought of that build our daily lives. This episode also portrays that gender roles are not just dependent on sex, but on social class, and physical characteristics. Men fulfilling their gender role in …show more content…
This is evident in the very first scene in the opening episode by a “Man of the Knights Watch” who ran away from his duties at the wall. The man is seen as a coward, and sentenced to death by Ned Stark. According to Devor “Children’s developing concepts of themselves as individuals are necessarily bound up in their need to understand the expectations of the society of which they are a part” (28). The man of the nights watch did not meet the expectations of his society, and he was killed for it. Women who step outside their gender role are often ridiculed in Game of Thrones, but don 't suffer the same consequence. This echoes Devor when she stated “There almost seems to be a guarded respect for girls who enjoy some of the privileges and skills which are usually reserved for the socially dominant gender” (40). For example Arya is shown growing bored of sewing with her sister in the episode, and sneaks off to shoot a bow and arrow. Arya hits a bullseye which embarrasses her brother because he is not as good as a girl, so he chases her off. Some men possess masculine qualities, but are not seen as men because of their looks. For example Tyrion, who goes to brothels, and drinks wine in excessive amounts. Tyrion is able to live this lifestyle, because of his wealthy family. Devor states that “Economic achievement, bureaucratic power, physical strength, aggression, and emotional toughness are major indicators of masculinity” (38). Tyrion exudes all of these characteristics throughout Game of Thrones, but is seen as less than manly because he is a
The topics that Joe Ehrmann uses as framework for his Building Men for Others program are quite intriguing and make you really question masculinity. The first topic, rejecting false masculinity, can be interpreted a few different ways. In the book, it states: “As young boys, we’re told to be men, or to act like men” soon followed with “we’ve got all these parents say ‘be a man’ to boys that have no concept of what that means. I completely agree with the statement of Joe Ehrmann and often question the definition of ‘being a man’. Many boys and men will reject the idea of a man being anything other than being big and strong or having power.
The media is a powerful tool and has the ability to influence and change one’s overall perspective of the world and the position they play in it. Although Television shows such as Friday Night Lights are seen as entertainment by consumers, its storyline contributes to the social construction of reality about class in the United States.
Since the dawn of man and women, the issue of gender role has existed. Throughout history the norms of each gender have shifted. The two texts of Beowulf and We Have Always Lived in the Castle, both support a single sex, but are on opposite sides of the spectrum. Beowulf, written in around 800 AD represents the time of men superiority over women, who were the dominant figures in society and their families. On the other hand, We Have Always Lived in the Castle, depicts the contrary, the time of the 1960’s where women’s power grew stronger in contrast to men. In each test the power of each gender is perceived as threatening to the opposite sex, to keep in place, the supremacy of their own gender.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Realistically, when someone is more powerful, they have the ability to set the rules. Men have historically held power in society, which means that women did not have as much stance or freedoms as men have had in the past. For example, Canadian women did not have the right to vote until the year 1916. This factor has continued to trail into the present day, creating the ‘weak’ image towards women, overall forcing and pushing men to become the opposite of this factor. Thus, cultural ideals of masculinity rely on the ideas of femininity through patriarchy and gender binaries. The emphasis on characteristics of men are being exaggerated, as society is pressuring men with unattainable standards of masculinity such as being tough, muscular and buff. Men continue to conform to these characteristics, in the fear of being oppressed through exclusion, which only strengthens society’s standards even more. This leads to more societal pressures on men, thus leading men to experience more societal pressures in the fear of feeling excluded. These “systems of inclusion and exclusion are divisions or barriers that prevent people from joining and belonging.” (50). For example, if a man wears nail polish, they may be oppressed and excluded through facing ridicule and bullying, because wearing nail polish is considered “girly”, therefore this boy is rebelling against society’s socially
Everybody has certain expectations in which they uphold in todays society. A prime example are women, girls are taught at a young age that beauty was a defined thing that not everyone could have. Adolescents and children are expected to be compliant to their parents. Males are accepted to be muscular and always in control. They’re expected to be the pillar of society, never wrong or feminine. A man is frequently regarded as a downcast if he is seen as weak or crying. Society as a whole does not realize that the public has a remarkable influence on the actions aimed at men. Because of these expectations it is almost mandatory to develop the persona that the society interprets as correct. In The Naked Citadel, written by Susan Faludi, the connection
Men are allegedly competitive, aggressive, dominant, and strong and if these attributes are not acquired a man is not a man. When other men recognize a man failing in those four areas of “manliness” they compare him to a female with negative connotation as expressed in the following quote, “The worst insult one man can hurl at another-whether its boys on the playground or CEOs in the boardroom-is the accusation that a man is like a woman.” These actions create perceptions that women are unworthy and pitiful. Jensen mentions that because of masculinity men are thought to seek control over women resulting in an increase of physical violence towards women. However, masculinity has harsh effects on men as well. Men are constantly trying to prove their dominance to each other, while competing against one another for ultimate dominance. This creates a never ending cycle of competition and unease for
The fictional world of Grendel has great divides between male and female characters. While the novel is written in a fairly contemporary society, the world that Gardner constructs still follows under the same logic and principle as the ancient writings of Beowulf. The men are overtly masculine and tough, and the women are constructed with extreme passivity; there is marginal middle ground in both worlds. The constructions of how certain genders act are crucial to interrogate in order to understand one’s bias and become cognizant of the variety of gender roles men and women can endorse. The world of Grendel is full of symbols that construct men as violent, sexual creatures and women as passive objects.
When someone is thinking of a man, what do they think? Strong? Brave? That’s what most people think; in reality that is a very false image. In “Bros Before Hos: The Guy Code,” Michael Kimmel, talks about what it means to be a man and what it takes to be a man in today’s world. Men are pressured into what they “should” be. If they don’t follow certain unwritten rules, which include: not asking for directions, not giving up, not showing fear, or any signs of emotional weakness, such as tears; they are considered less than a man, a wimp. A real man must be aggressive and brave, he must defend his territory: status, family, possessions. Men blindly follow the Guy Code, they believe in order to fit in, they must comply and be part of the pack.
Suzanne Collins’s novel The Hunger Games features a strong female protagonist that frequently defies gender norms and blurs the lines between femininity and masculinity. Katniss Everdeen, the heroine of the story, is initially depicted in what many would consider a more masculine role. She hunts, cares little about her physical appearance, and becomes the protector and provider for her family. However, when she volunteers as a tribute for the Hunger Games, her survival demands that she learn to embrace both feminine and masculine traits. To gain support from the Capitol and have a chance at winning the Games, Katniss must not only present herself as a fierce killer but also as a beautiful, romantic, and vulnerable girl. Likewise, A gender critique of The Hunger Games reveals that Katniss’s expression of femininity and masculinity is not based on
From the beginning of the human race the gender roles of man and woman appeared to be straightforward. Women, being able to procreate, were sought to as nurturers, while men were to protect and provide for their family. Throughout all cultures, practices and beliefs of individuals toward masculinity significantly vary. Masculinity or manliness associates with characteristics such as strength, bravery, handsomeness, and physique in a male. With the ongoing changes in human history, the term masculinity has greatly evolved. Our western views’ paint a clear image of how children should be raised according to their gender role, which leads to more and more of them falling victim to the stigma of societal pressures and stereotypes. For example,
The way individuals discipline their body is analogous to how they act towards the idea of power and status. How bodies are trained to emit gender distinctions is similar to how people tend to clothe their bodies. The way people tend to “sit, stand, gesture, walk, and throw” are different depending on their performance of masculinity or femininity (Martin 297). Women’s bodies tend to be more “confined, their movements restricted (Martin 297).” The term “femininity” defines the idea that the female sex is perceived with specific traits and characteristics. Crossing their legs, sitting up straight, having a softer voice and light footsteps are all ways in which women become naturally embedded to the gender norms. She is ascribed to be more gentle, nurturing, and emotional, and weak. These traits she attains are given by society the moment she is born, creating an idealized sexually more inferior identity than that of a male. By analyzing the socially constructed gender profile of men, it is easy to see how society creates a more dominant and powerful facade. They are stereotyped to being more aggressive, highly sexual, strong, competitive, emotionless, and in control. These socially constructed differences confines males and females to particular character profiles that limit their equality as a whole. The bodies are gendered “as a product of social doing; constituted through interaction (West and Zimmerman 175).” The way male and female establish their gender order in society correlates to their mentality as a whole. Overall masculinity is more valued than femininity in society. Masculinity correlates to gender privilege. An inequality that gives males the access to more power, resources and positions due to the traditional notions of gender roles. Men are given a greater advantage because he is deemed more capable to fend for himself. He is given greater power in the working field and
In the following essay I will seek to establish the construction of feminine gender roles in ‘Game of Thrones’, the HBO television adaptation of George R. R. Martin’s series of novels ‘A Song of Ice and Fire’, which is played out in the fictional kingdom of Westeros. Consequently I will analyse these feminine gender roles from a materialistic viewpoint and discuss how a number of characters, principally female (since we will see how patriarchy is the favoured practice in Westeros), both conform to and reject preconceived ideas of gender performance and representation. To begin with it is necessary to establish an understanding of what ‘gender’ is. “Gender is the range of physical, biological, mental and behavioral characteristics pertaining to, and differentiating between, masculinity and femininity. Depending on the context, the term may refer to biological sex (i.e. the state of being male, female or intersex), sex-based social structures (including gender roles and other social roles), or gender identity” (Urdy 1994). Martin himself acknowledges De Beauvoir’s (1973) suggestion that gender is unnatural, ‘a social construction’, “I regard men and women as all human- yes there are differences, but many of those differences are created by the culture that we live in, whether it is the medieval culture of Westeros, or 21st century western culture” (Salter 2013). The characters portrayed and developed in ‘Game of Thrones’ are no different in that they too are subject to the culture that has been created around them and the experiences by which they progress “as De Beauvoir puts it, consciousness exists one’s body, which, in the context of ...
sion. It could be argued that Shakespeare only goes so far with the gender roles - the women are eventually silenced or pacified - because the suspension of disbelief can only be maintained so far - the traditional view of women was confined within rigid boundaries. In The Winter's Tale all the women are badly treated - incidentally, at the hands of men. Our perspective of the actions of the men we believe to be harsh, though to Shakespeare's contemporaries they were likely to be justified - in fact chastisement would probably be justified to a more brutal extent. There is however little authentic evidence in the plays, that Shakespeare strove either to uphold or to subvert, however covertly, the established order.
One of the main issues in “Anna and the King” is the differences between men and women. What is less obvious is that those differences are of two types: the existing inequality of the social status of men and women, and the ways in which men and women try to deal with (end or prolong) this inequality.